L'eccezione alla regola

I love Warren Beatty, I always have. First time I saw him in a movie was in Bonnie and Clyde. For me his name had something magic. Splendor In The Grass, The Roman Spring Of Mrs. Stone, Lilith. The beauty of the man didn't seem to interfere with the character he was playing, remember All Fall Down? I waited for Rules Don't Apply with feverish anticipation, like I haven't waited for a movie since I was a kid. I sat through it for the first time, amused, surprised and delighted. But a few hours later the film started unreeling in my mind. Candice Bergen? Did I see Candice Bergen playing a secretary, handing papers, standing in the background, staring at the TV, on the phone? No, it couldn't be. Candice Bergen for goodness sake, an American icon. The thought muddled my memory of the film. I saw Rules Don't Apply again last night. Yes, it was Candice Bergen. Wow! What one will do for friends. On a second viewing I saw it as an unsentimental valentine to what it was, with a hopeful wonderous future beyond us way beyond us. I'll see it again soon and see what happens. Cheers Mr Beatty.

Without a doubt, Howard Hughes was one of the most eccentric and enigmatic figures of the 20th century. A billionaire who went into the movie business, he left his mark on a number of industries. Martin Scorsese focused on part of Hughes's career with "The Aviator". Now Warren Beatty does so with "Rules Don't Apply". This one looks at a relationship between one of Hughes's starlets and her driver in the 1950s. It's not a great movie, but infinitely better than Beatty's last movie, the crime against humanity "Town & Country" (which rivaled Woody Allen's worst movie "Everyone Says I Love You" in being an obnoxious fetishization of neurotic New Yorkers having affairs with each other).

The only thing that drags this movie down is the appearance of two people: Steve Mnuchin (as a banker) and Louise Linton (as a potential starlet). They're now husband and wife. He's Treasury Secretary, while she Instagrammed a photo of herself and tagged the designers, and proceeded to make a let-them-eat-cake remark when a woman criticized her use of a government plane for travel (this was after she published a book purporting to tell of a year that she spent in Zambia, but the entire nation of Zambia disdained it as a promotion of the white savior trope).

Anyway, it's a good movie otherwise. Aside from Beatty, it stars Lily Collins, Annette Bening, Martin Sheen, Alec Baldwin, Matthew Broderick, Candice Bergen, Dabney Coleman and Ed Harris. To put that another way, it stars Clyde Barrow, Snow White, Carolyn Burnham, Capt. Willard, Jack Ryan, Ferris Bueller, Murphy Brown, a creepy boss and Jackson Pollock.

'RULES DON'T APPLY': Four Stars (Out of Five)

The new comedy-drama-romance from writer/director/star Warren Beatty; Beatty hasn't directed (or written) a film since 1998's 'BULWORTH', and he hasn't starred in a movie since 2001's 'TOWN & COUNTRY'. In this film he plays the very eccentric, and extremely mentally ill, billionaire Howard Hughes. The movie tells the story of an aspiring young actress, and her driver (who both work for Hughes), that begin a forbidden love affair (forbidden by Hughes). Beatty directed the film and co-wrote it, with Bo Goldman (who also co-wrote such epic dramas as'ONE FLEW OVER THE CUCKOO'S NEST' and 'SCENT OF A WOMAN'). The movie also costars Alden Ehrenreich (the new Han Solo), Lily Collins, Matthew Broderick, Annette Bening, Haley Bennett, Candice Bergen, Alec Baldwin, Oliver Platt and Martin Sheen. It's received mixed reviews from critics, and it bombed at the Box Office. I liked it though.

Marla Mabrey (Collins) was an aspiring actress, that moved to Hollywood (in 1958) to work for Howard Hughes (Beatty). Mabrey was a devout baptist, from Virginia, that had never done so much as have a drink of alcohol, or engage in premarital sex. She was accompanied by her strict mother, Lucy (Bening). Right away Mabrey and her driver, Frank Forbes (Ehrenreich), are immediately attracted to each other. Frank has a fiancé though, and an affair between the two is strictly prohibited (by their employer, Hughes). Hughes' bizarre quirks, and severe mental struggles, also cause challenges for their relationship.

The movie is pretty interesting, and quite entertaining, at first; then it loses it's way a little, but it does come to a pretty satisfying conclusion. The performances are all good, especially Beatty in the lead; Ehrenreich and Bennett (two very promising up- and-coming actors, that I really like right now) are also good, but severely underused. Beatty's direction is adequate enough, but the script definitely could have used a few more rewrites. I still found the film to be mostly amusing, and somewhat interesting. Howard Hughes was a very fascinating person though, that deserves a much better movie ('THE AVIATOR' was much better).

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I have so much to say about this gem that I'm not sure where to start from. Let me just say that as soon as I heard Gutav Mahler's Adagietto coming out of the Hollywood Bowl while the young virginal couple sit in the car facing the moon, I was transported to Venice, the Venice of Luchino Visconti in Death in Venice. Throughout the film Mahler's Adagietto kept magically coming back so, for me, that's the film. Art and commerce, too much and too little, life and death. Warren Beatty, writer, director, producer also stars as Howard Hughes, a character who's lived in Warren Beatty's mind for decades. He moved me. It was clear why Hughes was a character that could allow Beatty to talk about very personal things without having to do it in first person. - Mia Farrow told Michael Caine between takes in Hannah And Her Sisters: "Woody is telling me things through you" - Here Warren Beatty is telling us things about him through Howard Hughes. A mass of contradictions that can only be explained in the heart and mind of an artist. I'm already a huge fan of Alden Ehrenreich right from Tetro and here he is wonderful, tender and real. Lily Collins is new to me but Annette Bening, well Annette Bening reminded me in her few minutes on the screen that she is one of the greatest actresses we've got. Death in Venice and the last image of Howard Hughes left me with a knot in my throat. I will certainly see it again, just as sure that Rules Don't Apply will be rediscovered in years to come.

Rules Don't Apply (2016)

*** (out of 4)

Marla Mabrey (Lily Collins) arrives in Hollywood as a contract player for the one and only Howard Hughes (Warren Beatty) but before long she realizes all the weird stories she's heard about him are true. She strikes up a friendship with her driver Alden (Frank Forbes), although they can't take it any further due to Hughes' rules about his workers dating his future stars. Before long the two young people grow closer to each other as well as Hughes.

Isn't it shocking that it's been nearly twenty-years since Beatty wrote and directed a movie? It's even more shocking that it's been fifteen-years since he acted in one. There have been rumors of Beatty doing a Howard Hughes bio-pic for decades and it was rather shocking when news broke that he was finally making it. In another shocking turn, what people got certainly wasn't what they expected. I saw the movie six days after its release and it's already bombed with critics and at the box office. Sadly the picture just wasn't what people expected or wanted and who knows if this is the last time we see the legend on the big screen.

I must admit that it's rather shocking to see Beatty basically making an old-fashioned romantic comedy. I mean, he could have done that but why waste his Hughes bio on that type of movie? I want to say that I did enjoy the movie and I found it to be quite charming but at the same time you just have to wonder what was going on with this thing. The picture is certainly uneven to say the least. The first hour is basically the romantic side of the two young characters with Hughes basically a supporting player. The second half of the picture kicks up the drama and darker elements as the romantic couple take a back seat and Hughes gets the attention. I'm really not sure why they done the story this way but it seems like one or the other would have made for something better. Did I mention the strange sex/religion stuff going on?

As I said, once you get over the fact that this isn't the type of movie you're expecting, once you set back into your seat, what we get here is pretty good. I thought the romance actually worked in an old-fashioned type of way and there were certainly some great performances here. Both Collins and Forbes are terrific together. Both of them nail their characters and they also share a terrific chemistry with each other. Collins is really the stand out as she perfectly captures the innocence of her character. Beatty is also terrific in his supporting role. The first portion of the film has him doing a lot of great comic timing but Beatty gets to show his dramatic side in the second half with the character's troubles come into play. It really makes you wonder what he could have done in a straight bio. The supporting players feature some very well-known actors and all of them do a fine job.

RULES DON'T APPLY has some great cinematography, nice music selection and for the most part it's just a charming and fun film. Until the drama starts and then the drama works just fine as well. I just don't think the two mixed all that well and that's why the film seems uneven. Sadly, RULES DON'T APPLY will probably become known as being a major flop, which is too bad because there's a good movie here. Most people probably won't see that because we expected more from Beatty.