American Assassin

This movie was probably very fresh back in 2017 when it was released. The two younger stars did a pretty good job and it was a sort of showcase of future more mature action or hero roles, if they wanted it. The maiming and gunshots and other forms of violence were more realistic than I normally see. It is a simple plot, yes. Have we seen movies like this before? Yes. But so what. It was a good weekend movie with popcorn and surround sound. Keaton did a good job. It's hard because you recognize him and remember his other famous parts, but that soon dissipated. This was a decent tight film that accomplished what it set out to do.

Books are NOT movies. This needs to be said over and over, because there is always a cabal of complainers who hate any movie that doesn't faithfully follow its hardcover source. I haven't read Vince Flynn's American Assassin, and I don't intend to. But I feel fairly confident that he wasn't writing a movie. American Assassin (the movie) is a film-telling of the original story; it is NOT the original story, and it doesn't pretend to be. (Memo to Vince Flynn fanatics: Don't go see it.) American Assassin is a terrific watch, if for no other reason than seeing Dylan O'Brien nail it. And he is well aided by his supporting cast, most especially Michael Keaton, Taylor Kitsch and Saana Lathan. (I would like to have included Shiva Negar, but her character is severely compromised by problematic writing. She did the best she could with what she was given.) The script is larded with clichés, but for the most part the actors make good use of them. Director Michael Cuesta keeps it all moving right along. Most of the characters are very thinly drawn, leaving the actors to flesh them out as best they can. The special effects range from absent entirely to overdone. The script itself lurches from event to event, with an ending that goes beyond credulity. None of this matters. Dylan O'Brien is on screen ninety percent of the time, and his character is spot on. He is totally in command, and his charisma is entirely in charge. For a movie such as American Assassin, that's what it is all about.

Only good thing to say was the production values. Keaton cashed in on a film beneath him. Hollywood wasted another book which could easily have been scripted far better, and been the basis of sequels.

Apparently all that is needed to find an international terrorist cell is hang around outside their bank. And then allow a hormone driven nearly man to punch anyone he wants and they spill the beans. Pathetic

Another grown up not going to the cinema for a while now. There is little else to add.

Better than many reviewers indicate.

American Assassin follows Author Vince Flynn's character Mitch Rapp (Dylan O'Brien) and his mentor Stan Hurley (Michael Keaton) who leads a super secret CIA operative group tasked to take out the world's most threatening bad guys - A secret camp in the wooded hills near Roanoke, Virginia provides a select group of hand-picked field operatives (assassins) with elite specialized training (for assassins) that supposedly exceeds Navy Seals training in sophistication of infiltrating and blending into targeted zones, with a killing effectiveness that surpasses Bourne and Bond.

One problem here - when you take on two of the most successful action franchises in movie history (Bourne and Bond), you better have your ducks in a row (including most importantly the script), and that is where this film fails.

The screenwriter needed to produce a more cohesive script in adapting Flynn's prequel book. The film looks and sounds like it was rushed to production before the script and story boards were thought through and revised.

Time is money, but not investing enough time sometimes leads to losing your entire investment, and if the desired outcome was a green light for a franchise, the "fail" here was in the script.

Michael Keaton holds this film up, and although I have a hard time seeing him in the role, he pulled it off with his trade-mark push-the-envelope edginess.

O'Brien was at first, hard to swallow in the role with his quiet vulnerable demeanor and school age heartthrob looks (with some edgy outlier undertones) that have made him so popular with millennials. But he frankly did an admirable job, and is the most promising element of the film in terms of franchising this into sequels. Not many lines of dialogue, but like Bourne, Rapp speaks loudly with his fists, feet, intelligence, wiliness, and willingness.

The make-up was amazing in portraying an ever growing number of cuts, bruises, gashes, and other assorted traumas accrued by the cast - realistic, accurate and impressive - among the best ever in film.

Action/fight/vehicle chase scenes were well above par as were the special effects and CGI (only one scene leans fully on CGI and was well done).

Cinematography and editing are very good, and the pacing of the film is excellent for the most part.

My guess is this is a one and done film, but what a shame, as there is great potential for an American Assassin franchise, and this is one if the best recent additions to the action genre, especially given more time to complete the film at a 007 level.

The director and screenwriter(s) need to get it together though, IF there is a sequel - the script is the weakest point, usually a death nail for my reviews, but the director, cinematographer, make-up, and fx make up a lot of ground in that regard.

For the hope of more (and better), I'm giving one additional Star bringing this 7-Star film up to 8/10.

American Assassin had all you could hope for from a spy film. The acting was good, the fight scenes were realistic, great action through the whole movie and a decent story line. Dylan O'Brien and Micheal Keaton wouldn't be my A-team for a spy film, but they played their roles well. Still not on the level of the Bourne Series, 007 and Mission Impossible. But still a good spy flick. Will be on the lookout for a sequel.