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This film tells the story of a man with bipolar disorder, who has to take care of two children while having unstable mental state.

I find "Infinitely Polar Bear" a realistic and in depth look into the life of a bipolar man. It shows his over-talkative state, his over- friendly personality and the disorganised home. The interaction between him and his children is touching, especially the fact that they accepted the father's embarrassing behaviour. Even if his behaviour is eccentric, he is portrayed to have the best intentions. The wife's support is also very touching. I find that this film is a positive and supportive portrayal of a man with a serious illness.

"Infinitely Polar Bear" (2014 release; 90 min.) brings the story of Cam Stewart (played by Mark Ruffalo) and his family. As the movie opens, we get a clever montage of 8 mm. footage from 1967 (how Cam and Maggie met in Boston and eventually married) on to the present (i.e. 1978). Cam is a manic depressive and he just got fired (again) on the first day of his latest job. It leads to an outburst and eventually Cam is put away. We then move to "six weeks later', where Cam is in a halfway house. Maggie is desperate to improve their financial situation and decides to do an MBA on a full scholarship at Columbia, leaving Cam to take care of their 2 daughters Amelia and Faith. At this point we're about 15 min. into the movie but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: first, this movie is a labor of love from writer-director Maya Forbes (best known for her work on The Larry Sanders Show). She bases the story on her own upbringing and as such the movie is pretty much autobiographical. To make things even more authentic, she cast her 12 yr. old daughter (Imogene Wolodarsky) as her younger self (Amelia). I noticed in the movie's opening credits that J.J. Abrams is one of the executive producers. Second, I don't know to what extent the portrayal of the Cam character is an accurate reflection of being manic-depressive or bi-polar. Yes, there are the highs and the lows, and yes, there is the habit/need to never throw out anything and instead collect like hamsters do, but is that enough? I do not know. But it all looks quite innocent on the big screen, and no 'bad' things happen to anyone in this. Third, the four leading acting performances (Ruffalo, Wolodarsky, Zoey Baldana as Maggie, and Ashley Aufderheide as Faith) are all enjoyable, and the interaction between them feels authentic. Fourth, the movie, set in the late 70s, contains a treasure trove of period cars from the 60s and 70s. Check out the Peugot station wagon Cam has at some point, but that's just one example. Truly a eye candy for car aficionados. Last but not least, there is a terrific soundtrack, including both the original score (by Theodore Shapiro) and a bunch of songs (best of all, George Harrison's Run of the Mill, which plays at the conclusion of the movie and over the closing credits; and also China Forbes (of Pink Martini, and sister of Maya Forbes) bringing an excellent new tune called "The Northern Line", also playing over the closing credits).

This movie made quite a splash at the 2014 Sundance Film Festival. No idea why it's taken another 18 months for this to get a national release. "Infinitely Polar Bear" opened some weeks ago at my local art-house theater here in Cincinnati, and apparently is enjoying a good run. The recent early evening screening where I saw this at was attended nicely. If you are in the mood for something that could be quite heavy but in fact is brought with a light touch and a smile never far away, and you want to see something light years away from Hollywood's standard summer fare of action heroes, I might suggest you give this a try, be it in the theater, on VOD, or eventually on DVD/Blu-ray.

Living with a bipolar father proves difficult for two young girls when their mother has to move away to study in this comedy-drama blend set in the 1970s. The title comes from the youngest daughter misnaming her father's condition as "polar bear" - thematically relevant as the overall film is about the two girls learning to accept their father's behaviour beyond their own preconceptions, appreciating what he does do well. From such a description, the film might sound overly sweet, and in a way it is, only ever seeming to skim the surface, focusing only on how embarrassed the girls are by their father's inability to integrate into society. There are a couple of moments in which the girls genuinely seem afraid of what their father might do, but the film never tugs at the full experience of living with someone with mental issues; as others have said, Mark Ruffalo comes off as more an everyday eccentric than a manic depressive. That said, Ruffalo's performance is the film's best asset, frequently communicating a genuine interest to bond with his daughters and care for them in small, subtle ways. His facial expressions and movements convey more than his dialogue and it is easy to feel for his frustration at not being able to be everything that his daughters want. It is much harder to reconcile the film's blanket negative attitude to the US public school system throughout, but it does act as an acceptable symbol of all that the girls' parents are worried about, and the film does offer an acute portrait of parents doing what they can for their offspring, even if it falls short in other areas.

'INFINITELY POLAR BEAR': Three and a Half Stars (Out of Five)

A comedy-drama flick, about a bipolar dad, struggling to raise his two young daughters; while his wife tries to support their family, in business school. The film was written and directed by Maya Forbes; and it's based on her own life experiences (as a young girl, with a bipolar father). The movie stars Mark Ruffalo, Zoe Saldana, Imogene Wolodarsky and Ashley Aufderheide. It's an interesting, and well made film study; on mental illness, and how it effects loved ones.

The story takes place in late 1970s Boston. Cameron Stuart (Ruffalo) is married to Maggie; and they have two young daughters together, Amelia (Wolodarsky) and Faith (Aufderheide). When Cameron has a bipolar breakdown, he's fired from his job and put in a mental hospital. Maggie moves their daughters into a cheap apartment, in a poor part of town. When Cameron is released from the hospital, Maggie asks him to take care of their kids; while she goes to business school, in New York full time. Cameron agrees, and then struggles to maintain his sanity; while also trying to be a good father.

The film is a great examination of bipolar disease; and how mental illness effects family. Ruffalo is exceptional in the lead, and the two young girls are outstanding (as well); especially Wolodarsky, playing Forbes (as a young girl). Forbes' script is clever, and very thoughtful. Her direction is decent, but not anything too memorable. Still, it's a pretty impressive directorial debut.

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Maya Forbes writes and directs a personal story of bittersweet childhood living in livid conditions with her sister, mother and eccentric bipolar father. A landmark first feature that has enough laughs but loads of conflicting emotions.

Zoe Saldana is a strong presence with her loving/loathing/longing and everything in between character. The ideal mother of her time and circumstances and the wife a man would fight for.

Mark Ruffalo is at the centre of it all with his charming, childlike and exuberant portrayal. He masters the manic episodes, the frailty, the fears, the hopes, the joys and the underlying deep love for his wife and kids.

The kids, one played by Maya Forbes's own daughter, are really adorable and act at a very high calibre. Creative, funny, aware and awkwardly accepting their weird family antics with a touch of rebellion.

Ultimately most of the credit is due to Maya's inventing and passionate storytelling in its form, content, message and lasting meaning. A film that is very human and difficult, but finds glimpse of beauty in little things that we should all hold dear.

An easy but complex crowd-pleaser with much meat and mastery for the critics and film aficionados.