Leila e i suoi fratelli

In Saeed Roustaee's engaging Iranian film "Leila's Brothers" (2022), viewers are pulled into a gripping story that tackles the challenges of family conflict and financial struggles. Set in modern-day Tehran, the film follows Leila, played by the talented Taraneh Alidoosti, as she works hard to carve out a stable career for herself while dealing with her four quarrelsome but loving brothers.

Roustaee's storytelling is top-notch, diving deep into each character's complexities, which keeps the audience hooked. The tension escalates when their self-absorbed father fixates on becoming the head of the extended family, a position that comes with a hefty cash prize that could jeopardize his children's business dreams.

The film's wide-ranging narrative is complemented by its skillfully woven emotional highs and lows, leading to some truly touching and sometimes heartbreaking scenes. "Leila's Brothers" stands out as a powerful anti-patriarchal tale, earning the FIPRESCI Critics' Prize at the 2022 Cannes Film Festival. However, despite its critical acclaim, the film is still banned from being shown in Iran, highlighting its provocative and challenging subject matter.

For the directors such as Saeed Roustaei, which their movies have the same thematic and a base storyline (which is incredible as a directing sign) is so complicated to make a same high quality movie with a different storyline and a different theme. But Saeed actually did it in the best possible way.

With having about 4 hours length, there is no way that even one part of the movie makes you feel sick or tired or bored which shows you the power of the storyline. By the way saeed must have been really grateful for having the trust of the best Iranian actors and actresses in order to give him the most powerful instrument of bringing his thoughts to reality.

The movie and the acts make you think and guess the story but it won't answer you soon. Sometimes it take more than a half hour for getting your answer and thats the point for a long movie to be acceptable to watch.

I guess Saeed tried to show the social restrictions in Iran in the clearest possible state. Without metaphors. The scenery of the worker's suppression or drinking in the wedding.

I saw the movie in the Paris, and I'm sure it will not be screened in Iran or it will be implemented with severe censorship.

BTW congrats to the cast and talented young director for making a movie which was deserved to win Palme d'Or.

Amazing movie that shows the generation gap in Iran and how they perceive values differently. It also shows what's going on in Iran and how people are pressured by the government and regime, the fact that if you are poor you are poor and there are barely supports for you.

What I like the most about this movie, is breaking the cliches about respecting older people and parents that the govenimedia massively invested on it during the last 43 years after the revolution just because they are just older, but this movie shows it otherwise.

I really liked this movie and now have to make this review longer so I can post it.

Full of memorable and great quotes. High budget, gorgeous product. The best movie I've watched this year till this moment. I cried and laughed, I yelled at the screen and punched my sofa. This was a true emotional rollercoaster. I can't. Very relatable and easy to understand. Recommended 100%.

Story line/story telling: 10 out of 10 Acting and performance: 10 out of 10 Ending: 100 out of 10 Script: 100 out of 10 Sceneries and visuals: 10 out of 10 This drama worth watching. It was not nagging about deficiencies and lacks, quite opposite, it was all about the potentials of fixing issues. I'm all about it.

After the brilliant La Loi de Téhéran, Saeed Roustaee (a name to remember) confirms that he is one of the most talented filmmakers of the moment as could be a Park Chan-wook or a Bong Joon-ho. A fully mastered work from A to ZA , and above all a real actor's director with special mention for the breathtaking crowd scenes that we had already seen in The Law of Tehran and that we see again here (the strike at the factory, the wedding...).

Saeed Roustae gives us a real family fresco, tragic and brulsesque as Roustaee rightly says with an ode to the courage and wisdom of women, filmed with real finesse.

Even if most of the actors are extraordinary, Taraneh Alidoosti who is simply magnificent dominates the film (it is not for nothing that the title is Leila and her brothers).

And in addition we see Undertaker, Broke Lesnar and Randy Orton (and we are entitled to a debate on them, Triple H and Big Show being cited).

In short, undoubtedly one of the best films of 2022, and to say that it did not win the Palme d'Or at Cannes.