Noè viene scelto da Dio per una missione importantissima prima che un'alluvione apocalittica purifichi il mondo dai suoi mali.Noè viene scelto da Dio per una missione importantissima prima che un'alluvione apocalittica purifichi il mondo dai suoi mali.Noè viene scelto da Dio per una missione importantissima prima che un'alluvione apocalittica purifichi il mondo dai suoi mali.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 19 candidature totali
Nick Nolte
- Samyaza
- (voce)
Mark Margolis
- Magog
- (voce)
Recensioni in evidenza
I don't understand why people hate this movie. I understand how it's pretty stupid but it still manages to entertain the viewer as well build a great amount of suspense in the 3rd act. Also props to Russell Crowe and Emma Watson for delivering great performance. Everyone else... Meh! The story is about Noah and how he is shown by god that a flood would be arriving soon due to how badly humankind has evolved. Noah and his family then go and visit Methuselah,played wonderfully by Anthony Hopkins who gives Noah his insight to building an ark. On the way Noah finds Ila who is injured badly and is unable to conceive. From there his family takes care of her and one of Noah's sons falls in love with her. 15 or so years later when Noah has almost finished building the ark a king comes and threatens him. Then the flood hits and chaos ensues with a great 3rd act and a suspenseful battle. The animals in the film looked quite unrealistic but the scene where the flood hits is outstanding and awesome. You are also introduced to these rock transformers who look cool but awfully unnecessary for a biblical film. There is also a great battle which includes them in it. The film is also enjoyable but quite slow in parts. The story is very nice and entertaining but has trouble in the 1st act by being way too slow. The 3rd act was awesome though. The script is pretty clichéd and stupid but if you endure these things you can have a good time with this film. The acting is also good but I still think that Logan Lerman is forced and too shy but he was good in the 1st Percy Jackson film. in this he didn't suit the role
When putting on Noah I had heard a lot of negativity about this movie. I do not know if it is Christians not supporting this adaptation, or if it is atheists thinking it is way to much Christian propaganda. I am a atheist, and I like good stories on the screen. What I liked about this movie was that feeling of adventure the likes of LOTR and Star Wars, a movie adaptation of a biblical story that is up there with other science fiction and adventure films. It didn't make the story about Noah more plausible, but it was a great story, set in timeless environments. I have read the genesis story even though I'm not a Christian, and in my opinion this adaptation is quite accurate and true to the biblical story, with some tweaking here and there. A little gnostic view points here and there, but all in all something fresh made from a old and boring book, made a little bit more interesting. Have an open mind, and don't watch it with an preconceived notion. Watch it like you would with any other story made for the screen.
Greetings again from the darkness. Since I am no biblical scholar, my comments are those of a movie lover. Tackling any part of a story from the bible is a journey filled with land mines and aggressive criticism - and that's before your movie is released! Surely director Darren Aronofsky was prepared for backlash from those who forbid any interpretation of the Good Book. The story of Noah lasts but a few pages in the bible, meaning Aronofsky had to creatively fill some space to produce a 2-plus hour film.
Russell Crowe makes a fine Noah. He is relentless in his quest to fulfill The Creator's request ... and he flashes his "Gladiator" glare on a few occasions. Rather than an uplifting childhood bedtime story, this Noah carries the burden of God, his own family and the survival of all beings ... his days are filled with moral dilemmas much larger than what you and I go through.
With all the miscommunication afforded by email and text these days, imagine if God conversed with you through images in your dreams. Maybe that process creates some areas of gray? Not if you are Noah. I guess he only dreams when God wants to show him something, so his decision making and mission is pretty focused. He is to build a giant floating warehouse to save two of every creature. Yes, that means a lot of death for those not invited. See, God is using Noah and his family to help cleanse the earth of mankind ... God is ready for a re-boot. He is really not happy with how mean and nasty man has become ever since that whole apple debacle and the murder of Abel by Cain.
Some of the visual effects are spectacular. I especially enjoyed the high-speed montage showing the creation of life ... you know that first week. Also, the beginning of the flood is quite a spectacle, but the ark itself is actually quite stunning ... constructed per the size noted in the Bible. The animals are all digitally created and we actually see little of them, though the on-boarding process goes remarkably smooth - considering this happens before the herbal sleep concoction is disbursed.
Most of the discussion will probably be on The Watchers ... the fallen angels who once tried to help mankind, and for their efforts, God turned them into giant stone creatures. I will add that The Watchers need a new nickname since they did the bulk of the manual labor in constructing the arc and then protecting it ... not much watching going on for these poor guys (voiced by Nick Nolte and Frank Langella, among others).
Noah's wife is played by Jennifer Connelly and their sons are played by Logan Lerman, Douglas Booth and Leo McHugh Carroll. They welcome Emma Watson into their family in what turns into a very odd plot twist, and the villain, Tubal-Cain is payed by Ray Winstone. Methuselah, Noah's grandfather, is played to the hilt by Anthony Hopkins. All of these characters are pretty one dimensional, but this is Noah's story. The burden he carries is quite heavy and his decisions aren't always popular.
If you are looking for the well documented story of Noah, it's no mystery what book you should be reading. If you are after a pretty impressive visual interpretation, you could certainly do worse than Aronofsky's take. And the best news ... no Morgan Freeman voice-over!
Russell Crowe makes a fine Noah. He is relentless in his quest to fulfill The Creator's request ... and he flashes his "Gladiator" glare on a few occasions. Rather than an uplifting childhood bedtime story, this Noah carries the burden of God, his own family and the survival of all beings ... his days are filled with moral dilemmas much larger than what you and I go through.
With all the miscommunication afforded by email and text these days, imagine if God conversed with you through images in your dreams. Maybe that process creates some areas of gray? Not if you are Noah. I guess he only dreams when God wants to show him something, so his decision making and mission is pretty focused. He is to build a giant floating warehouse to save two of every creature. Yes, that means a lot of death for those not invited. See, God is using Noah and his family to help cleanse the earth of mankind ... God is ready for a re-boot. He is really not happy with how mean and nasty man has become ever since that whole apple debacle and the murder of Abel by Cain.
Some of the visual effects are spectacular. I especially enjoyed the high-speed montage showing the creation of life ... you know that first week. Also, the beginning of the flood is quite a spectacle, but the ark itself is actually quite stunning ... constructed per the size noted in the Bible. The animals are all digitally created and we actually see little of them, though the on-boarding process goes remarkably smooth - considering this happens before the herbal sleep concoction is disbursed.
Most of the discussion will probably be on The Watchers ... the fallen angels who once tried to help mankind, and for their efforts, God turned them into giant stone creatures. I will add that The Watchers need a new nickname since they did the bulk of the manual labor in constructing the arc and then protecting it ... not much watching going on for these poor guys (voiced by Nick Nolte and Frank Langella, among others).
Noah's wife is played by Jennifer Connelly and their sons are played by Logan Lerman, Douglas Booth and Leo McHugh Carroll. They welcome Emma Watson into their family in what turns into a very odd plot twist, and the villain, Tubal-Cain is payed by Ray Winstone. Methuselah, Noah's grandfather, is played to the hilt by Anthony Hopkins. All of these characters are pretty one dimensional, but this is Noah's story. The burden he carries is quite heavy and his decisions aren't always popular.
If you are looking for the well documented story of Noah, it's no mystery what book you should be reading. If you are after a pretty impressive visual interpretation, you could certainly do worse than Aronofsky's take. And the best news ... no Morgan Freeman voice-over!
Am I compromised? Is this review tainted because I'm a Catholic cinephile? If you've seen my star rating than you probably figured you can rule that out. I was excited, A film from Darren Aronofsky is an event for me akin to the Olympics. That is, many years pass between his films, and when they arrive, they're freaking awesome.
Within the first few minutes, all my pent-up affection leaked away. Despite Noah's fervent source material (and that's as religious as I'll get in this review, pipe down) the narrative is extraordinarily weak, and the plot feels empty, despite the 138 minute runtime. The acting is terrible, especially from Emma Watson. (it's time we stop considering her an actress and call her what she is; a model) Even the brilliant Jennifer Connelly uncomfortably shifts between hammy underacting and cringe-inducing overacting. There is no progression or cohesiveness, Noah is corrupted by a jumpiness that completely disconnects you from the film. And it uses it's largely, if 100%, CGI landscape as a crutch instead of a supplement.
But the real kicker, the REAL kicker, is that there is no evidence Darren Aronofsky had any part in this film. His trademark deep darkness isn't there, his infinitely interpretable script isn't there, and his quick-cut, close-up camera isn't there. You could've told me f*****g Brett Ratner directed this and I would've believed you.
It probably would've been more efficient for me to layout this review with bullet points. Noah's whole ethos counters what I stand for. It's the sort of blinged up executive express that takes a brilliant story in vain, and tries to pass as profound. I have nothing but contempt for this movie.
Within the first few minutes, all my pent-up affection leaked away. Despite Noah's fervent source material (and that's as religious as I'll get in this review, pipe down) the narrative is extraordinarily weak, and the plot feels empty, despite the 138 minute runtime. The acting is terrible, especially from Emma Watson. (it's time we stop considering her an actress and call her what she is; a model) Even the brilliant Jennifer Connelly uncomfortably shifts between hammy underacting and cringe-inducing overacting. There is no progression or cohesiveness, Noah is corrupted by a jumpiness that completely disconnects you from the film. And it uses it's largely, if 100%, CGI landscape as a crutch instead of a supplement.
But the real kicker, the REAL kicker, is that there is no evidence Darren Aronofsky had any part in this film. His trademark deep darkness isn't there, his infinitely interpretable script isn't there, and his quick-cut, close-up camera isn't there. You could've told me f*****g Brett Ratner directed this and I would've believed you.
It probably would've been more efficient for me to layout this review with bullet points. Noah's whole ethos counters what I stand for. It's the sort of blinged up executive express that takes a brilliant story in vain, and tries to pass as profound. I have nothing but contempt for this movie.
Get your feet wet Upon a terrifying nightmare that is clearly an omen, Noah(a roaring and fanatically determined Crowe), along with his family, begin building an ark. They get some unexpected help, but will it be enough? Especially when the king of the land(Winstone at his most vile, representing the wickedness of our species) shows up with his army, threatening that if that boat is the only safe place, they will board it one way or another.
Causing controversy from before anyone had watched it, this is a non-literal update-for-our-times take on the Bible story, that nevertheless seeks to engage with the same, genuinely universal, values – honestly, everything added here is not only critical to even make it a feature length drama(such as adding a present, physical form to the evil that is being drowned out, as it were), it serves to flesh out what was already there. This is aggressively environmental, thus rendering it highly relevant; the Earth(which could be 1000 years in the past, or the future) is here a barren, post-apocalyptic wasteland, and while it could have been made clearer, the idea is that excessive and relentless mining of resources is the cause. Not only are we beyond rescuing, the storm that will come will deliver water sorely needed to reinvigorate nature.
This has everything we've come to expect from Aronofsky: solid production values in every aspect, with a solid, and nicely limited(so that there is room for them all to represent some element endemic to us Homo Sapiens, and this is very much a character study of our titular protagonist, and an examination of humanity) cast, a compelling Clint Mansell score, and, of course, amazing(and all with a distinct purpose, artistically) visuals(the desperation of a dying breed is one of the images that will stick with you, something that is in everything Darren has helmed), employing techniques not often seen in the mainstream, including silhouette(such as a brief and stunning extrapolation of Cain) and time-lapse photography(the construction process itself). If you at all intend to watch this, and your first viewing is not a 3D showing, you will be committing a cardinal sin.
There is a lot of brutal, gory, violent and disturbing content and some sexuality in this, none of it gratuitous. I recommend this to anyone not put off by it being based on a Genesis account or the fact that it takes liberties with it. 7/10
Causing controversy from before anyone had watched it, this is a non-literal update-for-our-times take on the Bible story, that nevertheless seeks to engage with the same, genuinely universal, values – honestly, everything added here is not only critical to even make it a feature length drama(such as adding a present, physical form to the evil that is being drowned out, as it were), it serves to flesh out what was already there. This is aggressively environmental, thus rendering it highly relevant; the Earth(which could be 1000 years in the past, or the future) is here a barren, post-apocalyptic wasteland, and while it could have been made clearer, the idea is that excessive and relentless mining of resources is the cause. Not only are we beyond rescuing, the storm that will come will deliver water sorely needed to reinvigorate nature.
This has everything we've come to expect from Aronofsky: solid production values in every aspect, with a solid, and nicely limited(so that there is room for them all to represent some element endemic to us Homo Sapiens, and this is very much a character study of our titular protagonist, and an examination of humanity) cast, a compelling Clint Mansell score, and, of course, amazing(and all with a distinct purpose, artistically) visuals(the desperation of a dying breed is one of the images that will stick with you, something that is in everything Darren has helmed), employing techniques not often seen in the mainstream, including silhouette(such as a brief and stunning extrapolation of Cain) and time-lapse photography(the construction process itself). If you at all intend to watch this, and your first viewing is not a 3D showing, you will be committing a cardinal sin.
There is a lot of brutal, gory, violent and disturbing content and some sexuality in this, none of it gratuitous. I recommend this to anyone not put off by it being based on a Genesis account or the fact that it takes liberties with it. 7/10
Lo sapevi?
- QuizAccording to writer, producer, and director Darren Aronofsky, the animals seen in this movie are "slightly tweaked designs of real existing animals." No real animals were used in the production at all.
- BlooperAll the animals are sedated and are all seen lying down. An elephant normally only sleeps for about four hours a day. If an elephant were to lie on its side for more than a day (for example) the weight of its internal organs would cause them to rupture and fail.
- Citazioni
Tubal-cain: I have men at my back, and you stand alone and defy me?
Noah: I'm not alone.
- Curiosità sui creditiBesides the title of the movie, there are no opening credits
- ConnessioniEdited into Doom and Salvation (2022)
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Dettagli
Botteghino
- Budget
- 125.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 101.200.044 USD
- Fine settimana di apertura Stati Uniti e Canada
- 43.720.472 USD
- 30 mar 2014
- Lordo in tutto il mondo
- 359.200.044 USD
- Tempo di esecuzione2 ore 18 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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