Noè viene scelto da Dio per una missione importantissima prima che un'alluvione apocalittica purifichi il mondo dai suoi mali.Noè viene scelto da Dio per una missione importantissima prima che un'alluvione apocalittica purifichi il mondo dai suoi mali.Noè viene scelto da Dio per una missione importantissima prima che un'alluvione apocalittica purifichi il mondo dai suoi mali.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 19 candidature totali
Nick Nolte
- Samyaza
- (voce)
Mark Margolis
- Magog
- (voce)
Recensioni in evidenza
When putting on Noah I had heard a lot of negativity about this movie. I do not know if it is Christians not supporting this adaptation, or if it is atheists thinking it is way to much Christian propaganda. I am a atheist, and I like good stories on the screen. What I liked about this movie was that feeling of adventure the likes of LOTR and Star Wars, a movie adaptation of a biblical story that is up there with other science fiction and adventure films. It didn't make the story about Noah more plausible, but it was a great story, set in timeless environments. I have read the genesis story even though I'm not a Christian, and in my opinion this adaptation is quite accurate and true to the biblical story, with some tweaking here and there. A little gnostic view points here and there, but all in all something fresh made from a old and boring book, made a little bit more interesting. Have an open mind, and don't watch it with an preconceived notion. Watch it like you would with any other story made for the screen.
Just watched this on Pay-Per-View having missed a chance to see in theaters (dithered over whether or not to see it due to wildly mixed reviews). It was visually engaging enough to keep me watching till the end but as the credits began to roll, I found myself feeling dissatisfied.
Some of the scenery and shots featuring animals were really cool, I found myself wishing for more (that is, more time spent on animals...and a closer look at different species as imagined by the creators of this film).
Ray Winstone is a distinguished actor but I found his portrayal at times creepy, at times laughable, overall weak (how much of this was due to direction and/or other factors...not sure, when it comes to this film I didn't get a sense either way). Emma Watson and Jennifer Connelly impressed me, I got a sense of quiet strength from their characters.
Russell Crowe, also one of my favorite actors (I thought his Robin Hood was masterful, a fresh new take), disappointed. Without giving anything away, there were some parts of this film that called for a more dramatic narrative...his timing and (at times) rushed speech took away from the grandeur of what was meant to be an epic film. You find yourself wishing he would deliver certain lines a bit more theatrically, like David Wenham in 300 or one of the greats of classic film (Charlton Heston, perhaps).
I didn't realize when I started watching that Anthony Hopkins was also in the film. When he popped up on screen I laughed and thought: 'Of course...can't make an epic film without Anthony Hopkins!' Probably just me but it seemed a bit tired as far as casting goes.
I might have enjoyed it more on the big screen but don't regret watching at home on my TV. Bottom line, entertaining enough to watch...just a bit of a let-down.
Some of the scenery and shots featuring animals were really cool, I found myself wishing for more (that is, more time spent on animals...and a closer look at different species as imagined by the creators of this film).
Ray Winstone is a distinguished actor but I found his portrayal at times creepy, at times laughable, overall weak (how much of this was due to direction and/or other factors...not sure, when it comes to this film I didn't get a sense either way). Emma Watson and Jennifer Connelly impressed me, I got a sense of quiet strength from their characters.
Russell Crowe, also one of my favorite actors (I thought his Robin Hood was masterful, a fresh new take), disappointed. Without giving anything away, there were some parts of this film that called for a more dramatic narrative...his timing and (at times) rushed speech took away from the grandeur of what was meant to be an epic film. You find yourself wishing he would deliver certain lines a bit more theatrically, like David Wenham in 300 or one of the greats of classic film (Charlton Heston, perhaps).
I didn't realize when I started watching that Anthony Hopkins was also in the film. When he popped up on screen I laughed and thought: 'Of course...can't make an epic film without Anthony Hopkins!' Probably just me but it seemed a bit tired as far as casting goes.
I might have enjoyed it more on the big screen but don't regret watching at home on my TV. Bottom line, entertaining enough to watch...just a bit of a let-down.
I don't understand why people hate this movie. I understand how it's pretty stupid but it still manages to entertain the viewer as well build a great amount of suspense in the 3rd act. Also props to Russell Crowe and Emma Watson for delivering great performance. Everyone else... Meh! The story is about Noah and how he is shown by god that a flood would be arriving soon due to how badly humankind has evolved. Noah and his family then go and visit Methuselah,played wonderfully by Anthony Hopkins who gives Noah his insight to building an ark. On the way Noah finds Ila who is injured badly and is unable to conceive. From there his family takes care of her and one of Noah's sons falls in love with her. 15 or so years later when Noah has almost finished building the ark a king comes and threatens him. Then the flood hits and chaos ensues with a great 3rd act and a suspenseful battle. The animals in the film looked quite unrealistic but the scene where the flood hits is outstanding and awesome. You are also introduced to these rock transformers who look cool but awfully unnecessary for a biblical film. There is also a great battle which includes them in it. The film is also enjoyable but quite slow in parts. The story is very nice and entertaining but has trouble in the 1st act by being way too slow. The 3rd act was awesome though. The script is pretty clichéd and stupid but if you endure these things you can have a good time with this film. The acting is also good but I still think that Logan Lerman is forced and too shy but he was good in the 1st Percy Jackson film. in this he didn't suit the role
The film reaches a good level of quality. The character interpretations are decent. The story is not exciting. It contains action, drama and biblical teaching from a modern point of view, it's written to approach new audiences. Quite often I find that some of the actors exaggerate when they scream and cry; Ray and Russell are handling very well not to get out of their paths. I would have given more stars but it is very annoying when within the dialogs and the biblical teachings there are actors who impose their presence above the calibration of their colleagues. Very nice photography and intelligent scenery with smooth advanced effects which give life to the narrated story of Noah. Creator and creations, will and desire, all are placed together and in the end it all makes sense.
Get your feet wet Upon a terrifying nightmare that is clearly an omen, Noah(a roaring and fanatically determined Crowe), along with his family, begin building an ark. They get some unexpected help, but will it be enough? Especially when the king of the land(Winstone at his most vile, representing the wickedness of our species) shows up with his army, threatening that if that boat is the only safe place, they will board it one way or another.
Causing controversy from before anyone had watched it, this is a non-literal update-for-our-times take on the Bible story, that nevertheless seeks to engage with the same, genuinely universal, values – honestly, everything added here is not only critical to even make it a feature length drama(such as adding a present, physical form to the evil that is being drowned out, as it were), it serves to flesh out what was already there. This is aggressively environmental, thus rendering it highly relevant; the Earth(which could be 1000 years in the past, or the future) is here a barren, post-apocalyptic wasteland, and while it could have been made clearer, the idea is that excessive and relentless mining of resources is the cause. Not only are we beyond rescuing, the storm that will come will deliver water sorely needed to reinvigorate nature.
This has everything we've come to expect from Aronofsky: solid production values in every aspect, with a solid, and nicely limited(so that there is room for them all to represent some element endemic to us Homo Sapiens, and this is very much a character study of our titular protagonist, and an examination of humanity) cast, a compelling Clint Mansell score, and, of course, amazing(and all with a distinct purpose, artistically) visuals(the desperation of a dying breed is one of the images that will stick with you, something that is in everything Darren has helmed), employing techniques not often seen in the mainstream, including silhouette(such as a brief and stunning extrapolation of Cain) and time-lapse photography(the construction process itself). If you at all intend to watch this, and your first viewing is not a 3D showing, you will be committing a cardinal sin.
There is a lot of brutal, gory, violent and disturbing content and some sexuality in this, none of it gratuitous. I recommend this to anyone not put off by it being based on a Genesis account or the fact that it takes liberties with it. 7/10
Causing controversy from before anyone had watched it, this is a non-literal update-for-our-times take on the Bible story, that nevertheless seeks to engage with the same, genuinely universal, values – honestly, everything added here is not only critical to even make it a feature length drama(such as adding a present, physical form to the evil that is being drowned out, as it were), it serves to flesh out what was already there. This is aggressively environmental, thus rendering it highly relevant; the Earth(which could be 1000 years in the past, or the future) is here a barren, post-apocalyptic wasteland, and while it could have been made clearer, the idea is that excessive and relentless mining of resources is the cause. Not only are we beyond rescuing, the storm that will come will deliver water sorely needed to reinvigorate nature.
This has everything we've come to expect from Aronofsky: solid production values in every aspect, with a solid, and nicely limited(so that there is room for them all to represent some element endemic to us Homo Sapiens, and this is very much a character study of our titular protagonist, and an examination of humanity) cast, a compelling Clint Mansell score, and, of course, amazing(and all with a distinct purpose, artistically) visuals(the desperation of a dying breed is one of the images that will stick with you, something that is in everything Darren has helmed), employing techniques not often seen in the mainstream, including silhouette(such as a brief and stunning extrapolation of Cain) and time-lapse photography(the construction process itself). If you at all intend to watch this, and your first viewing is not a 3D showing, you will be committing a cardinal sin.
There is a lot of brutal, gory, violent and disturbing content and some sexuality in this, none of it gratuitous. I recommend this to anyone not put off by it being based on a Genesis account or the fact that it takes liberties with it. 7/10
Lo sapevi?
- QuizAccording to writer, producer, and director Darren Aronofsky, the animals seen in this movie are "slightly tweaked designs of real existing animals." No real animals were used in the production at all.
- BlooperAll the animals are sedated and are all seen lying down. An elephant normally only sleeps for about four hours a day. If an elephant were to lie on its side for more than a day (for example) the weight of its internal organs would cause them to rupture and fail.
- Citazioni
Tubal-cain: I have men at my back, and you stand alone and defy me?
Noah: I'm not alone.
- Curiosità sui creditiBesides the title of the movie, there are no opening credits
- ConnessioniEdited into Doom and Salvation (2022)
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Dettagli
Botteghino
- Budget
- 125.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 101.200.044 USD
- Fine settimana di apertura Stati Uniti e Canada
- 43.720.472 USD
- 30 mar 2014
- Lordo in tutto il mondo
- 359.200.044 USD
- Tempo di esecuzione
- 2h 18min(138 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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