Aggiungi una trama nella tua linguaRANDOM ACTS OF VIOLENCE is an ultra low budget thriller/black comedy about Malcolm - a New Yorker who gets tired of how gentrified, tepid and antiseptic it's all become. So he decides to tak... Leggi tuttoRANDOM ACTS OF VIOLENCE is an ultra low budget thriller/black comedy about Malcolm - a New Yorker who gets tired of how gentrified, tepid and antiseptic it's all become. So he decides to take matters into his own hands by personally starting a crime wave which he hopes will catch... Leggi tuttoRANDOM ACTS OF VIOLENCE is an ultra low budget thriller/black comedy about Malcolm - a New Yorker who gets tired of how gentrified, tepid and antiseptic it's all become. So he decides to take matters into his own hands by personally starting a crime wave which he hopes will catch on and drive real estate value down, opening up the city to bohemians, artists and a swel... Leggi tutto
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The story itself is already quite unusual but there are many more things that will get your attention. The movie is an experimental low budget effort with almost no special efforts that gives it the vibe of a self-made documentary. The lead character, while being a complete lunatic, is quite charismatic and played quite uniquely by lead actor Ashley Cahill who is fairly unknown and deserves more attention. The quirky locations show the diversity of New York City in a unique way as they explore trendy bars, new restaurants and elegant apartments. The movie's ending comes around with an absurd but fitting twist that makes you laugh and think at the same time. This is certainly a movie you won't forget anytime soon.
Obviously, this type of movie is an acquired taste. The story is rather shallow. The movie portrays brutal violence in random ways that make it look like ordinary events. Even though pretentious reviewers seem to see a profound meaning behind the movie, there actually isn't one. This film feels like an experimental art house project by some nonconformist film school students.
In the end, Random Acts of Violence is unlike any other film you have ever seen and will ever watch. It's experimental at all costs. Some people are going to hate it with passion, others are going to adore its unconventional style without any compromises and then there are going to be people like me who are situated somewhere in between. This film is like a guilty pleasure because I like it despite its gruesome random violence. I would however only recommend this movie to people who like experimental movies and aren't afraid to push their boundaries.
If you watch the movie to the conclusion, please don't tell others. This is just as good as any Hitchcock ending, and he did it on a thin dime. There are so many things that I normally hate in a shoe-string movies such as this. The shaky, POV camera; the quick, quirky dialogue that's hard to comprehend in one sitting; and the harsh violence that's casual. But this baby transcends all of that by miles. Give this a go. Stay with it for 30 minutes and see if you don't agree with me. My cup of tea. Hope it's yours.
The supporting actors were great, they were funny, surprisingly could act, and at some times had their own type of crimes that they had to commit.
This movie had a copacetic story structure and kept me interested throughout the entire film. It's not a horror film so there's nothing to be afraid of, it's just a funny, psycho wants peace thriller. Well done Cahill.
I strongly recommend watching on Netflix if bored or just want a little laugh.
For a movie buff, the later parts of the film begin to appear as a polar opposite of Taxi Driver. Travis Bickle went vigilante, while Malcolm goes rogue. One sees the filth and crime of the city and wants to eradicate it, while the other wishes to instigate a pseudo-intellectual 'revolution' of crime.
The style is, in my mind, a sour attempt at mockumentary. There are plenty of good uses of the shaky camera work, but there are also lots of bad examples. For the most part the message works out, 'extremely low budget' sums it up well, and overall while the main character is not a guy I would share a beer with it is an interesting look into the mind of a clearly bored psychopath with lofty ideals.
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- ConnessioniReferences Psyco (1960)
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