The Dirty Picture

Great first half! So so Second half! Typical Milan Luthria movie, 80s setting, 80s music, people don't speak normally but in couplets. Vidya Balan outstanding, others mediocre. Naseeruddin Shah looks ugly but that's what the movie demands from him. The movie starts well with a young girl who is fascinated by movies and glamor. She runs away from her move a day before she is getting married. Turns up in Madras and tries to get to act in movies. She stands in queue for junior artists outside studios without luck. Then one day she gets a chance to finally do a song which no one else is willing to. And from there her career looks like taking off. But a minor setback almost forces her to go back. But not to be and she becomes 'Silk'. Vidya Balan as silk has done great work and the movie is all about her. 3.5/5

Inspired by the life of the late Silk Smitha, an actress noted for her erotic roles, 'The Dirty Picture' is decent biopic on the late sex-symbol. The main reason why this biopic works, is because of the On-Screen Silk, played terrificly by Vidya Balan. She stands out!

'The Dirty Picture' is a tale of pain, desire, ambition, struggle, and darkness. It's about Silk & her entire journey. It's a complete look at the rise & fall on the late south-siren.

Cinematically, 'The Dirty Picture' is a decent effort, that has enough potential to earn itself a viewing. Of course, the Second-Hour could've been better, but otherwise, there is no major flaw in here to point out. Rajat Aroraa's Screenplay is generally good, but it definitely could've been stronger in the Second-Hour. A special mention for the superb dialogues. Milan Luthria's Direction is passable. Cinematography, Editng & Art Design, are mention-worthy. Music by Vishal-Shekhar, is good

Performance-Wise: Vidya stands out from Scene A to Z. She delivers a terrific performance as Silk. This is Her Bravest & Best Performance to date. Emraan Hashmi is first-rate. Naseeruddin Shah is his usual self, while Tusshar Kapoor deserved more footage. Rajesh Sharma & Anju Mahendru are simply fantastic in supporting roles.

On the whole, 'The Dirty Picture' is a decent effort. Watch it for Vidya's Performance!

Some people watch a movie for its elegance, good acting and high production values. Others watch movies for their sleaziness, skin display and controversy. How often do you get both the sides leaving the theater satisfied thinking that they got a great value for money? Milan Luthria presents The Dirty Picture. In the words of Silk Smitha, a film works for three reasons; Entertainment, Entertainment, Entertainment… And The Dirty Picture is entertainment. However, it's a movie for Adult audience who can take the kind of humor and exposure it has to offer.

The Dirty Picture (DP) is story of a South Indian actress Reshma, popularly known as Silk. Rajat Arora's script keeps flirting with glamor of showbiz and the bitter realities faced by a girl running away from her house to become an actress. To the extent where she eats only a spoonful of sugar once a day as her meal. It exposes how despite criticizing the amount of exposing on cinema; the masses actually enjoy the skin show and that sex sells. The story is a rather predictable tale of rise and fall of a female actor and whatever happens in between, however, it's the treatment and performances that make DP a thoroughly enjoyable watch for lovers of almost all genres.

There are two more things that make DP stand ahead of other recent films. First is the outstanding background score. From the evergreen Naka Mukka to the entertaining 'Ooh Lala' use in the background along with the SFX, background music is simply superb. Secondly, the fiery dialogs are probably the best thing in the entire film. One jewel after another. So much so that you cannot even keep count on them.

Bobby Singh's cinematography is first rate. His best work to date even though he was an unexpected choice. When you have to show sleaze and skin, it's a tough job to still stay classy and Bobby Singh does exactly that. Especially the way Vidya's being overweight has been shown is remarkable.

DP is loaded with powerful performances. It's not very easy to find Emran Hashmi in a bearable role. I don't know why a talented actor like his keeps wasting himself in his serial kisser movies. It was once again Milan Luthria after Once Upon A Time in Mumbai (OUATIM) who took out the best in him. Tushaar too is bearable. Can you believe that? Every single supporting character has done a fabulous job. Rajesh Sharma in another major role after No One Killed Jessica (NOKJ). Navin Gothi, the actor playing Vidya's lucky charm and the director who first kick Vidya out of his set are especially very good. Arya Banerjee makes her presence felt as a new-comer Shakila. Vikas Shrivastav as casting director who sends Vidya out with a 5 rupees bill and Sarang Sathaye as choreographer George who gives Vidya her first song are noticeable in their cameos.

And then comes Naseer Uddin Shah. Who else could have done a better job than NS as the aging malicious actor? He gets into the skin of the character of Surya and does a splendid job of it. Despicable and convincing.

And last but not the least is Vidya Balan. What a powerhouse of an actress. She started the year with NOKJ and has ended it with The Dirty Picture. Totally contrasting roles. In one she was a nerdy homegrown nonentity and in the other she is the sex symbol of the industry calling herself Entertainment and boy, how she excels in both the roles. Watch out for her award ceremony speech, her early scenes with Naseer and the climax. Easily the best female lead performance in 2011. Filmfare worthy material.

The real hero of DP is Milan Luthria. How far has he come from Kachhe Dhaage days? If he was very good in OUATIM, he is even better in DP. Complete grip on the screenplay, taking out the best from the actors no matter how small their roles is, creating an 80s atmosphere still looking totally different from Om Shanti Om and Action Replay, this is a director how is in command. This makes the sequel of OUATIM the most anticipated movie of 2012 as far as I am concerned.

The Dirty Picture hardly has a dull moment. It does get a bit slow when it goes to the soft side of Vidya and Emran, however, that too remains an integral part of the storyline. Do keep in mind the 18+ rating of the film before going to the theaters and keep the expectations on those lines. If you do, you are up for a treat.

It is very rare when a director justify vulgarity and in that particular movie. Director Milan Luthria crafted it very intelligently. I hope most of the people will go for sex oriented movie but I bet they will go again for a fine movie. The speech of Vidya at Award Ceremony Scene was the peak of the movie and real subject. A female actress dominate in a movie with 03 main heroes with a big name Naseeruddin Shah, popular one Emran Hashmi. Vidya handle all exposing material with a grace and style and i think from that movie she will have her new Identity O Lala. Perhaps this is not the first time which depict the behind the scene of film industry but this time it is really fascinating that there is no casting couch type material and struggle is very correct. Go and watch once on this review and you will go again on you own.

Imagine you are making a movie about something really energetic in its own way, for instance, the enormous amount of water that is required to fill a large Sintex tank on top of a building. You may begin by showing how water fills up such a huge tank, the energy of flowing water and so forth. It is however important to note here that it is not the water alone but also the magnanimity of the tank, the height of the building etc. that must get to play an important role. Without an uncompromising projection of how huge the tank is, how it was carried over to the top of a large building and, so on, it will become impossible to feel the enormous presence of the water that fills it.

And that would sum up how The Dirty Picture was executed. The energy of Vidya Balan in the central role was simply enormous. So much so, that the rest of the picture was unable to match up and consequently felt bland and weak in comparison. People often ask, if the writer writes the story, cinematographer films it, actors act and music director scores, what does the director get to do? The director must ensure that the energy of all people involved in the project is channelised in a single stream that gets projected on the screen and must be eventually, felt by the audience.

Director Milan Luthria fails miserably in his job here. A hammy comical Naseeruddin, a controlled Emraan Hashmi and a joke of a Tusshar Kapoor comprise the side characters around the unabashed and shamelessly unapologetic Vidya Balan. Her power over the crowd is merely shown each time by repeated shots of punching movie tickets, crowds of people rushing in and a different dance sequence on the screen. A shabby compromise! The promising biopic is not only slaughtered in its execution by the director but also in its clichéd screenplay (by Rajat Arora who adopts the same dialogue-styles from his previous OUATIM) that allows for an unnecessary narration sequence by Emraan Hashmi and a frequent spew of corny lines and witty (yet, effective) one-liners that end up disrupting the mood of the scene. The audience are however shamelessly satisfied without noticing the loose threads in the story. Like, what happened to the other character who sang with Silk? But who watched it for the story! People cheered when an extra half inch of Silk's bosom became visible or when she has finally got to kiss the medley of different heroes on screen. Special jeers and remarks for Hashmi's kiss. And I was in a multiplex hall.

Cinematography comprised of a sepia-ish hue to depict the 80s period in South India which went very well with the art direction but sadly, it avoided wider angled shots which could have been used to capture scenes involving Silk's audiences or at least to add authenticity to the period drama. This, coupled with the screenplay greatly limited the scope of this movie. The star power that the soft-porn star exhibited was neglected in various scenes. For instance, in the scene where Silk was creating a ruckus outside someone's house, the gathering of the crowd and their cheers were avoided and instead, the focus was on Naseeruddin, Tusshar and other star people involved. Better editing could have spiced up many of such shots.

Music score was mismatched and even slightly boisterous in some places.(I suspect that they must have hired the guy who gives those reaction sounds from Ekta's TV soaps for some of the scenes). Ooh La La was the only fun song. Honeymoon Ki Raat was a mind-boggler! Why was it even there? Sufiana was an unnecessary addition towards the end but they had to have it to show Hashmi kissing Balan.

Acting wise, however, this movie saves its face. Naseeruddin maintained the humour in the first half. Hashmi was consistent throughout. Tusshar was vapid and maintained a stupid look on his face in most of the scenes. Rajesh Sharma is indeed the discovery of the year. After a helpless police officer in No One Killed Jessica, he is unbelievably perfect as the B grade-ish producer. Expectedly, Vidya Balan saves the day by lifting the entire weight of the dirt of this picture and excelling herself as she has done in her past movies. Every performance since her past 3-4 movies has saved her movies from going noticeably awry. I was never a Balan fan from the start. But as of today, all I can say is that no one in Bollywood is in a position to make a picture that can sustain her energy and performance. It's like taking all the water meant to fill the Sintex tank and using it to fill your water bottle. The bottle is enough for you, not for the water.

Producer Ekta Kapoor must have a really weird sense of humour. This movie that holds the vulgar expectations of the audience responsible for the rise and fall of Silk targets the very same from the audience of this film. And apparently she has hit the right spot. Sadly, this is apparently what "Entertainment" in a film is all about! When I walked in for a fourth day's show, many people around me were able to repeat various monologues by rote and in sync with the actors. The Irony!