Company

Unfortunately this musical stills suffers from the fact that the 'book' by George Furth (and little has been changed) is still quite weak. Considering both Sondheim and Furth are gay, the men's parts are incredibly weak, and the situations are clichéd. The performances likewise are the best by the women with the men pretty much taking up space in the background. As to Harris, well, his acting is decent enough, but his voice is rather thin for the material...and he hits a few 'clinkers'. Where is Dean Jones when you need him? Sondheim writes difficult stuff for the average Broadway singer, and 99% of the classical singers can't act, so at best the result is unsatisfactory...like the film version of 'Sweeney Todd'. By the way I did play David myself a long time ago, and I disliked the show then (the book mainly). I've done many musicals, and this is the one I remember with the least affection. I've often thought it might be interesting to do a modern interpretation with all gay couples...and not so incredibly 'white'. The leading character is obviously a model for a '70's gay man.

To me, Sweeney Todd will always be Stephen Sondheim's masterpiece. However, Company still shows a master at work, full of his challenging but truly inventive music(both in orchestral and vocal) and intelligently clever lyrics. While still demanding for the performers, in a way it is a little more accessible than Sweeney Todd. The story is also great in Company, it is always very entertaining, with truthful yet sometimes cynical observations on relationships, but it's also an emotional journey, with complex, deeply flawed and fully fleshed characters. This 2011 performance is a wonderful performance in every way. It looks good and stays true to Sondheim's idea of concept musical, and while some of the staging is somewhat minimalist it is very compelling as well and does a great job at making the characters and their relationships interesting and relateable. Sondheim's score is as you'd expect from him a powerhouse, it is very difficult to pick out a favourite song as they're all so good though The Ladies Who Lunch and Another Hundred People are definite contenders. The orchestra play magnificently throughout, and the conducting keeps things together without anything noticeable going awry. It was difficult to fault the performances either. Neil Patrick Harris' Bobby is sensitive and very charismatic, his rendition of Being Alive is emotionally heart-breaking. Patti LuPone comes very close to stealing the show with The Ladies Who Lunch bringing the house down, while her voice isn't the most beautiful it is still thrillingly volcanic and her acting is right on the money. Anika Noni Rose characterises beautifully and her Another Hundred People is exhilarating. The haunting simplicity of Christina Hendricks' Barcelona comes through too, Martha Plimpton has a beautiful voice and is an even better dancer, Kate Finneran is very funny in Getting Married Today and Chryssie Whitehead does Tick Tock so nimbly and so well that you are tempted to join her. All in all, a wonderful performance that succeeds hugely in every department. 10/10 Bethany Cox

Absolutely a great performance of what must be one of Stephen Sondheim's favorite creations. From Neil Patrick Harris's wonderfully natural depiction of Bobby, to Patti LuPone's perfect rendering of "The Ladies who Lunch", this has to be one of the best productions of "Company" extant. Mr. Sondheim's long-time musical director, Paul Gemignani conducts the New York Philharmonic orchestra with his usual brilliance. This superb musical from more than 43 years ago stands as one of the best in musical theater history. I only hope that future audiences will be privileged to see "Company" performed as well as it was performed here on this night at Avery Fisher Hall. To Lonny Price and this marvelous cast - Thank you.

Just saw it in Herndon, VA; a small but enthusiastic audience. Masterful stage film enhanced by the use of the original orchestrations from the seventies plus an appropriate inclusion of "Marry me a little". "Getting married today" brings down the house while "Another hundred people" received only a warm ovation even though Anika Noni Rose performed it brilliantly. Stephen Colbert shines in his section, and Martha Plimpton does wonders as Barbara Barrie did almost 40 years ago: a great performer like her father Keith Carradine. The real surprise is Neal Patrick Harris, who even though is too Generation X to play Robert, does provide insight and credibility to what originally should be a shallow character. And Patti LuPone delivers the best "The ladies who lunch" since Elaine Stritch did in 1970!

I live a barely middle class living AND theater was never really an option for us. Its either the TV or the movies, though in my defense I do not live under a rock AND had at least heard of Sondheim, in passing.

A genius apparently of an artform I barely know. Then I heard the Ladies who Lunch, a song about a group of rich ladies and their formal 'deaths'.

Soto summarize, I wiki'd his name and the musical AND discovered his death and the musical is highly revered for its stylistic and innovative narrative structure AND is famed by its witty lyrics.

And It was really great. I am shocked that nobody had tried to replicate it in film. Its just superb and shockingly filmic in concept. The way the story shifts in and out timelines and seemingly revolves inside Bobby's imagination is such a bizarre concept for me,since its a musical. The music is topnotch and the pacing is such a delight.

A great introduction to the works of Sondheim and George Furth(another writer of the play). Wonderful and just an interesting concept done in such gusto and smoothness [4.5/5]