VALUTAZIONE IMDb
5,1/10
20.138
LA TUA VALUTAZIONE
Una donna rapita affronta i sicari inviati dal suo rapitore mentre cerca di proteggere la sua famiglia dalla sua ira.Una donna rapita affronta i sicari inviati dal suo rapitore mentre cerca di proteggere la sua famiglia dalla sua ira.Una donna rapita affronta i sicari inviati dal suo rapitore mentre cerca di proteggere la sua famiglia dalla sua ira.
- Premi
- 1 candidatura in totale
Jennifer Blanc-Biehn
- Dena
- (as Jennifer Blanc)
Dragana Atlija
- Lizzy
- (as Dragana Atlua)
Recensioni in evidenza
This is extremely gory and mindless. Not nearly as glorious as Kill Bill (of which one can't help but think).
This is just an excuse for lots of blood and shooting and cuts etc.
Can't figure out why the heroin doesn't just kill them all straight out (as she seems so good at it) instead of just waiting for the next team of useless violent jerks to turn up. Scenario-wise this is really poor. Do not expect any real twist, any intelligent decision, any verisimilitude.
For those of you who like stylised violence for the sake of it, you might spend the time, others just go straight to Kill Bill and don't waste any time on this unless you are really a Salma Hayek fan of course...
This is just an excuse for lots of blood and shooting and cuts etc.
Can't figure out why the heroin doesn't just kill them all straight out (as she seems so good at it) instead of just waiting for the next team of useless violent jerks to turn up. Scenario-wise this is really poor. Do not expect any real twist, any intelligent decision, any verisimilitude.
For those of you who like stylised violence for the sake of it, you might spend the time, others just go straight to Kill Bill and don't waste any time on this unless you are really a Salma Hayek fan of course...
Since the start of the century or so, there seemingly exists an additional new sub-genre within the world of action/thriller cinema, which is best described as "Shoot 'em Up" films. "Shoot 'em Up", starring Clive Owen, itself is obviously a good example, but there's also "Crank", "Hardcore Henry", "Free Fire", "Taken" and this "Everly". You guessed it; - these are films with very thin plots and without any proper character development, but they primarily focus on non-stop violent action, excessively over-the-top gunfire action and a practically immeasurable body count. They are entertaining if you're in a completely undemanding mood, I reckon, but they are quite unmemorable as well. Moreover, despite all the action and bloodshed, these films are actually sort of boring, because they constantly repeat the same old "bang-bang-you-are-dead" routine.
The sole difference between "Everly" and the aforementioned titles is that the indestructible killing machine here is a woman; - and one of the sexiest specimens on the planet, I may add. In fact, one might even shallowly state that any film starring Salma Hayek in a tight and bloodied tank top is worth checking out, regardless of the quality. Hayek, pushing 50 but still looking as fit as a 28-year-old, depicts the private luxury prostitute of an Asian crime lord, locked up in a fancy apartment. One day, however, Everly decides she doesn't want to be Taiko's prisoner anymore. The film opens with a heavily injured Everly and a room full of dead Asian gangsters already. I feared the script would be another structural mess with flashbacks but, to my surprise, the plot simply continues from there onwards and Everly only takes on new and other opponents. She tries to reach her mother and estranged 4-year-old daughter, and she receives help from a slowly dying but remorseful Asian she refers to as "Dead Man". Apart from a few notable highlights, including the battle of the prostitutes and the sickening games of the aptly named The Sadist, "Everly" is mundane and passable. The violence is really graphic, but never shocking or even remotely upsetting because writer/director Joe Lynch ("Wrong Turn 2") couldn't decide if he wanted a serious or a light-headed film.
The sole difference between "Everly" and the aforementioned titles is that the indestructible killing machine here is a woman; - and one of the sexiest specimens on the planet, I may add. In fact, one might even shallowly state that any film starring Salma Hayek in a tight and bloodied tank top is worth checking out, regardless of the quality. Hayek, pushing 50 but still looking as fit as a 28-year-old, depicts the private luxury prostitute of an Asian crime lord, locked up in a fancy apartment. One day, however, Everly decides she doesn't want to be Taiko's prisoner anymore. The film opens with a heavily injured Everly and a room full of dead Asian gangsters already. I feared the script would be another structural mess with flashbacks but, to my surprise, the plot simply continues from there onwards and Everly only takes on new and other opponents. She tries to reach her mother and estranged 4-year-old daughter, and she receives help from a slowly dying but remorseful Asian she refers to as "Dead Man". Apart from a few notable highlights, including the battle of the prostitutes and the sickening games of the aptly named The Sadist, "Everly" is mundane and passable. The violence is really graphic, but never shocking or even remotely upsetting because writer/director Joe Lynch ("Wrong Turn 2") couldn't decide if he wanted a serious or a light-headed film.
Everly (Salma Hayek) is an overworked woman who has had it with her boss and her job. Unfortunately, her employer doesn't have much of a retirement plan so when he wants her terminated, he really means it. Having not seen her family in four years and wanting a better work/life balance, she takes her frustrations out on her co-workers who are also angry at not getting a Christmas bonus. Her family also gets treated poorly when they visit her at work.
The special effects crew worked overtime on what starts out as an action/thriller but soon morphs into a very, very dark comedy that'll make you appreciate having the opportunity to work from home.
The beautiful Hayek shows off her acting chops whether it's taking a stand against workplace sexual harassment or using a machine gun against the HR department. Die Hard and It's A Wonderful Life both take a back seat to this Christmas gem. You'll have to watch it to see if everyone lives happily ever(ly) after.
"I will make sure I die tonight and I don't want to give any of them the satisfaction." After assassins are sent by her ex to kill her, Everly (Hayak) must fight them off alone. After her mother and daughter show up things start to get personal. There are many action movies that start off slow, they have almost a half hour of character development and story to get you invested in the movie, then end with the action to keep you watching. This is one that forgoes all that. It starts off in what seems like the middle of the movie and never lets up. Wall to wall action. The movie is very graphic and intense, much like the original Oldboy, the movie is hard to watch in some parts. Selma Hayak hasn't been in a movie in awhile and its strange that this is the one she came back for. When I think bad ass females she isn't the first name I think of, but she does hold her own. Overall, exciting and full of action but be prepared for what you will experience. I give this a C+.
I've read all the reviews and I am not surprised by all the negativity. No frontal nudity, no talent blah blah blah. I watched this film because I wanted to look at Salma Hayek for 90 minutes. I wasn't expecting anything. Yes it was poorly written and some of the acting was cringe worthy but most of that came out funny, not unentertaining. I truly laughed out loud but not in a bad way. If not for the subject matter they could've called this a comedy and I would've been satisfied. The story line was one we could all be sympathetic to. If your a person who just wants to relax and see a movie then see this. I'll continue to be a Salma Hayek fan and I look forward to the time she is offered more meaningful roles. That time will come.
Lo sapevi?
- QuizKate Hudson was attached to the project for a long time, but after the movie was stuck in development, she dropped out and Salma Hayek later got the job.
- BlooperEverly is clearly shot in her side while wearing a white nightie. However, in scenes afterwards, it is noticeable that there is no entrance hole nor an exit hole in the garment. Only blood can be seen where she had been shot.
- Colonne sonoreFa La La
Written and Produced by Brendan McKian (as Brendan McCreary)
Published by Vega Baby Music / ASCAP
Performed by Brendan McKian (as Brendan McCreary)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 358.156 USD
- Tempo di esecuzione
- 1h 32min(92 min)
- Colore
- Proporzioni
- 2.35 : 1
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