VALUTAZIONE IMDb
5,9/10
16.709
LA TUA VALUTAZIONE
Due ragazze di New York City fanno un patto per perdere la verginità durante la loro prima estate al liceo. Quando entrambi si innamorano dello stesso artista di strada, gli amici trovano la... Leggi tuttoDue ragazze di New York City fanno un patto per perdere la verginità durante la loro prima estate al liceo. Quando entrambi si innamorano dello stesso artista di strada, gli amici trovano la loro connessione testata per la prima volta.Due ragazze di New York City fanno un patto per perdere la verginità durante la loro prima estate al liceo. Quando entrambi si innamorano dello stesso artista di strada, gli amici trovano la loro connessione testata per la prima volta.
- Regia
- Sceneggiatura
- Star
Katelynn Bailey
- Jackie
- (non citato nei titoli originali)
Mackie Burt
- Myra
- (non citato nei titoli originali)
Recensioni in evidenza
"I just wanted to make you feel better. You liked him so much." Lilly (Fanning) and Gerri (Olsen) have been best friends for years and have just graduated high school. Both are on their way to college and neither want to go there as virgins. They decide to make a pact with each other that they will both lose it before they leave. Things are going along fine until they meet and start to like the same boy. This is a plot that has been done to death. Usually though the movie is a comedy and this is a drama. The one thing this does have going for it that the others don't is great actors. The acting alone is enough to keep this from becoming too cheesy or cookie-cutter like. The movie is very predictable and again is something you have seen a hundred times but Fanning and Olsen together are a great team. There are moments that make you cry and make you angry but overall this is a movie that will give you a good feeling. Overall a movie that who's plot has been done to death but the acting makes it feel fresh. A very good coming of age movie that teen girls should watch to show what is really important in life. I give this a high B+.
"We got to get over this hump."
Very Good Girls was on my radar ever since I heard it was debuting in last year's Sundance Film Festival. The reason I was attracted towards this despite not knowing anything about the plot was the cast. It starred Elizabeth Olsen who I've been a fan of ever since Martha Marcy May Marlene and Dakota Fanning who I think hasn't matched that same potential she had as a child actress. The supporting cast included Demi Moore, Peter Sarsgaard, Clark Gregg, and Richard Dreyfuss so I was really looking forward to what they could do. This was also the feature film debut from director Naomi Foner who had written a couple of screenplays in the past, but is best known for being the mother of the talented actors, Jake and Maggie Gyllenhaal.
You would never guess this screenplay was written by a woman considering these young teenage girls have no personality and their entire lives seem to revolve around this guy they met at a beach. He is the only thing they talk about and both girls end up falling for him, which is pretty much the basic theme of this film as their friendship is tested by their personal feelings towards him. Dakota Fanning and Elizabeth Olsen play these young girls who want to lose their virginity before going to college. The guy they both fall for is played by Boyd Holbrook and I really wasn't a huge fan of his performance. I couldn't see why these girls would fall for him as he lacked personality and wasn't really charming either. Both Fanning and Olsen come from very different families. Olsen's parents are played by Richard Dreyfuss and Demi Moore who are very talkative and liberal, while Fanning's parents are played by Clark Gregg and Ellen Barkin and they are much more reserved. The parents don't get much screen time so they weren't really developed very well and all the information we gather from them is through the conversations the two girls have about how they view them (which is almost entirely negative). So that was a big let down for me because I was interested in what these actors could bring to the drama. There is nothing really that engages the audience since none of the characters have any personality whatsoever and not even the love triangle seems too appealing due to the lack of romantic chemistry. The film is only 90 minutes long but it seemed to drag forever and the score didn't help out either. I was hugely disappointed by Very Good Girls and I understand now why it took so long to reach a wider audience after the Festival.
Unfortunately the talented cast is wasted in this film and not even my appreciation for Elizabeth Olsen engaged me. I didn't even like her character very much here and much less the rest of the cast. Olsen has to find better roles because her latest films haven't exploded her potential very well. I was amazed to see how little Demi Moore and Richard Dreyfuss were used in this film; there could have been a better movie somewhere if they were given more importance. The lack of personality from any character just makes this film even more boring and tedious. There have been so many good coming of age films over the past year that this film simply fails to reach the bar that was set so high by Kings of Summer, The Way Way Back, and The Spectacular Now. This could have been an opportunity for two strong female leads but they simply didn't have much to work with.
Very Good Girls was on my radar ever since I heard it was debuting in last year's Sundance Film Festival. The reason I was attracted towards this despite not knowing anything about the plot was the cast. It starred Elizabeth Olsen who I've been a fan of ever since Martha Marcy May Marlene and Dakota Fanning who I think hasn't matched that same potential she had as a child actress. The supporting cast included Demi Moore, Peter Sarsgaard, Clark Gregg, and Richard Dreyfuss so I was really looking forward to what they could do. This was also the feature film debut from director Naomi Foner who had written a couple of screenplays in the past, but is best known for being the mother of the talented actors, Jake and Maggie Gyllenhaal.
You would never guess this screenplay was written by a woman considering these young teenage girls have no personality and their entire lives seem to revolve around this guy they met at a beach. He is the only thing they talk about and both girls end up falling for him, which is pretty much the basic theme of this film as their friendship is tested by their personal feelings towards him. Dakota Fanning and Elizabeth Olsen play these young girls who want to lose their virginity before going to college. The guy they both fall for is played by Boyd Holbrook and I really wasn't a huge fan of his performance. I couldn't see why these girls would fall for him as he lacked personality and wasn't really charming either. Both Fanning and Olsen come from very different families. Olsen's parents are played by Richard Dreyfuss and Demi Moore who are very talkative and liberal, while Fanning's parents are played by Clark Gregg and Ellen Barkin and they are much more reserved. The parents don't get much screen time so they weren't really developed very well and all the information we gather from them is through the conversations the two girls have about how they view them (which is almost entirely negative). So that was a big let down for me because I was interested in what these actors could bring to the drama. There is nothing really that engages the audience since none of the characters have any personality whatsoever and not even the love triangle seems too appealing due to the lack of romantic chemistry. The film is only 90 minutes long but it seemed to drag forever and the score didn't help out either. I was hugely disappointed by Very Good Girls and I understand now why it took so long to reach a wider audience after the Festival.
Unfortunately the talented cast is wasted in this film and not even my appreciation for Elizabeth Olsen engaged me. I didn't even like her character very much here and much less the rest of the cast. Olsen has to find better roles because her latest films haven't exploded her potential very well. I was amazed to see how little Demi Moore and Richard Dreyfuss were used in this film; there could have been a better movie somewhere if they were given more importance. The lack of personality from any character just makes this film even more boring and tedious. There have been so many good coming of age films over the past year that this film simply fails to reach the bar that was set so high by Kings of Summer, The Way Way Back, and The Spectacular Now. This could have been an opportunity for two strong female leads but they simply didn't have much to work with.
Emotionally complex. A great, realistic portrayal of the challenges of a troubled family life and of love and friendship. People make mistakes, and mistakes have to be forgiven, is what this movie seems to say. This movie will have you laughing, crying, suspicious, angry and happy until the very end. It didn't really seem to me that the girls actually made a pact. That would be my main complaint about the plot. They did talk about losing their virginity, but didn't really make any plans. Other than that, a really good movie.
Yes, I have. We all have.
Two regurgitated caricatures of the stereotypical American teenage girl, Lily and Gerry are sooooooo different yet so alike. Both fall in love with the same part shady stalker, part brooding troubled artiste~ who wants to travel the world but his list of places to visit is, like, "Rome... (d-uh)Paris..." Daddy issues are, of course, played up wonderfully, because what is any worthy female teenage protagonist if not the product of her father's neglect? What possibly can one expect when the preppy rich teenage daughter of a straight-laced household made up of detached parents and siblings goes to her dad's office to ask him to get through with this patient already they're getting late for dinn- *gasp* and henceforth a series of incredibly stupid decisions are made by two girls we initially assume to be a lot smarter, wittier, braver and mature than they turn out to be. Every trick in the book for a deep and wholesome young-woman-coming-of-age film is not simply used, but abused in the most blatant schticky manner possible; I promise you, there is more than one cameo made by Sylvia Plath.
This film is a true example of lazy filmmaking in an industry where ~gratuitous-yet-modest~ sex scenes and summertime virginity pacts are more important than honest *portrayals* let alone discussions about teenage turmoil and female sexuality. Not even that awkwardly long shot of Dakota Fanning kinda-sorta running-jogging could redeem this movie.
Don't watch it. You've already seen it. And you've seen better.
Two regurgitated caricatures of the stereotypical American teenage girl, Lily and Gerry are sooooooo different yet so alike. Both fall in love with the same part shady stalker, part brooding troubled artiste~ who wants to travel the world but his list of places to visit is, like, "Rome... (d-uh)Paris..." Daddy issues are, of course, played up wonderfully, because what is any worthy female teenage protagonist if not the product of her father's neglect? What possibly can one expect when the preppy rich teenage daughter of a straight-laced household made up of detached parents and siblings goes to her dad's office to ask him to get through with this patient already they're getting late for dinn- *gasp* and henceforth a series of incredibly stupid decisions are made by two girls we initially assume to be a lot smarter, wittier, braver and mature than they turn out to be. Every trick in the book for a deep and wholesome young-woman-coming-of-age film is not simply used, but abused in the most blatant schticky manner possible; I promise you, there is more than one cameo made by Sylvia Plath.
This film is a true example of lazy filmmaking in an industry where ~gratuitous-yet-modest~ sex scenes and summertime virginity pacts are more important than honest *portrayals* let alone discussions about teenage turmoil and female sexuality. Not even that awkwardly long shot of Dakota Fanning kinda-sorta running-jogging could redeem this movie.
Don't watch it. You've already seen it. And you've seen better.
I was expecting much more from this than I got when I finished watching it.
Being a long time fan of Dakota Fanning, as I suspect her performances are far above the average from girls her age and especially from her era, I was very excited to see her in a more 'mature' type of movie.
Well, I can't really say I was disappointed with the acting from the cast. I guess even that guy who played the street artist was o.k. but I was not satisfied with the development of the film. The movie was slow and then when it was almost finishing they threw it all at once and maybe it was a ~surprising~ ending once I wasn't expecting it but I was not pleased as I thought it rather silly, to be quite honest.
They were dealing with an adult theme at first which requires an adult reaction from all of the circumstances dealt in the movie and then at the very ending of it they just decided to wrap it all up with a rather silly reaction from the characters so us 'the public/audience' would be happy and content. Just typically clichè Hollywood ending while I would have preferred a million times a more realistic type of closing I guess.
And I just say so because this looks to me as an Indie film in which we generally get a more human response to human emotions played on screen (as well as in foreign films).
Of course, I know the old saying 'you can't always get what you want' but I think it's unfair to the public if they promote the movie a certain way and the final result is completely different from that. I mean that even in what concerns the trailer, the poster, every single advertising thing they do. It just has to be fair to their final public otherwise you can't even trust the filmmakers anymore because they are obviously just thinking about an easy way to cash in at your expenses.
I can't really give you more details because I'd have to tell you how it ends but watch it if you really feel like, it's NOT a complete waste of time because as I've said the characters are well portrayed by the whole cast and I can positively say now that I'll keep looking for more Dakota Fanning and Liz Olsen works in the future, they are far above the average and always deserving a much larger recognition for their roles in almost everything they do. 6/10
Being a long time fan of Dakota Fanning, as I suspect her performances are far above the average from girls her age and especially from her era, I was very excited to see her in a more 'mature' type of movie.
Well, I can't really say I was disappointed with the acting from the cast. I guess even that guy who played the street artist was o.k. but I was not satisfied with the development of the film. The movie was slow and then when it was almost finishing they threw it all at once and maybe it was a ~surprising~ ending once I wasn't expecting it but I was not pleased as I thought it rather silly, to be quite honest.
They were dealing with an adult theme at first which requires an adult reaction from all of the circumstances dealt in the movie and then at the very ending of it they just decided to wrap it all up with a rather silly reaction from the characters so us 'the public/audience' would be happy and content. Just typically clichè Hollywood ending while I would have preferred a million times a more realistic type of closing I guess.
And I just say so because this looks to me as an Indie film in which we generally get a more human response to human emotions played on screen (as well as in foreign films).
Of course, I know the old saying 'you can't always get what you want' but I think it's unfair to the public if they promote the movie a certain way and the final result is completely different from that. I mean that even in what concerns the trailer, the poster, every single advertising thing they do. It just has to be fair to their final public otherwise you can't even trust the filmmakers anymore because they are obviously just thinking about an easy way to cash in at your expenses.
I can't really give you more details because I'd have to tell you how it ends but watch it if you really feel like, it's NOT a complete waste of time because as I've said the characters are well portrayed by the whole cast and I can positively say now that I'll keep looking for more Dakota Fanning and Liz Olsen works in the future, they are far above the average and always deserving a much larger recognition for their roles in almost everything they do. 6/10
Lo sapevi?
- QuizElizabeth Olsen and Boyd Holbrook dated after meeting on the set. They even got engaged, but it was called off when they split up.
- BlooperWhen Lilly comes home from the beach at the beginning of the movie, she tells her mother that she had gone to Brighton Beach. Her sister expresses surprise that she had gone all the way to Rockaway. Rockaway is nowhere near Brighton Beach.
- ConnessioniReferences Jules e Jim (1962)
- Colonne sonoreYou Are What You Love
Written and Performed by Jenny Lewis
Courtesy of Team Love Records
By arrangement with Bank Robber Music
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 6940 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4102 USD
- 27 lug 2014
- Lordo in tutto il mondo
- 10.963 USD
- Tempo di esecuzione
- 1h 31min(91 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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