Uno sceneggiatore in difficoltà viene coinvolto in una vicenda criminale dopo che uno dei suoi amici rapisce un cane di proprietà di un gangster psicopatico.Uno sceneggiatore in difficoltà viene coinvolto in una vicenda criminale dopo che uno dei suoi amici rapisce un cane di proprietà di un gangster psicopatico.Uno sceneggiatore in difficoltà viene coinvolto in una vicenda criminale dopo che uno dei suoi amici rapisce un cane di proprietà di un gangster psicopatico.
- Nominato ai 1 BAFTA Award
- 3 vittorie e 21 candidature totali
James Landry Hébert
- Killer
- (as James Hebert)
Recensioni in evidenza
When I was driving to the theater, I was doubting my choice in Seven Psychopaths, because the trailer made it seem like so many films I'd seen before that looked edgy and wry, and showed so much promise in the previews yet fell short because of flat characters and muddled plots. This one, however, did not let me down.
I suggest that you see this film purely because it tries to do more with a movie than anything you've seen in a while, and it manages to actually succeeds on all levels, while dangerously romancing the clichés of toying with clichés, movies about writing movies, and gangsters with a soft side. Every time the story started to get even a little generic, wild cards came firing in from all sides.
The actors played their parts well, but Rockwell gave the best performance. I was impressed by Woody and Walken's abilities to shed their skins and get deeper into character than I've seen them be in years.
This is a writer's film--the subplots (really, borderline vignettes) about the various psychopaths that Marty encounters are well done, their back stories unfold at different paces, and their details that connect them to the central plot are creatively deployed, while the momentum of the film clearly hinges in the here and now and does not make the mistake of merely chaining together several subplots to produce one "dog" of a story.
I enjoyed almost everything about Seven Psychopaths. 10/10 to offset the 2 that someone without a brain will rate this.
I suggest that you see this film purely because it tries to do more with a movie than anything you've seen in a while, and it manages to actually succeeds on all levels, while dangerously romancing the clichés of toying with clichés, movies about writing movies, and gangsters with a soft side. Every time the story started to get even a little generic, wild cards came firing in from all sides.
The actors played their parts well, but Rockwell gave the best performance. I was impressed by Woody and Walken's abilities to shed their skins and get deeper into character than I've seen them be in years.
This is a writer's film--the subplots (really, borderline vignettes) about the various psychopaths that Marty encounters are well done, their back stories unfold at different paces, and their details that connect them to the central plot are creatively deployed, while the momentum of the film clearly hinges in the here and now and does not make the mistake of merely chaining together several subplots to produce one "dog" of a story.
I enjoyed almost everything about Seven Psychopaths. 10/10 to offset the 2 that someone without a brain will rate this.
My friends and I went to the San Diego film festival this past week and were fortunate enough to get into an early screening of Seven Psychopaths, by Martin McDonagh. The film was very satisfying to me personally, weaving an original story around rich characters. Story is something that I take into great consideration when viewing a film as it has lost a foothold in many films today. In terms of presentation, I felt this movie to be a combination of Guy Richie, Quentin Tarantino, and The Coen Brothers. It's hilarious, dark, gripping, precise, quirky, demented, gory, and British. The frequent narration and character introduction of the movie gives it a constantly evolving lure and makes you feel like you're sitting by a camp fire listening to something unfold. Even though their is a thick layer of narration and Peckinpah darkness, it's fun as hell, with the acting a huge aspect of that; if you want to experience a great story, that discovers a point to the whole mess these characters undertake, and have a blast at the same time, then go see this awesome movie!
----no one else does--- one of my favorite things to tell the haters.
Trying not to give away any spoilers -- you have to watch this with an open mind looking to be entertained and not educated. Huge cast all the way to Tom Waites (who by the way, can do no wrong). The characters fit together and interact well. Although it's not the script of the decade, it is "playful". If I get into the characters and their roles I'll spill the beans. But I have to comment about Tom Waites (did I mention he can do no wrong?). He had an integral role in this film which I doubt many viewers really recognized and was flawlessly executed with the rhythm of an accomplished musician.
So take these two things from my review and relate them not just to this film but film in general - and even life; Don't take yourself so seriously - trust me, no one else does! Have no expectation of a film other than to be entertained (unless the film is a doc. of course).
Trying not to give away any spoilers -- you have to watch this with an open mind looking to be entertained and not educated. Huge cast all the way to Tom Waites (who by the way, can do no wrong). The characters fit together and interact well. Although it's not the script of the decade, it is "playful". If I get into the characters and their roles I'll spill the beans. But I have to comment about Tom Waites (did I mention he can do no wrong?). He had an integral role in this film which I doubt many viewers really recognized and was flawlessly executed with the rhythm of an accomplished musician.
So take these two things from my review and relate them not just to this film but film in general - and even life; Don't take yourself so seriously - trust me, no one else does! Have no expectation of a film other than to be entertained (unless the film is a doc. of course).
Martin McDonagh's second feature film is one which starts with a huge amount of promise, with a great cast and some fast paced and fun dialogue for the first 30 minutes or so and a pretty classic premise. However I think the film really starts to decline from there as the movie tries to something different by subverting what you'd expect in a movie like this but in the end is let down by basically everything in the film from the acting to the writing and even just the plot really. 6 might be a bit harsh and is probably marking my disappointment for a movie from a director who made one of my favourite films but a 6/10 isn't really that bad, it's still a decent flick. I'd recommend it.
I see the words "cult classic" in this movie's future. At the very least, I'll be adding this to my collection of movies such as Kick Ass, Pulp Fiction, Zombieland and Hot Fuzz that I love to watch over and over.
You know from the very first scene that this is not your typical Hollywood junk. It was HYSTERICAL, albeit in a pretty sick and twisted way - this is not for the faint of heart. The woman behind me must not have seen the previews, because she got up and left. I'm going to have to see it again this weekend just to catch some of the witty one-liners that I couldn't hear over the roaring laughter. The audience even applauded when it ended.
The script is razor sharp, and you couldn't dream up a better cast to bring it to life. I've always liked Sam Rockwell, but this was a star-making turn for him (at least in my book). You've never seen a movie quite like this. I see a new movie nearly every week, and I rarely feel compelled to sit down and write a review. So take my advice, do yourself a favor and go see it!
You know from the very first scene that this is not your typical Hollywood junk. It was HYSTERICAL, albeit in a pretty sick and twisted way - this is not for the faint of heart. The woman behind me must not have seen the previews, because she got up and left. I'm going to have to see it again this weekend just to catch some of the witty one-liners that I couldn't hear over the roaring laughter. The audience even applauded when it ended.
The script is razor sharp, and you couldn't dream up a better cast to bring it to life. I've always liked Sam Rockwell, but this was a star-making turn for him (at least in my book). You've never seen a movie quite like this. I see a new movie nearly every week, and I rarely feel compelled to sit down and write a review. So take my advice, do yourself a favor and go see it!
Lo sapevi?
- BlooperThe masked killer on the bridge throws down two playing cards. In the first shot, those playing cards have a pattern on their back. In the counter shot (showing how the cards land) the cards have matching front and back - both sides show the jack of diamonds. This was probably done to not have to go through repeat takes until the cards landed with the jacks facing upwards.
- Curiosità sui creditiA surprise final scene interrupts the closing credits a few seconds after they start.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #21.15 (2012)
- Colonne sonoreAngel of Death (Undubbed Session Demo)
Performed by Hank Williams
Words & Music by Hank Williams (as Hank Williams Sr.)
Published by Sony/ATV Acuff Rose Music
Courtesy of Mercury Nasville (United States)
Under license from Universal Music Operations Ltd
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Siete psicopatas y un perro
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 15.024.049 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.174.915 USD
- 14 ott 2012
- Lordo in tutto il mondo
- 29.347.202 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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