Botte di fortuna

Alice and john don't have much money. But they are reasonably happy. Their luck seems to go from bad to worse. Alice can't seem to find and job, and john just lost his. But something strange happens when they steal something from an old lady. It has powers. When they hurt themselves, good things happen to them. How far will they go to pay the bills? Or even have more money than they need? And who keeps showing up looking to reclaim what they stole? It's all fun and mysterious. At some point, they will need to figure out what's really important, or they will destroy their marriage and their lives! Keep an eye out for kenneth, from 30 rock. It's a bit odd, but very well done. Fun to watch. This started out as a short film in 2007, written as a full length feature for 2012. Directed by ramaa mosley.

How far would a person go to earn easy money?

The idea of being able to earn money from pain is not only a masochist's wet dream, but it provides the potential for a film with a lot of moral complexity and moral questioning. I was fine with the director trying to get a few laughs from it, but I don't quite understand why they didn't further explore the darker side of this concept, as it would have really set this film apart from the rest.

There was one point near the end of the film that made me cry, as it showed the vulnerability of humans and how easily they can be corrupted, but even that quickly subsided and turned out to be a red herring, the film continuing down its cliché and comedic path instead.

I'd love to see a different director attempt this film again, but take it more seriously. I honestly think it has potential. The film as it currently exists is worth a watch, but pretty forgettable and you won't be thinking much about it afterwards.

Alice (Juno Temple) married John (Michael Angarano) despite the fact that he is not a success at business. John works as a telemarketer while Alice sends out her resume again and again without landing a job. Former classmates sneer. But, Alice loves John and visa versa and they enjoy each other's company despite scrambling to pay the rent. Yet, one fateful day, Alice and John get in a minor car wreck near an antique shop. There, while waiting for tows, Alice spies a brass teapot and is strangely, strongly drawn to it. When the owner is not looking, Alice grabs the pot and runs. The couple arrives home and, the next day, Alice accidentally burns herself with a curling iron. All of a sudden, the teapot starts spewing out paper bills, some very large. Guessing the secret, she and John start to mildly beat, pinch, and stumble themselves until they have quite a large fortune. A strange Asian man comes to the house to warn them the teapot is "no good" and they should get rid of it. Not listening, the couple buys a mansion in an exclusive neighborhood and dines at posh places. In time, thieves rob their safe and hurting themselves no longer works except for a few bucks. But, Alice soons finds another way to make the teapot give up the cash. Nevertheless, Alice has developed a dark nature that scares her husband. Can John convince her to let them give the pot away? This is a clever and amusing film but its not for all. There are some risqué concepts and scenes some won't enjoy. Nevertheless, the beautiful Temple and mildly cute Angarano are very funny while the scenery, costumes, and direction are definite assets. If you loved I Dream of Jeannie or a fan of Temple's, The Brass Teapot will reward you with an evening's enjoyment.

read a review on here about this 'losing steam'...?!?!

too bad that reviewer quit paying attention, because the thing that made this stand out to me, was the fact that it kept getting better, that it kept 'pushing the envelope' with the story.

"The Brass Teapot" is a low-budget comedy from 2012 that I neither noticed nor watched until last week when I was fiddling through Netflix to find something to pass the time.

The film, while not rocket-science nor packed with amazing performances or drama, actually backed-into my top 25 for 2012. Sitting at #18 one spot above "Jack Reacher" and one spot below that years blockbuster comedy "21 Jump Street".

It really does gain steam though... that's why I brought-up that other review.. because for me it's the opening credits which seem pretty hokey, and the films' opening 20-25 minutes(in which nothing significant happens) that is my biggest gripe with the film.

The moral of the story, and the extreme/building to a crescendo nature of the plot, really come together nicely at the end of the film. A really basic idea is done a great service by the writer, the director, and the cast.

This reminds me a bit of last years' "Cheap Thrills", and is similarly good given it also had little to work with.. This is actually a touch better because it builds and builds, and the moral hits home a bit truer here.

FANTASTIC date movie. Everything you'd look for. Light-hearted, but not too-light-hearted, well-written, entertaining, funny...

Smart, under-rated, worth seeking out as a nice sleeper date- nt/spouses-nt-in treat.

72/100

You might like this if you liked:Seeking A Friend For the End of the World(about even), Mr. Destiny(close, maybe a touch better), Mystery Date(even), Honeymoon in Vegas(not as good), and Let it Ride(a little better). All fine company though.

Solid recommendation. Instantly gets added to my "B-Movie-Marathon" lists.. and while I watch about 3-4 films a week, it seems like months between deserved additions to those lists.

Whilst the Brass Teapot starts off promising, it then slumps into a typical melodramatic snore fest that you may find in a Disney kids film. Though I will admit, The Brass Teapot is a cool idea, the unfortunate part of this is the jealousy that follows. The whole time I was thinking what I could do with it rather than focusing on the narrative of the film. It's funny, but tragic at the same time. Dumb decisions are made which makes you cringe and the recycled material of the story leads nowhere exciting.

A good attempt to make a good film, but for the most part this film turns out so-so. It loses its charm quickly, which is unfortunate and its comedy factor gets weary. Definitely the film that could have been.