Mud

If you're like me, you greet the phrase "coming of age story" with something between a polite nod and an gaping, open mouthed yawn. While "Mud" falls into that category, it's easily one of the best, if not the best, in its class. This is because nothing about it is predictable; there's no sappy cliché message, and although it's mostly tame regarding violence, some parts are extremely tense, menacing and disturbing. Ultimately, yes, it's a coming of age story, but it's a slightly dark version which is aimed more at adults than kids.

The plot in a sentence: Two 14-year-old boys discover a mysterious loner living on an island on the Mississippi River, and as secrets unravel they realize they've gotten into something much deeper than they had bargained for.

Although our protagonist is a 14-year-old boy "Ellis" (excellently, and I mean EXCELLENTLY, played by Tye Sheridan), this isn't just a 14-year-old's story. In the DVD interviews, director/writer Jeff Nichols said he chose a young teen as the protagonist because he felt that our early teens are when we feel emotions the strongest. Everything is amplified, and later in life we rarely feel that surge the same. And so, through the eyes of Ellis, we see a story unfold in a grippingly powerful way.

Themes touch on loyalty, responsibility & fighting for what you believe in. But the central theme is love in its many definitions. We learn that our mysterious stranger (Matthew McConoughy) is driven solely and obsessively by thought of his lost love, and in a parallel fashion, Ellis is falling in love with his first crush. In both cases, he sees love as a storybook ideal. What he gets may not be what he had imagined, and this creates a powerful, driving conflict in the story.

There is action, suspense, artistry and some beautifully shot, poetic moments brought to life through the camera as well as McConoughy's fantastic performance. Even more so, the setting of rural Arkansas along the Mississippi is something you can't miss. In almost a Werner Herzog type vein ("Aguirre the Wrath of God", "Fitzcarraldo") where the ominous natural setting becomes a silent character in the film, director Nichols really knew how to immerse us in an all-encompassing, dense alternate reality, set apart from the real world as if time were frozen since the days of Huck Finn. That alone is worth the price of admission. Definitely if you're a fan of Herzog you must see this film.

Other directors and films I'd compare this to include Wim Wenders ("Until the End of the World" with its vast Australian desolation), Lasse Hallström ("Safe Haven" set in Southport, NC or even "Chocolat" set in a timeless French village on a river) and of course the Rob Reiner masterpiece "Stand By Me". If you liked any of those flicks, you won't be disappointed here.

I was pretty engaged in this film, particularly in the day-to-day existence of the boys who are at the center of it. It has an element of the "Stand by Me" mentality. The boys are bright and real and find themselves having to make decisions on a moral code that they have made for themselves. They are, for the most part, realistic about things, but the culture they are in is so boring and so lacking in stimulation that when the intriguing figure of Mud comes along, they are ready for adventure. Unfortunately, there are simply so many things that just aren't believable. Their access to everything they need when they need it. The ease of transport. The lack of suspicion from others (I know there is some). They also have an incredible amount of mobility. Then there is the contrived "High Noon" conclusion that is bound to happen. It is, itself, pretty demanding of our suspension of disbelief. Still, it keeps us entertained, the acting is quite admirable, particularly the supporting characters, but I expected a little more.

Two curious young boys encounter a fugitive (Matthew McConaughey) named Mud where they live. They willingly do deeds for him, and try to reunite him with his love Juniper (Reese Witherspoon) The problem is, a bunch of bounty hunters are after Mud.

It's always nice to see such a tremendous film of this nature, after all the garbage Hollywood tends to churn out these days. Mud is a genuine piece of filmmaking, which is not only thoughtful, but engrossing until the very end. It's deliberate slow pace ends up serving this film well, giving us time to soak it all in. I also loved the southern setting in this film, which made it all the more genuine, and realistic. The cinematography is a sight to behold, with many beautiful sights that never failed to amaze me. Mud is a very likable fugitive, and quite sympathetic in my opinion, and I give all the credit to McConaughey for that. He still has that charismatic swagger he always does, but he delves a lot deeper for this role. His good looks, give way to a dirty, greasy fugitive, who will do anything to survive, but is not void of morality. He cares about the young boys, even if it is for his own reasons. McConaughey pulls it off with conviction, and I felt he was tremendous. The best performance might just be Tye Sherdian as Ellis. For an actor his age, he was absolutely incredible, displaying many ranges of emotion throughout the film. This kid is going special places in my opinion, and I'll be shocked if he doesn't. Jacob Lofland is great as Neckbone (Ellis's best friend) Reese Witherspoon doesn't have a ton of screen time as you may think, but her character Juniper plays a pivotal part. Reese nails the part, and is gorgeous to boot. Sam Shepard adds great support as a longtime friend to Mud, as the grumpy assassin.

Final Thoughts: Its films like this, that restore my faith in Hollywood. It's genuine, gritty, and downright absorbing. I loved this film, and I can't possibly see why anyone would dislike it. It's just a great film

9/10

14 year old Ellis (Tye Sheridan) lives with his mum Mary Lee (Sarah Paulsen) and father "Senior" (Ray Mckinnon) by the River in Arkansas. Their ramshackle boat house providing easy access to scratch a living selling fish from the mighty Mississippi.

Ellis is free to roam the bye waters in his boat with his friend "Neckbone" (Jacob Lofland) who lives with his uncle Galen (Michael Shannon). Galen keeps himself in beer by diving for oysters in the murky depths, when not loving the ladies to his favourite tunes or playing the guitar.

This is a tough, real life day to day type of existence, well away from the American lives you normally see on the big screen. It is a change to see people that are struggling, yet largely content and portrayed as loving their kids, caring about them as best they can and not turning to violence at a moments notice.

Stumbling across a boat stuck high up in the trees on a deserted island, the boys believe they have found their perfect hideout. After a while they realise they are not the first to find the boat. Notwithstanding all the possible avenues the story could take, horror or something sinister with the older man interacting with younger boys, the story takes none of the conventional routes.

Meeting "Mud" (McConaughey) we meet a perfectly formed complex character, conversing in the usual but even more pronounced southern drawl. Armed with a pistol and a strong independent survival instinct, he starts to rely or manipulate, dependant on your viewpoint, the boys to his main aim. Retaining or retrieving the love of his life "Juniper" (Reece Witherspoon), his sole reason for being is to ensure her safety away from the forces of evil, that he perceives continue to follow her.

To give too much away would spoil the film but fair to say, the story meanders and forks in the same way the Mississippi, ever present in the background, continues to do. The delicate friendships and loyalties that are built and called into question, are all beautifully and believably portrayed.

Tye Sheridan is strong yet vulnerable, experiencing the pitfalls of young love and the upheavals of his home-life require him to trust someone, whether he makes the right choices remain to be seen. McConaughey is well cast and acquits himself well, with a thoughtful layered performance that goes well beyond the stereotypes you might expect. There is a sense of loss through the movie but it is never clear what has been left behind, the ending in particular is sensitively handled. Witherspoon does not get much screen-time but makes the most of the scenes she has, portraying a character one step up from trailer trash. However she remains a constant contradiction of smarts and foolishness wrapped within a superficially simple yet complicated persona.

Matthew McConaughey has recently rescued himself from recent Rom Com hell with a string of good performances in films that actually matter, his recent collaboration with Scorsese in "Wolf of Wall Street" is a good example. It is good to see his career resurrection and start to get noticed again for his obvious acting ability. Director and writer Jeff Nichol has coaxed excellent performances especially from his young cast, whilst placing them in a believable world of which most audiences have no previous experience Complaints, the character played by Sam Shephard feels more like a plot convenience than reality and arguably Sheridan makes it hard for his co-star to shine when his performance is so strong and front and centre.

Summary

A hugely enjoyable film that perhaps defies comparisons and convention. With a story that has time to grow and confound, there are many pleasures to be had.

Like an updated Tom Sawyer novel about nothing and everything, this comes highly recommended.

Ellis (Tye Sheridan) lives on a houseboat in Arkansas with his parents; Mary Lee (Sarah Paulson) and Senior (Ray McKinnon). Their marriage is falling apart as they scrounge for a living. He and his best friend Neckbone, who lives with his uncle Galen (Michael Shannon), find a boat high up in a tree on an island. They meet Mud (Matthew McConaughey).

This is a perfect little movie. This is probably the most complete and deepest character Matthew McConaughey has ever played. Yet it's the outstanding work of newcomer Tye Sheridan that holds the whole thing together. This is only his second movie after 'The Tree of Life' and he absolutely shines here. This movie has a great sense of place. The actors are all great. Importantly, the characters are all deep and complex. It is a truly intriguing little movie.