Ce que le jour doit à la nuit
- 2012
- 2h 42min
VALUTAZIONE IMDb
7,8/10
4374
LA TUA VALUTAZIONE
Algeria, anni '30. Younes di nove anni rimane alle cure dello zio a Orano. Ribattezzato Jonas, cresce con i giovani del Rio Salado. Tra lui ed Emilie nasce una grande storia d'amore, presto ... Leggi tuttoAlgeria, anni '30. Younes di nove anni rimane alle cure dello zio a Orano. Ribattezzato Jonas, cresce con i giovani del Rio Salado. Tra lui ed Emilie nasce una grande storia d'amore, presto turbata dai conflitti che affliggono il paese.Algeria, anni '30. Younes di nove anni rimane alle cure dello zio a Orano. Ribattezzato Jonas, cresce con i giovani del Rio Salado. Tra lui ed Emilie nasce una grande storia d'amore, presto turbata dai conflitti che affliggono il paese.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Matthieu Boujenah
- Dédé
- (as Mathieu Boujenah)
Abbes Zahmani
- Bliss
- (as Abbès Zhamani)
Recensioni in evidenza
a love story in Algeria. nothing different by many other French movies about this painful theme. but the charm, the poetry, nostalgic sparkles, nice cast, the story, the measure of all are virtues who makes this film more than part of a series. because it is a film about holiday, innocence and limits of emotions. sweet, precise, a little cruel. example of realistic romance. and the presence of fragile, delicate, victim of difficult choices of Jonas in interesting performance of Fuad Ait Aattou gives, the sketch of Vincent Perez character, few drops of useful poetry to entire film. a film like an old pain in the skin of memories. not memorable. but nice. and this is the most important thing.
This is a beautiful piece of storytelling. It traverses so much ground. The terrible division in French colonial Algeria is depicted very believably. I am sure that anyone who has lived in a divided society will feel the same way. I myself grew up in Northern Ireland and felt a great connection with this story. In the film there is also the story of four young males growing up and encountering divisions between them caused by conflicting passion and the division in society.
Even though the film covers a lot of ground, it always feels entirely integrated. The story is told with such skill. The acting throughout is excellent and the pictures are often beautiful.
Alexandre Arcady never underestimates the intelligence of the audience. He lets you work out what is going on without being over-told. A significant event at the end of this film is signaled that it will come. When it does we know what has happened, we are told in such a gentle and clever way. It is really extremely impressive.
At the centre of the film is a personal story which is achingly sad.
Even though the film covers a lot of ground, it always feels entirely integrated. The story is told with such skill. The acting throughout is excellent and the pictures are often beautiful.
Alexandre Arcady never underestimates the intelligence of the audience. He lets you work out what is going on without being over-told. A significant event at the end of this film is signaled that it will come. When it does we know what has happened, we are told in such a gentle and clever way. It is really extremely impressive.
At the centre of the film is a personal story which is achingly sad.
When I wanted to go in to watch the film, I did not expect a lot from it, but the film dazzled me and made me excited about the novel by the Algerian writer Yasmine Khadra. The method of filming it was smart in order to convey feelings to the viewers, and the thing that pleased me the most was pictures of us in the film with an aspect that we had not seen in any film or story before. It is the coexistence of the Algerians with the French at the time of colonialism, with the addition of a touch of other races and how their different culture affected them, and this was what affected the characters of the film, which was a true story of events. We saw them making decisions with the aim of balancing, but to no avail. The choice of actors was good in some scenes. I saw an exaggeration, which affected the viewer's lack of influence in terms of drama, but the atmosphere, story, and method of telling the story were enjoyable, which made me complete it in one sitting in which I did not feel bored throughout the duration of the film, which is considered long in proportion to a film. The end of the film was complete, expected at the same time, and realistic in proportion. The two peoples, with the addition of the real Younis touch at the end. Thank you for the unexpected experience (my rating is 8.6/10)
I watched this movie and could draw parallels with South Indian movies where caste becomes an issue between lovers. This one is an absolute gem. The love that Emile emits on her eyes... it's hair raising... every time when she pleads with her eyes to Jonas... I was spell bound. How could she bring that love in her eyes and connect with the audience? It's a great cast, screenplay, backdrop shown with restraint, overall an amazing film.
I gave it a 9. I read the book quite a while ago, before it became a hit. As is rarely the case, the film is very faithful to the original plot and offers incredible pictures of colonial Algeria. It sets at the time of independence of the country. In short to me, a mix of very powerful stories about love, passion and hatred, about things that have to be and things that are not meant to be. A very clever parallel between the story in the background and the stories in the foreground. And, a breathtaking depiction of what must have been the lives of people living in Algeria at this time and how debts of the past can affect people's lives, forever. What the day owes the night. A must-watch as well as a must-read.
Lo sapevi?
- QuizThe place where the resistance organizes itself near Rio Salado in the movie was filmed in Zaghouan/ Tunisia
- BlooperIn English "uncle" means the father's brother and the mother's brother. but in Arabic there's a word for each uncle, "Khal" is the mother's brother and "Aam" is the father's brother. when Mohamed meet Jonas for the first time he said "Ana Khalek" (i'm your maternal uncle) but he should've said "Ana Aamek" (i'm your paternal uncle).
- ConnessioniReferenced in Rembob'Ina: Les dossiers de l'écran: Les pieds-noirs, ça va? (2023)
- Colonne sonoreA VAVA INOUVA
Performed by Idir (as El Hamid Cheriet)
© 1975 - Warner Chappell Music France & Khelil Abdelkader
(p) 1999 Sony Music Entertainment (France) S.A
Avec L'aimable Autorisation de Sony Music Entertainment France
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- What the Day Owes the Night
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 13.170.000 € (previsto)
- Lordo in tutto il mondo
- 2.041.270 USD
- Tempo di esecuzione
- 2h 42min(162 min)
- Colore
- Proporzioni
- 2.35 : 1
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