Estranged

The premise of this sounded very interesting and I watched it back to back with Sand Castles which has a similar premise - and this one falls short of the other in my opinion.

It was surprisingly darker than anticipated and went in a direction I did not expect. Definitely not for the faint hearted, I feel as if it missed a trick by sacrificing on dramatic realism in exchange for shock factor, and the result is you feel very uneasy watching it rather than suspenseful of the unknown.

It's visually interesting, with great set design that immediately makes you feel uneasy. It is further enriched with excellent performances from its cast, most notably Amy Mason in the lead, who is sublime.

Definitely worth watching, it portrays a very dark, suspenseful tale, even if it does feel very disjointed and forced in places. Not the film I expected, which left me more deflated than surprised come the end. Can't help but feel they missed a trick, creating a psychological horror rather than a thriller.

I've never seen a movie get me to the point where I was just staring at my television screen numb for over an hour after the credits rolled.

I've watched a lot of horror and a lot of thrillers - to the point that if you go through my reviews, it's kinda my genre. I'm always up for something new or something that can catch my interest and hold it the entire time. This film definitely kept it...but I'm wondering if that's a good thing.

It starts our generic enough - woman in an accident with amnesia, goes to see her family and something's not quite right. It's a fairly familiar premise. Where this film differs is any sense of hope you have for the main character is just completely gone by the time the ending is coming up. So much so that even after the final scene, you just sit there feeling like it wasn't enough. People should have been punished more to get that sense of catharsis for our lead. Instead, it leaves you feeling blank and numb for having watched it.

I'm giving this film 7/10 because it is something that many thrillers attempt, but fail at. Most films of this caliber just want to shock to shock. Where the characters are all deplorable, including the main ones, there's violence and torture just to make you squirm. This movie doesn't do that. You want our lead to succeed. You like her. You like her partner. You want there to be retribution. But after what our lead is put through, it doesn't feel like any payback would ever be enough.

If you want to feel depressed and hopeless for a few hours after seeing a movie, watch this.

This movie brings to mind the hey day of early seventies low budget British shockers from the likes of Amicus, Tigon, and Hammer. The days when all you needed to make a film was a spirited cast, a largely unknown bolstered by a single "name" performer recognisable to Americans (in this instance James Cosmo), and free access to a down at heel stately home.

It's hard to classify this movie in terms of genre, neither truly a thriller nor a horror. – it's more of a "creeper" than anything else. The sense of unease is ramped up throughout the convoluted twists and turns of the plot before plunging into true horror in the final third.

I think this has presented a problem for the marketing department and I feel that they may be making a mistake in the way that they are presenting it. Many people will feel mislead and disappointed that this isn't the horror movie that the posters suggest, which is a shame since it's more than that, it's a taught, well acted chiller that deserves to be more widely seen.

I ended up quite liking this more than I thought I was going to. When it started and I saw the general picture quality (very indi) I was a little deterred, but that does not a bad movie make.

The story was engaging with the help of a decently good plot with twists and turns along the way with some pretty stellar performances. The casting director really killed it with this ensemble.

I do wish that when the big reveal comes at the end, it wasn't just a story being told within a flashback sequence, felt like a bit of a shortcut/ cop out. Regardless, this one was pretty good guys, well done. Would recommend.

If art imitates life, then there are some really sick people in the world. This film was about a young woman who suffers a accident, winds up back at her childhood home where some real dark colorful characters pretending to be her family all reside. Although the story unravels from inside the home, at no time did I feel like you needed more locations to make the story work. In fact, the happenings unfolding to this young woman couldn't happen anywhere else, because of the graphic nature in which things are done to her. Overall, I've seen this story before in other films that deal with family issues. I think on a whole, all families have dark secrets And if ever found out, lives would be completely destroyed, and the jails would full of family members. A lot this film was cliché and predictable. I endured it to the end, and for me, the ending was the best part. It just took a little to long to get to it.