Heaven Is for Real (1:39, PG) — borderline, 3rd string, original
You might be surprised that this film attracted an atheist activist like me. But I went to see it because — as part of my self-imposed obligation to catch EVERY science-fiction and fantasy movie that hits town so I can review them for my listserv and at SF cons — it looked like it might have some fantasy elements. I ended up classifying it as "borderline", which is where I put movies that are not clearly SF or fantasy but might be if viewed from a certain angle. This one leaves it open to interpretation whether little 4-year-old Colton Burpo actually experienced a trip to heaven while he was unconscious on the operating table at death's doorstep with a burst appendix.
The Burpos are presented as being among the nicest people you could ever hope to meet, and not in any "holier than thou" sense but as solid, down-to-Earth working folk, a kind, loving, and happy family. The dad, Todd Burpo, a part-time Protestant minister in Imperial, Kansas, is humble and declines the title "Reverend", saying "Call me Todd" even to members of his own congregation. He wears a work shirt and sits in the pews with the other congregants while the church service is doing other things, like Bible readings or singing led by Todd's wife Sonja.
The skeptical attitude is clearly articulated by several different characters in the film, including Todd Burpo himself, who's obviously having trouble wrestling with and reacting to what his son has been saying about his brief sojourn in heaven. And the conclusion is not some grand revelation or depiction of the "real" heaven but rather an informal sermon in which Todd (well played by Greg Kinnear) talks thru his uncertainties and tells his fellow congregants that "on Earth as it is in heaven" means that we should each value the little bit of heaven we share when we appreciate the people who love us.
Frankly, an avowed humanist couldn't have put it much better.
Still, there's the obvious fact that little Colton has been drenched in religion for almost his entire waking life, and that such total immersion surely accounts for everything he claims to have seen. And the Burpos had been having serious financial difficulties, a not-so-subtle motive for playing Colton's story for any financial benefit it might bring. Nor does the film stint from dramatizing those perfectly naturalistic explanations.
In short, if you were expecting a piece of pious propaganda, this isn't it. It's more like a nice, non-saccharine family drama with unusual subject matter, kind of along the lines of We Bought a Zoo. On my 9-point scale, it rates a 6.
