VALUTAZIONE IMDb
5,3/10
7817
LA TUA VALUTAZIONE
Quando il proprietario di un accampamento di elefanti viene ucciso, Kham diventa il sospettato numero uno, in fuga dalla polizia e dalle nipote vendicative del defunto.Quando il proprietario di un accampamento di elefanti viene ucciso, Kham diventa il sospettato numero uno, in fuga dalla polizia e dalle nipote vendicative del defunto.Quando il proprietario di un accampamento di elefanti viene ucciso, Kham diventa il sospettato numero uno, in fuga dalla polizia e dalle nipote vendicative del defunto.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie totali
JeeJa Yanin
- Ping Ping
- (as Jija Yanin)
Yayaying Rhatha Phongam
- No. 20
- (as Rhatha Phongam)
Jawed Berni
- No. 85
- (as Jawed Al Berni)
Recensioni in evidenza
Finally saw TYG 2. I have to say this is the worst tony Jaa film so far.Not one bit because of Jaa but entirely due to its director Prachya Pinkaew. Cant believe he blew such a great opportunity after giving us Ong Bak and Tom Yum Goong.The basic plot is more or less the same as TYG 1 so no point in wasting time in talking about it.Lets get straight to the action.I don't understand this need to go on broad canvas and ruin the kind of films that you stood for.(Raid 2 looks to be going the same route from the last 2 promos).
There are several scenes were there was such a huge opportunity to choreograph a great fight scene but the director simply ruined it by his sudden obsession with wire work and poor CGI.
The biggest irritation for me was to see the director desperately trying to pass off Mareese Crump as this newest greatest martial artist on the block. Watch him just for 2 minutes and you realise its all a farce. Crump is not 1/10th as good as Prachya thinks he is.All his fight scenes with Jaa are poorly choreographed in an attempt to make Crump look good. You can clearly see Jaa has been asked to go half -speed and cut down on his moves to make it look like an even contest and it is all the more disbelieving that someone as novice in Capoeira as Crump can match upto Jaa when we have already seen how convincingly he took on the much superior Capoeira fighter Lateef Crowder in TYG1.The only scenes choreographed well are the ones that do not involve Crump , most definitely the one in the hotel room where an unarmed Jaa fights several armed men. Its a pretty short scene but expertly choreographed and such 1-2 scenes give glimpses of the Tony Jaa we know.Sadly the director had other ideas.
Jeeja Yanin is wasted and most of her stunts have wire work. Less said about RZA the better.This one needed a villain who could match up to the level of Jaa , someone like Scott Adkins perhaps.Tony Jaa has admittedly slowed down and looks a bit overweight than his usual lean self. age is catching up.I know Fast and furious is a crap series but i am hoping to b surprised by Jaa's outing in it. Hope they utilize his potential.
There are several scenes were there was such a huge opportunity to choreograph a great fight scene but the director simply ruined it by his sudden obsession with wire work and poor CGI.
The biggest irritation for me was to see the director desperately trying to pass off Mareese Crump as this newest greatest martial artist on the block. Watch him just for 2 minutes and you realise its all a farce. Crump is not 1/10th as good as Prachya thinks he is.All his fight scenes with Jaa are poorly choreographed in an attempt to make Crump look good. You can clearly see Jaa has been asked to go half -speed and cut down on his moves to make it look like an even contest and it is all the more disbelieving that someone as novice in Capoeira as Crump can match upto Jaa when we have already seen how convincingly he took on the much superior Capoeira fighter Lateef Crowder in TYG1.The only scenes choreographed well are the ones that do not involve Crump , most definitely the one in the hotel room where an unarmed Jaa fights several armed men. Its a pretty short scene but expertly choreographed and such 1-2 scenes give glimpses of the Tony Jaa we know.Sadly the director had other ideas.
Jeeja Yanin is wasted and most of her stunts have wire work. Less said about RZA the better.This one needed a villain who could match up to the level of Jaa , someone like Scott Adkins perhaps.Tony Jaa has admittedly slowed down and looks a bit overweight than his usual lean self. age is catching up.I know Fast and furious is a crap series but i am hoping to b surprised by Jaa's outing in it. Hope they utilize his potential.
i just want to say that tonyjaa is absolutely sad waste of talent.he is great fighter.nobody perform original fight like him without wirework.but he is being waste in small budget movies,so i request to big names Hollywood director to sign him in a big movies.and i want to say BIG THANX to director of fast and furious 7' who gave tonyjaa a role. paul walker passed away wo don't know how long we have to wait for the movie.but director can raise the duration of tonyjaa'role in the movie.it ll be great chance for him and use him in a long duration fight scenes so other directors or Hollywood giants can see his performance.
Saw this flick in Malaysian theater and i just have to tell you guys that this is one of the worst tony jaa flick... I just cant feel the awesomeness power of tony jaa in this movie... Ongbak 1,2,3 , the first protector is 3-4 times better compared to this movie... I am assuming that the producers and director are experimenting with their CG and 3D format technology. Too much CG really spoil the action scenes. I love the originality of his previous films... reminds me of the early Jackie Chan flick...no CG pure stunts.... There is one scene involving a couple of motorcycles on a roof top and i think this is way to ridiculous to accept...the stunt guys seems to have difficulty to control their motorcycle and again it is just so painful to watch. Don't get me started with RZA final scene with the elephant....
why oh why do they have to experiment with special effect on this movie. I was hopping it would be a good film just like what keanu reeves did in man of tai chi.....plain fun good action...
Im hoping tony jaa still can kick Ass in the upcoming fast and furious 7.
try to avoid this film if you are hoping for a good fight scenes..there is none.
why oh why do they have to experiment with special effect on this movie. I was hopping it would be a good film just like what keanu reeves did in man of tai chi.....plain fun good action...
Im hoping tony jaa still can kick Ass in the upcoming fast and furious 7.
try to avoid this film if you are hoping for a good fight scenes..there is none.
Tom Yum Goong 2 marks Tony Jaa's return since his announced retirement after the failed Ong Bak 3 and living life as a Buddhist monk. The sequel to 2005's Tom Yum Goong has Kham's elephant Khon is kidnapped once again by an evil organization that plans to blackmail Kham into assassinating the President of Katana to kick start a coup. As flimsy as that plot sounds, it is the least of its problems.
By incorporating special effects and stereoscopic 3D into the film's action scenes, Pinkaew forgets its major visual effect, namely Tony Jaa himself. The action is haphazardly cut with an embarrassingly huge amount of spatial jumps and tight close-ups that do not match, as if there was not enough usable footage. Many times the viewer enters the action after the first hit has been made. Apparently there were five editors on the project, what happened?
Tony Jaa is at not in his peak physical form, and the film seems to be hiding it from the audience. He is not as fast or hard-hitting as he once was. Jaa's choreography is restrained, for most of the group fights he just seems to be dispatching people aside as quickly as possible. And the whole time, I was waiting for Jaa to show off. Every time Ja whips out the elephant boxing style, a style that he and fight choreographer Panna invented for the previous film, are some of the film's most exciting moments. Sadly, there is very little of it.
Jeeja Yanin from Chocolate is unfortunately sidelined, she occasionally shows up to help Tony Jaa and vice versa, but otherwise there is little interaction between them. Clumsy cop comic sidekick Petchtai Wongkamlao gets some nice lines in but as seen in the first Ong Bak his strengths seem to lie in physical comedy, which he does not get to do here. The stunning Rhatha Phongam from Only God Forgives also makes a decent femme fatale, but the overabundance of supporting characters and a political assassination plot weighs everything down as the film takes on more than it can handle. Why does it have to be so complicated? Man loses elephant. Man goes and retrieves it, end of story!
RZA, together with his film The Man with the Iron Fist and self-proclaimed love of martial arts films, is forging a reputation to being a kung fu film staple. His casting as the villain is cashing in on that particular geek sheik. Atrocious acting aside, watching RZA sharing an on screen fight with Tony Jaa had me rolling my eyes. RZA movie fights just fine, but does anyone buy him gaining the upper hand on Ja?
Speaking of which, Marresse Crump, who plays the lead henchman, is a great on screen fighter who can go toe-to-toe with Tony Jaa. The first fight between Crump and Jaa had me pumped, and their last fight on a train track was the type of creative set piece I was expecting to see. Both fighters are capable of more complicated choreography but the choreographers held back with their fight. The fights always seem to be over before the audience can properly enjoy them. The first Tom Yum Goong had a video game boss level-like approach with its action sequences that kept topping each other in terms of scale and insanity, which was made it entertaining and hilarious. There is nothing to that equivalent here.
The best Prachya Pinkaew film is still Chocolate, as it had a neat creative angle and managed to incorporate its action in telling an emotional story coherently. Tom Yum Goong 2 just seems oddly distracted and unconfident about what it wants to be.
By incorporating special effects and stereoscopic 3D into the film's action scenes, Pinkaew forgets its major visual effect, namely Tony Jaa himself. The action is haphazardly cut with an embarrassingly huge amount of spatial jumps and tight close-ups that do not match, as if there was not enough usable footage. Many times the viewer enters the action after the first hit has been made. Apparently there were five editors on the project, what happened?
Tony Jaa is at not in his peak physical form, and the film seems to be hiding it from the audience. He is not as fast or hard-hitting as he once was. Jaa's choreography is restrained, for most of the group fights he just seems to be dispatching people aside as quickly as possible. And the whole time, I was waiting for Jaa to show off. Every time Ja whips out the elephant boxing style, a style that he and fight choreographer Panna invented for the previous film, are some of the film's most exciting moments. Sadly, there is very little of it.
Jeeja Yanin from Chocolate is unfortunately sidelined, she occasionally shows up to help Tony Jaa and vice versa, but otherwise there is little interaction between them. Clumsy cop comic sidekick Petchtai Wongkamlao gets some nice lines in but as seen in the first Ong Bak his strengths seem to lie in physical comedy, which he does not get to do here. The stunning Rhatha Phongam from Only God Forgives also makes a decent femme fatale, but the overabundance of supporting characters and a political assassination plot weighs everything down as the film takes on more than it can handle. Why does it have to be so complicated? Man loses elephant. Man goes and retrieves it, end of story!
RZA, together with his film The Man with the Iron Fist and self-proclaimed love of martial arts films, is forging a reputation to being a kung fu film staple. His casting as the villain is cashing in on that particular geek sheik. Atrocious acting aside, watching RZA sharing an on screen fight with Tony Jaa had me rolling my eyes. RZA movie fights just fine, but does anyone buy him gaining the upper hand on Ja?
Speaking of which, Marresse Crump, who plays the lead henchman, is a great on screen fighter who can go toe-to-toe with Tony Jaa. The first fight between Crump and Jaa had me pumped, and their last fight on a train track was the type of creative set piece I was expecting to see. Both fighters are capable of more complicated choreography but the choreographers held back with their fight. The fights always seem to be over before the audience can properly enjoy them. The first Tom Yum Goong had a video game boss level-like approach with its action sequences that kept topping each other in terms of scale and insanity, which was made it entertaining and hilarious. There is nothing to that equivalent here.
The best Prachya Pinkaew film is still Chocolate, as it had a neat creative angle and managed to incorporate its action in telling an emotional story coherently. Tom Yum Goong 2 just seems oddly distracted and unconfident about what it wants to be.
What has happened to Tony Jaa? I guess Ong Bak and The Protector were lightning in a bottle type moments because his movies are getting worse. This movie is the opposite of what made him popular in the first place. It was him with no wires or CGI, doing amazing stunts and hard-hitting martial arts. This movie not only uses wires, but horrible looking CGI and scenes obviously shot in front of a green screen. Not only does the CGI look bad in this movie but Jaa's fighting abilities seem to have taken a hit too. He looks slower and even a little sloppy at times. JeeJa Yanin is completely wasted in this movie too. Why even put her in the movie just to get beat up most of the time? And the RZA? He took an already bad movie and plunged it to the bottom of the barrel. He's a terrible actor and shouldn't be anywhere near a fight scene. I keep waiting for the magic of Jaa's first two movies to reappear but sadly I don't think that day will ever come.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Người Bảo Vệ 2
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 2463 USD
- Fine settimana di apertura Stati Uniti e Canada
- 270 USD
- 4 mag 2014
- Lordo in tutto il mondo
- 3.399.790 USD
- Tempo di esecuzione
- 1h 44min(104 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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