Random Acts of Violence

If this were a short film I would probably rate it a little higher. In fact, my guess is that it started as just that since there is so much unnecessary filler here. And the pacing is way off. In the way only a first time filmmaker falls prey to.

The director seems to work hard to make this film look like a highly stylish gory thriller but alas in the act of stylishness it ends being a wannabe slasherman movie with not much thrill or solid substance. Loads of gore also do not help much to give it the crime thriller feel. Had it been made as a straight crime thriller it would have been a way more enjoyable movie and with better results.

If you were to pick a director to helm the big screen adaptation of Justin Gray's and Jimmy Palmiotti's underground comic Random Acts of Violence I am fairly positive Jay Baruchel isn't the first name that would've sprang to mind.

The Canadian funnyman, best known for his supporting turns as a wise-cracking loudmouth in the likes of This is the End, Goon and Knocked Up, shows a completely different side to himself in this Shudder release as he takes on duties behind the camera, in the writer's room with co-screenwriter Jesse Chabot and in front of the camera as the highly strung Ezra.

A grisly affair that follows Jesse Williams comic creator Todd as he ventures to a fan convention with his girlfriend Kathy (played by the Fast and the Furious's Jordana Brewster), his business partner Ezra and their assistant Aurora (Niamh Wilson), only to find that he and his fellow road trippers face the deadly proposition of his comic's lead The Slasherman becoming a bloody reality, Random Acts of Violence is a true gore-filled exploitation ride as Baruchel holds nothing back as the bodies start piling up in creative and regular fashion.

Taking aim at the toxicity of fandom and how sometimes peoples heroes can be anything but upstanding citizens, Random has a message that is tucked away in the midst of all its more slasher orientated antics but one wouldn't expect to walk away from this quickfire 80 minute affair with any life lessons as Baruchel's low-budget exercise fancies shock value moments over anything of real substance.

With this focus in mind Random is a sure-fire hit with genre fans and with the big screen iteration of Slasherman the year has one of its most memorable horror figures but when the film is focused more around the character beats and interactions the audience is left wanting as our protagonists get caught deeper and deeper in a life and death game of cat and mouse.

Todd himself is a fairly unlikable creation, Williams unable to evolve his creators arrogance into something that becomes relatable and likable while Kathy, Ezra and Aurora are more fodder than anything else but the lack of a truly gripping character doesn't detract from a genre-orientated offering that acts as a showcase for an unlikely career pivot from Baruchel.

Final Say -

A gory and grim affair, Random Acts of Violence is one for horror buffs specifically as this blood-filled affair shows us a whole new side to comedian Jay Baruchel.

3 toy trucks out of 5

The film's premise is interesting but overall lacked a sense of direction (especially at the midpoint of the movie). The technicality and cast of the movie was decent - although there was a stylistic choice of a darkish green tone in some of the scenes (I believe it was to mimic comic book visuals) which could make or break it for some people - but personally, it felt too much and unnecessary.

The film is scary in terms of the premise and could've been a lot more than just your conventional slasher flick, but the way it was executed narratively and character wise, it was more-so of a disappointing watch.

Random Acts of Violence tells the story of a comic book writer who is having trouble coming up with an ending to his new story, all while being stalked by a killer who is stylizing the murders after his books.

The story beings on a road trip with Todd played by Jesse Williams and his girlfriend Kathy played by Jordana Brewster heading to a publicity interview for his comic book series Slasherman, with his two assistant friends Ezra and Aurora, played by Jay Baruchel and Niamh (Neeve) Wilson, respectively.

The interview starts out great, but quickly gets railroaded when Todd begins getting grilled about basing his comic book on actual murders that happened along the highway. He then receives a phone call during the interview with a cryptic numeric message from an unidentified man. The gang think nothing of the phone call, until they stumble upon a crime scene which is similar to how Todd's characters were murdered in one of his books.

Random Acts of Violence is a throwback to the 80s slasher film but unfortunately, there are some flaws to the film. It seems like a lot is missing from this story, and it was quickly wrapped up in its short 81 minute runtime. There is really no introduction to the killer aside from his lair which looks eerily similar to Leatherfaces in The Texas Chainsaw Massacre. There is also a Christmas themed side story which does not get resolved until the end of the film. Christmas themed movies during Summertime is always awkward.

The title Random Acts of Violence is actually appropriate. However, while things were unfolding on screen I was questioning why the film was moving in this direction. I think with a story a little more fleshed out, it wouldn't have felt so shocking and random.

Horror film these days are too funny and do not take themselves serious. Many people argue that real life is scarier than movies. If that is the case, then horror should be at peak right now because it should be flooded with real life inspiration. Films like Silence of the Lambs and A Nightmare on Elm Street were based on real life events that were able to be transformed to film. The one thing I was able to take away from Random Acts of Violence is that it actually attempted to take itself seriously. Where so many horror films are now dual genres pairing oh so well with Comedy, Random Acts of Violence hopefully will begin to set a trend of making the slasher film scary again.