Cash cerca di vivere una vita onesta e tranquilla, ma quando Big Cat lo costringe a tornare al suo servizio, si dimostra capace di tutto pur di proteggere la città e l'unica famiglia che gli... Leggi tuttoCash cerca di vivere una vita onesta e tranquilla, ma quando Big Cat lo costringe a tornare al suo servizio, si dimostra capace di tutto pur di proteggere la città e l'unica famiglia che gli è rimasta.Cash cerca di vivere una vita onesta e tranquilla, ma quando Big Cat lo costringe a tornare al suo servizio, si dimostra capace di tutto pur di proteggere la città e l'unica famiglia che gli è rimasta.
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Recensioni in evidenza
RED RIGHT HAND is a film I rather enjoyed, unlike a lot of reviewers here. Its a very small scale, low budget feel kind of movie, set in one of those rural towns in the American Midwest where an unlikely kingpin holds sway over the population. Andie McDowell, who I've never rated as an actress, does a fair approximation of evil in this against-type role, while Orlando Bloom also goes against type as the redneck hero unwittingly drawn back into her criminal schemes. Dillahunt has a fine supporting role as the town's preacher. The plot's familiar but the action is well handled and the film is admirably gritty. The final shoot-out in particular impresses.
It is one thing to have a very good cast of stars (Bloom, McDowel,Dillahunt) to attracts viewers to your movie. It is another challenge to have a sensible, workable and engaging script that the viewer can follow with intent and delight. It is yet another aspect to have a production, directing and editing crew that ensures an engaging element to the viewing experience
Sadly, in this case, only the first aspect is present - great cast, thus the question : "Oh, Orlando... WHY!" It is heartbreaking to see such talent wasted on this triviality only for the crew to say "we had Mr Bloom in our movie!". Shame on you
It was with painful admission that I could not continue my viewing past the hour mark. It was that unhinged, uninteresting and quite simply BORING. With better directing (and editing) this movie could well have been a great 7.5. It is not about the story (we have seen this too many times) but the senselessness of wasted screen time where just nothing happens.... or the opposite to what humans normally do to be of assistance to family
As for that... if you want Mr Dillahunt to go through bottles of hard tac, then at least GIVE him some real stuff so that he can actually BE drunk and not sometimes appear quite sober after a few shots
It took me a few days to go back to see the second half.... I could not stay for the end.... Perhaps Mr Bloom's agents were a bit over eager to sign him up for this one. I am sure there are much better offers out there who would be able to work with this talented actor
Final statement : rather go watch Sesame Street with your popcorn.
Sadly, in this case, only the first aspect is present - great cast, thus the question : "Oh, Orlando... WHY!" It is heartbreaking to see such talent wasted on this triviality only for the crew to say "we had Mr Bloom in our movie!". Shame on you
It was with painful admission that I could not continue my viewing past the hour mark. It was that unhinged, uninteresting and quite simply BORING. With better directing (and editing) this movie could well have been a great 7.5. It is not about the story (we have seen this too many times) but the senselessness of wasted screen time where just nothing happens.... or the opposite to what humans normally do to be of assistance to family
As for that... if you want Mr Dillahunt to go through bottles of hard tac, then at least GIVE him some real stuff so that he can actually BE drunk and not sometimes appear quite sober after a few shots
It took me a few days to go back to see the second half.... I could not stay for the end.... Perhaps Mr Bloom's agents were a bit over eager to sign him up for this one. I am sure there are much better offers out there who would be able to work with this talented actor
Final statement : rather go watch Sesame Street with your popcorn.
No pun intended - and don't take everything literally ... talking more to myself of course. Orlando Bloom is in this to start off with the obvious. And I reckon after Pirates it is tough to find something ... I think he is underrated as an actor ... and I wish he was able to be in more diverse projects. But this is kind of fun - well action and tense, but you know what I mean.
Low budget, but with a tight story and really good editing. Cinematography is good too - but we get used to that, even with movies that don't seem to have a large budget. That all said, it does deal with a few cliches, but nothing too off putting. The acting is at least decent to good ... if you like the story, you will have fun.
Low budget, but with a tight story and really good editing. Cinematography is good too - but we get used to that, even with movies that don't seem to have a large budget. That all said, it does deal with a few cliches, but nothing too off putting. The acting is at least decent to good ... if you like the story, you will have fun.
Red Right Hand (2024) is a gritty, violent, somewhat depressing film with enough understated woke elements to distract and leave audiences wondering how much better it could have been.
The film seems almost schizophrenic in attempting realism in a genre that naturally gravitates toward right wing elements. Two graphic scenes depict brutal interrogations, but conducted by the villains. The chief villain is played by a woman with an army of male henchmen and a kinky boytoy. The one good cop on a corrupt force is a black guy. There is a lot of storm-trooper style gunplay and other violence, but much of it is off-camera. A scene involving violence toward a female is handled so obliquely as to leave the audience wondering what, if anything, happened. A young girl is taught to use a rifle and a knife, but the hero often finds himself without a gun or without bullets.
Orlando Bloom is excellent playing a backwoodsman with a lot of conflicts. He delivers a highly credible, nuanced performance. Garret Dillahunt also delivers a very credible performance as the preacher/sidekick. Andie MacDowell plays the antagonist in an over-the-top two-dimensional comic-book mode. None of the male characters seem to have any current romantic partners, although one spends a lot of time pining over his dead wife. What passes as the B-story love angle is the platonic relationship between Cash (Bloom) and his niece, which occupies a lot of screen time without managing to be particularly interesting.
Production values are adequate. Scenery and costumes seem authentic. Overall, the movie is watchable, but not truly satisfying. It's too timid for action fans, but perhaps too gritty for drama fans. The lack of any romantic angles leaves the characters seeming incomplete.
The film seems almost schizophrenic in attempting realism in a genre that naturally gravitates toward right wing elements. Two graphic scenes depict brutal interrogations, but conducted by the villains. The chief villain is played by a woman with an army of male henchmen and a kinky boytoy. The one good cop on a corrupt force is a black guy. There is a lot of storm-trooper style gunplay and other violence, but much of it is off-camera. A scene involving violence toward a female is handled so obliquely as to leave the audience wondering what, if anything, happened. A young girl is taught to use a rifle and a knife, but the hero often finds himself without a gun or without bullets.
Orlando Bloom is excellent playing a backwoodsman with a lot of conflicts. He delivers a highly credible, nuanced performance. Garret Dillahunt also delivers a very credible performance as the preacher/sidekick. Andie MacDowell plays the antagonist in an over-the-top two-dimensional comic-book mode. None of the male characters seem to have any current romantic partners, although one spends a lot of time pining over his dead wife. What passes as the B-story love angle is the platonic relationship between Cash (Bloom) and his niece, which occupies a lot of screen time without managing to be particularly interesting.
Production values are adequate. Scenery and costumes seem authentic. Overall, the movie is watchable, but not truly satisfying. It's too timid for action fans, but perhaps too gritty for drama fans. The lack of any romantic angles leaves the characters seeming incomplete.
Red Right Hand is a suspense/crime/thriller which takes place in rural Kentucky and focuses on the decay of the rural American family due to an inability to scrape a decent living. The most ironic name goes to the main character, Cash (played by Orlando Bloom
with a strong performance and a better Southern accent than I could hope to conjure) and his brother Wilder (Garret Dillahunt). Without deviating from the well tread formula that films like this normally take, it adds a few twists now and then.
First, there is the strong performance by the antagonist Big Cat (played by Andie MacDowell (who usually plays in comedies but nonetheless proves her mettle here in a villainous role). She quickly shows that she means business, and yet there is an unspecified history between Big Cat and Cash.
Another strong role is the daughter (played by newcomer Chapel Oaks) who convincingly shows her wisdom beyond that of the two men raising her throughout the film. She gives a strong sense of female independence and like nearly everyone in the film, knows a thing or two about guns.
Speaking of guns, Obama famously complained that rural America clung to its bibles and guns. That's true here too but I would add two more to the list (at least according to this movie): big rigs and farm animals.
Overall, it's an enjoyable story but not one you haven't seen before with a few exceptions.
7/10.
First, there is the strong performance by the antagonist Big Cat (played by Andie MacDowell (who usually plays in comedies but nonetheless proves her mettle here in a villainous role). She quickly shows that she means business, and yet there is an unspecified history between Big Cat and Cash.
Another strong role is the daughter (played by newcomer Chapel Oaks) who convincingly shows her wisdom beyond that of the two men raising her throughout the film. She gives a strong sense of female independence and like nearly everyone in the film, knows a thing or two about guns.
Speaking of guns, Obama famously complained that rural America clung to its bibles and guns. That's true here too but I would add two more to the list (at least according to this movie): big rigs and farm animals.
Overall, it's an enjoyable story but not one you haven't seen before with a few exceptions.
7/10.
Lo sapevi?
- QuizThe man on the phone in the parking lot when Finney is threatened, is the current Pastor of the church.
- BlooperAt 28:12, one of the characters takes a swig of "bourbon" revealing a full head of white bubbles as he does so, something no bourbon or whisky of any sort does. However, this is a characteristic of ice tea.
- Colonne sonoreWhen I Get There
written by Dune Butler, Kate Dinsmore & Peter Donovan
performed by Up & Over feat. Kate Dinsmore
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Pacto de sangre
- Luoghi delle riprese
- Lexington, Kentucky, Stati Uniti(Production Agent: Paracorp Incorporated 828 Lane Allen Road #219 Lexington, KY 40504)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 35.368 USD
- Fine settimana di apertura Stati Uniti e Canada
- 18.135 USD
- 25 feb 2024
- Lordo in tutto il mondo
- 153.552 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
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