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God Bless America

  • 2011
  • R
  • 1h 45min
VALUTAZIONE IMDb
7,1/10
73.408
LA TUA VALUTAZIONE
Joel Murray and Tara Lynne Barr in God Bless America (2011)
On a mission to rid society of its most repellent citizens, terminally ill Frank makes an unlikely accomplice in 16-year-old Roxy.
Riproduci trailer2: 21
2 video
99+ foto
CommediaCommedia darkCrimineDrammaParodiaSatira

In missione per liberare la società dai suoi cittadini più repellenti, Frank, un malato terminale, trova un'improbabile complice nella sedicenne Roxy.In missione per liberare la società dai suoi cittadini più repellenti, Frank, un malato terminale, trova un'improbabile complice nella sedicenne Roxy.In missione per liberare la società dai suoi cittadini più repellenti, Frank, un malato terminale, trova un'improbabile complice nella sedicenne Roxy.

  • Regia
    • Bobcat Goldthwait
  • Sceneggiatura
    • Bobcat Goldthwait
  • Star
    • Joel Murray
    • Tara Lynne Barr
    • Mackenzie Brooke Smith
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    73.408
    LA TUA VALUTAZIONE
    • Regia
      • Bobcat Goldthwait
    • Sceneggiatura
      • Bobcat Goldthwait
    • Star
      • Joel Murray
      • Tara Lynne Barr
      • Mackenzie Brooke Smith
    • 258Recensioni degli utenti
    • 228Recensioni della critica
    • 56Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 5 candidature totali

    Video2

    Greenband Version
    Trailer 2:21
    Greenband Version
    God Bless America
    Trailer 2:17
    God Bless America
    God Bless America
    Trailer 2:17
    God Bless America

    Foto166

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    + 160
    Visualizza poster

    Interpreti principali99+

    Modifica
    Joel Murray
    Joel Murray
    • Frank
    Tara Lynne Barr
    Tara Lynne Barr
    • Roxy
    Mackenzie Brooke Smith
    Mackenzie Brooke Smith
    • Ava
    Melinda Page Hamilton
    Melinda Page Hamilton
    • Alison
    Rich McDonald
    Rich McDonald
    • Brad
    Maddie Hasson
    Maddie Hasson
    • Chloe
    Larry Miller
    Larry Miller
    • Chloe's Dad
    Dorie Barton
    Dorie Barton
    • Chloe's Mom
    Travis Wester
    Travis Wester
    • Ed
    Lauren Benz Phillips
    Lauren Benz Phillips
    • Donna
    • (as Lauren Phillips)
    Guerrin Gardner
    Guerrin Gardner
    • Tampon-Throwing Tuff Gurl
    Kellie Ramdhanie
    • Melissa Tuff Gurl
    • (as Kellie Marie Ramdhanie)
    Aris Alvarado
    Aris Alvarado
    • Steven Clark
    Romeo Brown
    Romeo Brown
    • John Tyler
    Sandra Vergara
    Sandra Vergara
    • American Superstarz Judge
    Jamie Harris
    Jamie Harris
    • American Superstarz Judge
    Alexie Gilmore
    Alexie Gilmore
    • Morning Show Host
    James McAndrew
    James McAndrew
    • Morning Show Host
    • Regia
      • Bobcat Goldthwait
    • Sceneggiatura
      • Bobcat Goldthwait
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti258

    7,173.4K
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    Recensioni in evidenza

    7bluestemz

    "No one has any shame anymore, and we're supposed to celebrate it."

    Bobcat Goldthwait's latest feature as writer & director is a hilarious & articulately written black comedy commentary on contemporary American culture, or lack thereof. Yes, mass media's influence on the devolution of society has been tackled before (Oliver Stone's Natural Born Killers & Euros Lyn's Fifteen Million Merits, for example) and the script has it's issues (which are plausibility/suspension of disbelief related IMO) but the dialogue does have monologues & diatribes that I think really do shine. The acting is FTW, and the whole small budget meets meaningful repartee feel of the piece threw me back to Mark Osbourne's 2000 film "Dropping Out". Most definitely catch it if you can! 8D
    7Hellmant

    The film is sort of like the movie 'SUPER' except darker, or you could say it's like 'NATURAL BORN KILLERS' except lighter, or 'BONNIE AND CLYDE'.

    'GOD BLESS America': Three and a Half Stars (Out of Five)

    A dark and very violent political satire (as well as social commentary) written and directed by actor/comedian turned filmmaker Bobcat Goldthwait. The story revolves around an insurance salesman who's recently been fired from his job and discovered he's terminally ill who decides to go on a killing spree to rid the world of it's most morally deprived citizens, before he exits it as well. He teams up with a 16-year-old girl who shares his anger. The movie is a little hard to watch given the subject matter and has a somewhat nihilistic feel to it but the political commentary is spot on and the filmmaking is equally topnotch.

    Joel Murray stars as Frank, an insurance salesman who's fired from his job for sending flowers to a co-worker (as well as using company records to look up her address), which she deemed as sexual harassment. He later finds out the migraines he's been suffering are the effect of a terminal brain tumor, which his doctor says is inoperable. He has a daughter who despises him and is spoiled rotten by his ex-wife (Melinda Page Hamilton). All this combined with his increasingly negative views on America and the rude hateful citizens which inhabit it cause him to go on a killing spree. He finds unlikely assistance in the form of a 16-year-old girl named Roxy (Tara Lynne Barr), who's equally upset with society.

    The film is sort of like the movie 'SUPER' (from last year) except darker, or you could say it's like 'NATURAL BORN KILLERS' except lighter, or 'BONNIE AND CLYDE' (which it references several times). It mocks 'AMERICAN IDOL', reality TV, conservative talk shows and other pop culture filth. It's commentary is intelligent and right on (although perhaps a bit too harsh at times). The fact that the lead characters are so insightful and well intentioned is the movie's biggest flaw though. How can such likable and otherwise seemingly well balanced people resort to such idiotic and pointless violence. It's like a horror movie where the heroes are the serial killers, which is extremely hard to take as a viewer. It leaves you torn about exactly what the film is trying to say. Which I think is it's biggest strength. A movie that makes you think that much and makes you that uncomfortable deserves credit. Goldthwait makes a very impressive writer and decent director as well! This movie is definitely not for everyone and extremely hard to watch for most but it does have some great social and political commentary and does what a movie meant to disturb should.

    Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=4Ld28EwmjL8
    8axlrhodes

    I wonder what Simon Cowell would make of it?

    Written and directed by American comedian Bobcat Goldthwait comes this tale of Frank (Joel Murray), a downtrodden sad sack of a man whose miserable and lonely existence away from an estranged wife and daughter is accompanied by insomnia, noisy neighbours, reality television in all it's most evil manifestations and an ever increasing lack of patience. After losing his job and discovering he has an inoperable brain tumour, Frank decides he's had enough of the ignorance and general lack of moral principles he sees permeating through everyday American life and sets about directly addressing the problem…with a gun. Aside from the overly graphic and wanton violence, this is a film with a lot to say. It's almost as if writer Goldthwait is himself getting stuff off his chest that's been festering for years. Much of the dialogue is indeed bitingly funny, including some incisive rants about the pernicious nature of American Idol type singing competitions. The film does sometimes forget itself (one holiday montage sequence seems a loose fit) and some of the murders which Frank and his willing side-kick Roxy (Tara Lynn Page) carry out might threaten to cancel out the more intelligent aspects of the message for some. What is certain is that God Bless America will divide opinion. Frank's a walking contradiction, a liberal man who fights his cause with right-wing methods to find a stage to air his liberal views. This is a film for everyone who's imagined but would never carry out. For those who want to instantly silence that barking dog down the street that's preventing valuable sleep before that big presentation at work the next day. It's for those of us who sit silently in cinema seats respecting other people's right to enjoy the experience only to have ignoramus's gibbering on mobile phones or kicking the back of your seat. While the film might draw criticism for it's depictions and excessive"preachiness", i found it agreeably acerbic. I wonder if Simon Cowell feels the same way.
    10chw_davidson

    Captures our age of narcissism and stupidity

    I saw this movie's premiere at the Toronto Film Festival. I loved it. Bobcat Goldthwait has given us a hilarious comedy that perfectly satirizes our self-centred, celebrity-obsessed, uncritical age. Throughout the dark comedy Joel Murray delivers a perfect performance as one of the last thinking men, who has grown weary of life and society. In between the action and the comedy, Joel Murray's character delivers scathing indictments of society that had the Toronto audience break out into spontaneous applause. Besides being hilarious, this movie is really an interesting exploration of the insensitivity and thoughtlessness of modern popular culture. This movie is the antidote our "reality show," celebrity-obsessed, know-nothing-and-proud-of-it culture. The film's outlandish violence perfectly captures Horace Walpole's epigram, "This world is a comedy to those that think, a tragedy to those that feel." Unfortunately, as the movie points out, few people are now capable of either thinking or feeling.
    7agrising

    I really wanted to love it

    Instead, I liked it and would gladly watch it again. God Bless America had so much potential. Its first half an hour or so goes as you expect, over the top dark humor with non-stop truth hitting relentless social commentary and then...Roxy walks into the movie. From this point on, unfortunately, without saying much, the movie falls into several paradoxes and loses its focus.

    At its core, GBA is a good social satire with nonstop commentary on the problems with pop culture and society, but on the same coin, the movie tries so hard that it feels like a rant by an angry liberal rather the good satire it initially set out to be. Furthermore, Roxy becomes one of the characters you want dead as the movie goes and her character, along with her and Frank's relationship, appears so idealized and forced, that it just affects the movie for the rest of its running time.

    The good, however, lies in the great shooting scenes, some of the great commentary made by Frank (most of what Roxy says makes you roll your eyes if not question what in the world the movie was going for), the dark humor, the targets for satire, the over the top story, its entertainment, and overall its a solid 9/10 movie but...

    The bad lies in the second act, on Roxy's faulty and forced character, its endless rants between our two main character that makes you want them to kill themselves as the next person on their killing spree, the people targeted (whats wrong with high fives and country music? When did this movie become about taste rather than appropriate satire part?) and so on...it just bit itself in the tail.

    I really wanted to love this movie. I almost did. Instead every time I went to smile and applaud the commentary, something matter of taste or the character discontinuity got in the way...good movie, definitely one everyone should watch, but sadly, for what it could have been and set out to be, very flawed.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      When Frank is buying the AK-47, the dealer describes it as "The very best there is. When you absolutely, positively got to kill every motherfucker in the room, accept no substitutes." This is the same way Samuel L. Jackson's character describes an AK-47 in the beginning of the Quentin Tarantino film Jackie Brown (1997).
    • Blooper
      When Frank steals his neighbor's car and heads to Virginia, he can be seen driving north on Interstate 81 in Syracuse when he should be going south.
    • Citazioni

      Frank: Oh, I get, and I am offended. Not because I've got a problem with bitter, predictable, whiny, millionaire disk jockeys complaining about celebrities or how tough their life is, while I live in an apartment with paper-thin walls next to a couple of Neanderthals who, instead of a baby, decided to give birth to some kind of nocturnal civil defense air-raid siren that goes off every fuckin' night like it's Pearl Harbor. I'm not offended that they act like it's my responsibility to protect their rights to pick on the weak like pack animals, or that we're supposed to support their freedom of speech when they don't give a fuck about yours or mine.

      Office Worker: So, you're against free speech now? That's in the Bill of Rights, man.

      Frank: I would defend their freedom of speech if I thought it was in jeopardy. I would defend their freedom of speech to tell uninspired, bigoted, blowjob, gay-bashing, racist and rape jokes all under the guise of being edgy, but that's not the edge. That's what sells. They couldn't possibly pander any harder or be more commercially mainstream, because this is the "Oh no, you didn't say that!" generation, where a shocking comment has more weight than the truth. No one has any shame anymore, and we're supposed to celebrate it. I saw a woman throw a used tampon at another woman last night on network television, a network that bills itself as "Today's Woman's Channel". Kids beat each other blind and post it on Youtube. I mean, do you remember when eating rats and maggots on Survivor was shocking? It all seems so quaint now. I'm sure the girls from "2 Girls 1 Cup" are gonna have their own dating show on VH-1 any day now. I mean, why have a civilization anymore if we no longer are interested in being civilized?

    • Curiosità sui crediti
      The character that tries to buy Roxy at the diner is listed as "The Pancake Eating Pedophile".
    • Connessioni
      Featured in WhatCulture Originals: 9 Awesome Films That Never Got The Cult Following They Deserved (2021)
    • Colonne sonore
      Beat the Devil's Tattoo
      Written and performed by Black Rebel Motorcycle Club

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    Dettagli

    Modifica
    • Data di uscita
      • 31 maggio 2012 (Filippine)
    • Paese di origine
      • Stati Uniti
    • Siti ufficiali
      • Official Facebook
      • Official site
    • Lingua
      • Inglese
    • Celebre anche come
      • Chúa Ban Ơn Nước Mỹ
    • Luoghi delle riprese
      • Syracuse, New York, Stati Uniti
    • Aziende produttrici
      • Darko Entertainment
      • Jerkschool Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 122.550 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 27.308 USD
      • 13 mag 2012
    • Lordo in tutto il mondo
      • 393.880 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 45 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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