Quando un'operatrice esperta del numero di emergenza 911 risponde alla chiamata di un'adolescente sequestrata che le cambierà la vita, è costretta ad affrontare un assassino che viene dal su... Leggi tuttoQuando un'operatrice esperta del numero di emergenza 911 risponde alla chiamata di un'adolescente sequestrata che le cambierà la vita, è costretta ad affrontare un assassino che viene dal suo passato per salvare le sorti della ragazza.Quando un'operatrice esperta del numero di emergenza 911 risponde alla chiamata di un'adolescente sequestrata che le cambierà la vita, è costretta ad affrontare un assassino che viene dal suo passato per salvare le sorti della ragazza.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 11 candidature totali
- Leah Templeton
- (as Evie Louise Thompson)
Recensioni in evidenza
The first forty five minutes had me utterly gripped and on the edge of my seat, it was exactly what you want from a thriller. The second half becomes a more bog standard thriller, dare I say it, it becomes somewhat silly, the ending is too much.
Berry is terrific, I am such a fan of hers, sadly her character transforms into something a little silly. The villain is rather good, I only wish we got to learn a little of his motivation, sadly they didn't explore it.
It's watchable. 8/10
This is a great little thriller. It moves along well. The story is logical. Halle Berry may have overacted on a couple of occasions but her location keeps the movie restrained. Overall, this is a great little thriller until the last 20 minutes or so. The ending is pulled right out of a different movie. It tries to ramp up to a slasher porn horror. It doesn't make sense that Jordan would go there. It's too convenient and ill conceived. Before it turned, it's an 8 but 6 is all I have left for it.
Director Brad Anderson keeps the action going at a breakneck pace, providing pulse-pounding, edge-of-the-seat suspense that helps us to overlook the stray inconsistency and implausibility that wander into the narrative, particularly towards the end (the movie doesn't entirely escape the Third Act curse common to the genre). There's also an unfortunate tendency towards the sadistic that spoils some of the fun.
The really distinctive feature is that writer Richard D'Ovidio has made Jordan, the dispatcher, a compelling, easily identifiable figure by emphasizing not only her strength and craftiness but her insecurity and self-doubt as she does her best to assist people in making it through sometimes unimaginable crises.
The movie is a bit overwrought at times (again, looking at you, last half hour) and it ultimately succumbs to too many serial-killer clichés, but "The Call" is a whole lot better than many of the more highly publicized, big-budget thrillers of recent times.
Lo sapevi?
- QuizIn the opening scene, one of the callers in the 911 center states "I think I'm having an overdose and so is my wife." The line was made famous by Edward Sanchez, a policeman who confiscated marijuana from a suspect and then made brownies with it. He called 911 when he thought he had taken too much.
- BlooperWhen Jordan stumbles upon the trapdoor access to the underground bunker, it is covered with leaves and debris. But Michael is already inside, so the debris would have fallen away when he opened the trap door.
- Citazioni
[last lines]
Michael Foster: You're an operator. You can't do this!
Jordan Turner: It's already done!
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #21.105 (2013)
- Colonne sonorePartly Cloudy
Composed and Performed by Ronald A. Mendelsohn (as Ronald Alan Mendelsohn)
Courtesy of Megatrax Music
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Línea de emergencia
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 13.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 51.872.378 USD
- Fine settimana di apertura Stati Uniti e Canada
- 17.118.745 USD
- 17 mar 2013
- Lordo in tutto il mondo
- 68.572.631 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1