Missing: il caso Lucie Blackman
Titolo originale: Keishichô sôsaikka rûshî burakku man jiken
VALUTAZIONE IMDb
6,4/10
4113
LA TUA VALUTAZIONE
1° luglio 2000. La ventunenne britannica Lucie Blackman scompare a Tokyo, scatenando un'indagine internazionale e una tenace lotta per la giustizia.1° luglio 2000. La ventunenne britannica Lucie Blackman scompare a Tokyo, scatenando un'indagine internazionale e una tenace lotta per la giustizia.1° luglio 2000. La ventunenne britannica Lucie Blackman scompare a Tokyo, scatenando un'indagine internazionale e una tenace lotta per la giustizia.
- Regia
- Sceneggiatura
- Star
Lucie Blackman
- Self
- (filmato d'archivio)
Sophie Blackman
- Self - Lucie's Sister
- (filmato d'archivio)
Tony Blair
- Self - Former Prime Minister of England
- (filmato d'archivio)
Graham Norton
- Self
- (filmato d'archivio)
Recensioni in evidenza
This is obviously a tragic case, the anguish and desperation are perfectly understandable.
However, the attitude? Why do British nationals so often behave like this in an international setting? From British journalists throwing stereotypical comments about another culture, to Tim Blackman's initial disrespect and antagonistic attitude to random Japanese people/cops who are just trying to go about their lives. Again, it's a serious case, and it's understandable that certain standard behavior is out-of-the-window here, but trying to stick your posters anywhere then giving an officer a hard time for nicely telling him not to?
Imagine a foreigner who made a scene in London after their hostess daughter went missing. They then tried to stick posters everywhere downtown, then their entourage of journalists/friends throw stereotypical comments like "oh you know the Brits, they may seem reserved, but there's a dark side under the belly," sneering at the police instead of trying to engage with them first... they might be tackled to the ground forthwith, let alone being given big platforms to present their case to the media and being allowed to do whatever they want (including setting up a hotline, which the Tokyo Met claims might interfere with investigation), all the while with many locals offering assistance.
Look, not suggesting that the Tokyo Met is beyond reproach here, all police forces are flawed, including the Scotland Yard, and their actions deserve scrutiny. Just saying that a sense of self-entitlement isn't going to help anything.
However, the attitude? Why do British nationals so often behave like this in an international setting? From British journalists throwing stereotypical comments about another culture, to Tim Blackman's initial disrespect and antagonistic attitude to random Japanese people/cops who are just trying to go about their lives. Again, it's a serious case, and it's understandable that certain standard behavior is out-of-the-window here, but trying to stick your posters anywhere then giving an officer a hard time for nicely telling him not to?
Imagine a foreigner who made a scene in London after their hostess daughter went missing. They then tried to stick posters everywhere downtown, then their entourage of journalists/friends throw stereotypical comments like "oh you know the Brits, they may seem reserved, but there's a dark side under the belly," sneering at the police instead of trying to engage with them first... they might be tackled to the ground forthwith, let alone being given big platforms to present their case to the media and being allowed to do whatever they want (including setting up a hotline, which the Tokyo Met claims might interfere with investigation), all the while with many locals offering assistance.
Look, not suggesting that the Tokyo Met is beyond reproach here, all police forces are flawed, including the Scotland Yard, and their actions deserve scrutiny. Just saying that a sense of self-entitlement isn't going to help anything.
Internationally known as "Missing: The Lucie Blackman Csse", this is a feature-length documentary of a true crime case. Taking place in 2000's Japan, a 21-year british girl has gone missing in Tokyo. This documentary gives an overview of the facts that happened since she went missing.
What makes this true crime documentary interesting is not only the large (inter-)national attention that the case a caught in the 2000's, but also how exactly her father was able to gain all the attention and thereby pressure the japanese police to take all the actions possible to push this case forward. In my opinion, it is exactly this pressure that got this case eventually solved.
The documentary is based on (1) interviews with many involved parties - e.g. Family, press, police, (forensic) investigators - combined with (2) footage from 2000 that was taped during the course of the investigation, and (3) newly recorded footage on-site. It is an attractive combination of material that gives the viewer an overview of many relevant facts of the investigation that took place. Unfortunately, we get to see practically nothing of the trial(s) itself.
What I found missing in this documentary, is more information on whom exactly Lucie Blackman was. Yes, we get some information on her having been a stewardess and now a hostess in Japan. But other than that, we only get to see a photo of how she looked. It would have been more fair to her, if the documentary would have put more time in describing her youth, interests and upbringing. Some interviews with former friends would have given the viewer some emotional connection with her.
What I also would have liked to see, is more information on the "profession" of being a hostess in Japan. This topic was only covered very shortly by interviews with two authors that wrote a book on this profession. These short interviews got me as viewer left with more questions than answers - a fact that I think other viewers will also experience.
Summarizing, I found the documentary an interesting watch. For someone interested in true crime, it will also give an idea of how cases are investigated in Japan. As such, I award this documentary a score of 7.2/10, thereby making it a 7-star IMDb rating.
What makes this true crime documentary interesting is not only the large (inter-)national attention that the case a caught in the 2000's, but also how exactly her father was able to gain all the attention and thereby pressure the japanese police to take all the actions possible to push this case forward. In my opinion, it is exactly this pressure that got this case eventually solved.
The documentary is based on (1) interviews with many involved parties - e.g. Family, press, police, (forensic) investigators - combined with (2) footage from 2000 that was taped during the course of the investigation, and (3) newly recorded footage on-site. It is an attractive combination of material that gives the viewer an overview of many relevant facts of the investigation that took place. Unfortunately, we get to see practically nothing of the trial(s) itself.
What I found missing in this documentary, is more information on whom exactly Lucie Blackman was. Yes, we get some information on her having been a stewardess and now a hostess in Japan. But other than that, we only get to see a photo of how she looked. It would have been more fair to her, if the documentary would have put more time in describing her youth, interests and upbringing. Some interviews with former friends would have given the viewer some emotional connection with her.
What I also would have liked to see, is more information on the "profession" of being a hostess in Japan. This topic was only covered very shortly by interviews with two authors that wrote a book on this profession. These short interviews got me as viewer left with more questions than answers - a fact that I think other viewers will also experience.
Summarizing, I found the documentary an interesting watch. For someone interested in true crime, it will also give an idea of how cases are investigated in Japan. As such, I award this documentary a score of 7.2/10, thereby making it a 7-star IMDb rating.
The only thing I could personally think of throughout the entire thing was who in their right mind would let their 21 year old daughter go across the world to completely unknown place to work in a hardly legal semi anonymous dark place baiting old men for money, knowingly putting themselves in harm's ways.
The fact that the father never addressed that is baffling. World must had felt a safer place 20 years ago when no parent questioned this. I find this beyond comprehension. The fact that she disappeared less than a month into a job is scary. These are the issues that should had been addressed.
The fact that the father never addressed that is baffling. World must had felt a safer place 20 years ago when no parent questioned this. I find this beyond comprehension. The fact that she disappeared less than a month into a job is scary. These are the issues that should had been addressed.
I know this story pretty well already, having read a few books on it. Tokyo Hostess, in particular, was well written and gave a lot of detail.
This documentary starts when Lucie has already disappeared, so there is no background to her life in Tokyo and her job working in the hostess club. It suffers greatly for this, as this is what would make the casual viewer care about her story.
Instead, it's her father, who I find seriously arrogant, who is star of this show. Not playing down that he lost his daughter, and obviously what happened to Lucie was evil, but I just couldn't deal with him throwing his weight around in another country. I know this won't be a popular opinion. Reading that he accepted a cash payment in hopes of a reduced sentence from a friend of the killer makes him look even worse, honestly.
Lucie took a silly risk to make easy money (again, in no way makes what happened to her okay). Father has the air of wealth, so not sure why he didn't just fund her holiday instead of letting her do that. Even a safe country has its issues.
This documentary starts when Lucie has already disappeared, so there is no background to her life in Tokyo and her job working in the hostess club. It suffers greatly for this, as this is what would make the casual viewer care about her story.
Instead, it's her father, who I find seriously arrogant, who is star of this show. Not playing down that he lost his daughter, and obviously what happened to Lucie was evil, but I just couldn't deal with him throwing his weight around in another country. I know this won't be a popular opinion. Reading that he accepted a cash payment in hopes of a reduced sentence from a friend of the killer makes him look even worse, honestly.
Lucie took a silly risk to make easy money (again, in no way makes what happened to her okay). Father has the air of wealth, so not sure why he didn't just fund her holiday instead of letting her do that. Even a safe country has its issues.
There's been a sort of backlash against true crime sensationalism lately, to the sort of degree where there's been an intentional shift towards a focus on the victims of crime rather than the criminals or police. Though even that has gradually started to see this leading to exploitation.
This documentary goes a very odd route by seemingly avoiding the victim to a large degree. Lucie Blackman's disappearance is the driving force here, but from the very start we are essentially following the police and their investigation. We don't know who Lucie Blackman is, what she was doing before she disappeared, who she knew, anything that a typical documentary would, setting up the person, brief backstory, then their disappearance and then the investigation.
Instead we jump straight into the investigation. At the same time, focus is being given to Lucie's father who apparently has to harangue the police into actually investigating this as a crime.
Even from there there's not much actually going on in terms of a narrative here around Lucie Blackman. We're shown her father railing against the cops and their apparent ineptitude but we never actually see or hear how they are mishandling the case at first.
Once the cops start down the case, leads are picked up on and followed but we aren't very clear in terms of how said leads were picked up on and how they even relate to the Blackman case, possibly in large part because we skipped over the basic facts of the case and started the documentary with her already missing and without ever really looking back into the "who what where why how" of her actual disappearance.
This is a documentary, so it's supposed to be informative first, with the entertainment aspect being a sort of uncomfortable pushed-aside element that is implied but never made obvious.
Because of this, it's hard to review a documentary, since critiquing it for being boring or otherwise not entertaining is kind of missing the point and a lot like critiquing the news for constantly moving on to new topics of reporting and discussion.
As a result, my problem with this documentary isn't with the entertainment but with the information given. Namely, we aren't given a lot of information. As mentioned, they start off 3 days after the disappearance, and don't give us the starting facts that almost every missing persons case starts with. As well, when we're being told about certain things, we aren't actually shown enough information that would support what is being shown.
As an example, at one point we are told about a trial and the results of a trial. However we are not given any information as to why the result of the trial ended up how it went, particularly considering that we went along with the discovery of the key bits of evidence with the police. Why did this happen? Why did it fail? From just this documentary alone, we don't know.
This documentary goes a very odd route by seemingly avoiding the victim to a large degree. Lucie Blackman's disappearance is the driving force here, but from the very start we are essentially following the police and their investigation. We don't know who Lucie Blackman is, what she was doing before she disappeared, who she knew, anything that a typical documentary would, setting up the person, brief backstory, then their disappearance and then the investigation.
Instead we jump straight into the investigation. At the same time, focus is being given to Lucie's father who apparently has to harangue the police into actually investigating this as a crime.
Even from there there's not much actually going on in terms of a narrative here around Lucie Blackman. We're shown her father railing against the cops and their apparent ineptitude but we never actually see or hear how they are mishandling the case at first.
Once the cops start down the case, leads are picked up on and followed but we aren't very clear in terms of how said leads were picked up on and how they even relate to the Blackman case, possibly in large part because we skipped over the basic facts of the case and started the documentary with her already missing and without ever really looking back into the "who what where why how" of her actual disappearance.
This is a documentary, so it's supposed to be informative first, with the entertainment aspect being a sort of uncomfortable pushed-aside element that is implied but never made obvious.
Because of this, it's hard to review a documentary, since critiquing it for being boring or otherwise not entertaining is kind of missing the point and a lot like critiquing the news for constantly moving on to new topics of reporting and discussion.
As a result, my problem with this documentary isn't with the entertainment but with the information given. Namely, we aren't given a lot of information. As mentioned, they start off 3 days after the disappearance, and don't give us the starting facts that almost every missing persons case starts with. As well, when we're being told about certain things, we aren't actually shown enough information that would support what is being shown.
As an example, at one point we are told about a trial and the results of a trial. However we are not given any information as to why the result of the trial ended up how it went, particularly considering that we went along with the discovery of the key bits of evidence with the police. Why did this happen? Why did it fail? From just this documentary alone, we don't know.
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