Uno spogliarellista cerca di insegnare il mestiere ad un giovane che muove i primi passi nell'ambiente.Uno spogliarellista cerca di insegnare il mestiere ad un giovane che muove i primi passi nell'ambiente.Uno spogliarellista cerca di insegnare il mestiere ad un giovane che muove i primi passi nell'ambiente.
- Regia
- Sceneggiatura
- Star
- Premi
- 10 vittorie e 14 candidature totali
- Girl in Line
- (as Avery Camp)
- George
- (as George Sack)
Recensioni in evidenza
She ruins the entire movie. So bad.
This film however doesn't capture the reality behind the stage, on-stage or even the crowd.
The reality is that the male dancers - or even female dancers aren't all friends...they are greedy, selfish ego tripping characters who look forward only to the dollars. They fight backstage, they get drunk back stage and they do serious amounts of coke back stage.
Most male dancers are also gay. I am not and for that reason, the few men that are not gay will be reading "picture books" behind the curtain to ensure that they are "up" to the challenge when they are on stage.
The gay men will be taking care of each other respectively before they go on stage.
Most female crowds are mostly fat, overweight women who are nearing 50 and are there to get totally drunk. Male dancers will go to the table for them and pull everything off, but will not take them on-stage and perform nasty acts - clothed or unclothed.
Also - we didn't have groups of 5 or 6 go up on-stage and perform a routine set. With people travelling all the time and new people coming in and out, we barely knew who each other was from a daily basis.
Nobody fraternized with the bar-staff after closing...everybody was tired, stressed or too stoned to do anything. The bar-staff closed up and everybody got kicked out.
If anybody tried to do a back-flip on-stage, they would have been fired or told not to do that again...because of liability and safety and insurance reasons.
We made our money doing lap dances...not having a hundred girls throw money in our underwear on-stage.
The back room dressing areas were always slightly better than a warehouse - filled with all sorts of bar crap...regardless of the bar or location.
Anybody under the legal limit would never be allowed on-stage. There was always vice to make sure.
There was always so much tension in the dressing room...because we were competing for the same money, that more than the mere basic communication between dancers never existed.
This is a film based on the male stripper occupation, but misses out on the reality of it.
It's also over drawn for plot. So much could be edited out and would not make a difference to the story.
I was looking forward to see this, and I finally did. Wow...too long to watch a movie to see next to nothing of interest.
At any rate, plenty of folks (like the pathetic woman who was sitting behind me in the theater, the one who clapped like a poorly trained seal, guffawed, and cackled any time the least bit of male skin appeared on screen) will go see this movie because of all the hype about the hot male bodies in various states of undress—and they will certainly enjoy the film on that very basic level. But let's be honest here, folks—this is a Stephen Soderbergh film—and Soderbergh does not use sex and titillation gratuitously. The plot is compelling, the film is well written and masterfully directed, and Channing Tatum proves that he is much, much more than a hot body and a pretty face. For his sake, here's hoping that "Magic Mike" can propel him along a career path similar to those of other handsome actors who managed to overcome "Movie Star" looks to prove that they were genuine actors. Like Brad Pitt.
Lo sapevi?
- QuizThe film is loosely based on Channing Tatum's experiences as a male exotic dancer before hitting it big as a movie star.
- BlooperYou can clearly see Channing Tatum's wedding ring on when he crosses in front of the camera after getting out of his truck when arriving at the construction site.
- Citazioni
[First lines]
Dallas: Let's fucking get it on right now. Let's go. Come on. Come on. Come on! Come on! Here. Here. Now, I want to go over a few rules with y'all tonight. That ain't that hard. Don't worry about it, all right. Rule no. 1, this is the "what can you touch and not touch" rules.
[puts his hands on his chest]
Dallas: Can you touch this? Can you touch this?
[moves his index finger]
Dallas: No, no, no, no, no, no, no. Second touch.
[turns around and grabs his ass]
Dallas: Can you touch this? Can you touch this?
[moves his index finger]
Dallas: No, no, no, no, no, no, no. And finally... last one ladies,
[holds his crotch]
Dallas: can you touch this? Can you ever touch this? Well, that's who the law says that you cannot touch. But I think I see a lot of lawbreakers up in this house tonight. And I don't see a cop in sight.
- Curiosità sui creditiThe Warner Bros. logo used at the opening of the film is a modified version of the Saul Bass designed logo from the 1970s.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #20.163 (2012)
- Colonne sonoreBreakdown
Written by Alex Cowan and Alice Russell
Performed by Alice Russell
By arrangement with Lip Sync Music, Inc.
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Magic Mike: Vũ Điệu Trai Nhảy
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 113.781.613 USD
- Fine settimana di apertura Stati Uniti e Canada
- 39.127.170 USD
- 1 lug 2012
- Lordo in tutto il mondo
- 167.282.900 USD
- Tempo di esecuzione
- 1h 50min(110 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1