Magic Mike

This takes place in Florida. A 30 year old male stripper Magic Mike (Channing Tatum) meets young Adam (Alex Pettyfer) who has no direction in life. Mike takes him under his wing and gets him to be a stripper. He also romances Adams' sister Brooke (Cody Horn). But Adam gets hooked on drugs and things get dangerous.

First let's get the nude issue out of the way. There is only one full frontal in the movie--it's off to the side, is partially blocked and is probably faked. It's also very funny. There's mostly butt shots only but all are from Tatum, Pettyfer and Adam Rodriguez. This movie is NOT about the nudity. The movie moves slow (although I was never bored) and main events happen off screen OR are never explained! Still the movie works. For one thing all the acting is good. I was surprised at how good Tatum was. I never thought he could act till this. He captures his character perfectly. Pettyfer was equally good as Adam. Even Matthew McConaughey was good as the group's owner named Dallas. The strip acts themselves are incredible. All the guys are in good shape and Tatum shows some moves that are jaw-dropping! However they're not shot in an exploitive fashion. They're done in a matter of fact way that actually makes them seem quite funny. This movie (script wise) shows us nothing new but it was well-made and entertaining. This is not just for women and gay men--I think everyone would enjoy it. I give it a 7.

Steven Soderbergh's "Magic Mike" is short on needed magic. The promised backstage tale of male strippers conjures images of sexy men, pulsating music, and erotic choreography. Unfortunately, the expected companion piece to "Flashdance" or "Footloose" is not even "The Full Monty." Magic Mike, competently played by Channing Tatum, is a construction worker by day, a stripper by night, and a furniture designer by ambition. A fellow hard hat on the construction site, Adam, played by Alex Pettyfer, is drawn into Mike's stripper world by the lure of easy money and even easier sex. Little unexpected happens, and the audience for naked male flesh and sexual couplings is better served at the local porn shop.

The dialog is lame and often delivered listlessly. Perhaps strippers and their friends are low-key characters and talk like Mike and his friends, but eyes glaze and brains go numb after nearly two hours spent in their company. A physically fit Matthew McConaughey looks almost cadaverous as Dallas, the strippers' tough manager. However, McConaughey is effective, and his scenes resuscitate the film when he is on screen, which is all too briefly. Despite his age, McConaughey has the vulgar moves, the erotic gyrations, and the sexual aura that the other supposed strippers lack.

"Magic Mike" drags on and seems longer than it is. Soderbergh inserts a few arty shots, but generally fails to even capture the excitement of a "Flashdance," a glossy construction-worker-cum-dancer feature-length music video that moved to a beat and never bored. The music herein is forgettable at best, and the dancing owes more to Las Vegas posturing than Broadway or discotheques. Perhaps Soderbergh was the wrong director for the project, which was an odd choice for the man who made "Traffic" and "Erin Brockovich." Magic Mike's story is unexpectedly downbeat, and the angst of a frustrated furniture designer is low on entertainment value. While the film will likely draw and disappoint gay and female audiences, perhaps men can relate most to Mike and his checkered career in pursuit of a dream However, few straight men will venture into a movie with the advertising and subject matter of "Magic Mike."

Magic Mike is a very unusual film. Because it looks as if it should be a total romp for the ladies. Silly and comedic and fun. But actually it is done in Stephen Soderbergh's usual style - understated, and dramatic. It does feature topless men and musical numbers for the ladies. But actually it is a drama film about a young man struggling to find his place in the world and torn between what he should do with himself. On its own merit it is a good and enjoyable film with some important themes that are usually examined through female characters. Eg the female stripper who has grown tired of the comfortable and highly lucrative career and of being objectified and wants to be more wholesome. So it is interesting to see these themes explored through male characters. Very unique in this regard actually.

This might come as a shock to some, but this is not really a movie about male strippers. Yes, two of the principal characters are male strippers, but—as Channing Tatum's character (Magic Mike himself) says at a crucial point in the film, "That's what I do—it's not who I am." Amid the bountiful buttcheeks and brawny pecs on display, there is a real story here about ambition, and goals, and loyalty, and commitment, and self-actualization. Yes, I used the term "self-actualization" in a review of "Magic Mike"; I told you you might be shocked.

At any rate, plenty of folks (like the pathetic woman who was sitting behind me in the theater, the one who clapped like a poorly trained seal, guffawed, and cackled any time the least bit of male skin appeared on screen) will go see this movie because of all the hype about the hot male bodies in various states of undress—and they will certainly enjoy the film on that very basic level. But let's be honest here, folks—this is a Stephen Soderbergh film—and Soderbergh does not use sex and titillation gratuitously. The plot is compelling, the film is well written and masterfully directed, and Channing Tatum proves that he is much, much more than a hot body and a pretty face. For his sake, here's hoping that "Magic Mike" can propel him along a career path similar to those of other handsome actors who managed to overcome "Movie Star" looks to prove that they were genuine actors. Like Brad Pitt.

Ok I have watched this a few times. Every time I do I get legitimately angry over that terrible actress that is cast as Brooke. Yikes. She can't act at all and her facial expressions are cringe worthy.

She ruins the entire movie. So bad.