Uno spogliarellista cerca di insegnare il mestiere ad un giovane che muove i primi passi nell'ambiente.Uno spogliarellista cerca di insegnare il mestiere ad un giovane che muove i primi passi nell'ambiente.Uno spogliarellista cerca di insegnare il mestiere ad un giovane che muove i primi passi nell'ambiente.
- Regia
- Sceneggiatura
- Star
- Premi
- 10 vittorie e 14 candidature totali
- Girl in Line
- (as Avery Camp)
- George
- (as George Sack)
Recensioni in evidenza
As 'Magic' Mike, charming Channing Tatum naturally gets top billing, but the film revolves around Adam (rising star Alex Pettyfer). Adam is a congenital loser, the kind of guy who refuses to wear a tie and wonders why he can't sustain a job. He lives with his sister, Brooke (Cody Horn), whose acting conveys a suspicion of men, presumably because she has only her wayward brother as a yardstick.
Adam finds work on a construction site with Mike, who sees the desperation of Adam's situation and entices him to join his exotic dancing troupe, Xquisite, led by Dallas (Matthew McConaughey). Dallas astutely exploits Adam's naivety by branding him 'The Kid', an amateurish, sloppy act, which the ladies love. The next three months are a non-stop orgy of girls, booze and drugs: everything a man like Adam could wish for.
This lifestyle has lost its appeal for Mike, now 30, who only took up professional undressing to become a bespoke furniture salesman. He no longer wishes to hold out for the phantom 10% of the business Dallas keeps promising him, but poor credit keeps him on the pole. (Tatum again stars in a role which brings out his effortless charisma and sweetness.)
McConaughey recently impressed me in William Friedkin's 'Killer Joe', and now this film has completely changed my mind about him. He's gone from my dud to my stud list in just two films. And Pettyfer works because he doesn't work, if you see what I mean. Although an ex-model, he's not 'stripper material' (not that I'd know much about that sort of thing), yet there's a naturalness to his acting, which works.
Although not in the same league as some of Soderbergh's other titles (notably 'Traffic' and 'Out of Sight'), there's enough going on to warrant a viewing. Characters are well written, lives intersect in an unforced manner, motivations are believable. There's plenty of saucy (and quite impressive) dancing to keep the majority of this film's audience happy, but there's also a decent story for those who aren't watching exclusively for nudity.
www.moseleyb13.com
At any rate, plenty of folks (like the pathetic woman who was sitting behind me in the theater, the one who clapped like a poorly trained seal, guffawed, and cackled any time the least bit of male skin appeared on screen) will go see this movie because of all the hype about the hot male bodies in various states of undress—and they will certainly enjoy the film on that very basic level. But let's be honest here, folks—this is a Stephen Soderbergh film—and Soderbergh does not use sex and titillation gratuitously. The plot is compelling, the film is well written and masterfully directed, and Channing Tatum proves that he is much, much more than a hot body and a pretty face. For his sake, here's hoping that "Magic Mike" can propel him along a career path similar to those of other handsome actors who managed to overcome "Movie Star" looks to prove that they were genuine actors. Like Brad Pitt.
Well despite the many guys doing hoochie kootchie moves on the screen and the hype that went with it---I still found the plot boring while the whole movie seemed to drag it's way thru like an animal with an injured foot! Magic Mike had that old old plot line character study---The main character finally takes a good look at his sorted life while his new protégée seems to follow in his footsteps and is destined to replace him. That ole character switcheroo story has been done in endless plots. The acting is not bad but very very dry. Adam's sister always carries the same expression of disapproval throughout the whole movie while Adam---even through he is the new kid on the block---just keeps looking clueless and insipid with no emotion or expression at all. And the ending of the movie just leaves you flat that some people couldn't get it---but like Flashdance, the hero finds his right path or destination and wins.
But most importantly, there are those tawdry naughty butt shaking strip scenes that made everyone pay the price of he movie ticket---but not enough scenes for the high prices today, Seeing this I can only say--my cousin must have had a screw loose in his head to do this for a living but it does show that a male stripper suffers in "comfort" from the booze, drugs and groupie followers that make it the good life!
So go see it for the strip scenes, girls---no moving story, no good acting.
She ruins the entire movie. So bad.
Lo sapevi?
- QuizThe film is loosely based on Channing Tatum's experiences as a male exotic dancer before hitting it big as a movie star.
- BlooperYou can clearly see Channing Tatum's wedding ring on when he crosses in front of the camera after getting out of his truck when arriving at the construction site.
- Citazioni
[First lines]
Dallas: Let's fucking get it on right now. Let's go. Come on. Come on. Come on! Come on! Here. Here. Now, I want to go over a few rules with y'all tonight. That ain't that hard. Don't worry about it, all right. Rule no. 1, this is the "what can you touch and not touch" rules.
[puts his hands on his chest]
Dallas: Can you touch this? Can you touch this?
[moves his index finger]
Dallas: No, no, no, no, no, no, no. Second touch.
[turns around and grabs his ass]
Dallas: Can you touch this? Can you touch this?
[moves his index finger]
Dallas: No, no, no, no, no, no, no. And finally... last one ladies,
[holds his crotch]
Dallas: can you touch this? Can you ever touch this? Well, that's who the law says that you cannot touch. But I think I see a lot of lawbreakers up in this house tonight. And I don't see a cop in sight.
- Curiosità sui creditiThe Warner Bros. logo used at the opening of the film is a modified version of the Saul Bass designed logo from the 1970s.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #20.163 (2012)
- Colonne sonoreBreakdown
Written by Alex Cowan and Alice Russell
Performed by Alice Russell
By arrangement with Lip Sync Music, Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Magic Mike: Vũ Điệu Trai Nhảy
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 113.781.613 USD
- Fine settimana di apertura Stati Uniti e Canada
- 39.127.170 USD
- 1 lug 2012
- Lordo in tutto il mondo
- 167.282.900 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1