Un pilota di aereo riesce a salvare i passeggeri prima che il velivolo precipiti, grazie ad una manovra spericolata; ma l'indagine sull'incidente porterà alla luce verità per lui molto scomo... Leggi tuttoUn pilota di aereo riesce a salvare i passeggeri prima che il velivolo precipiti, grazie ad una manovra spericolata; ma l'indagine sull'incidente porterà alla luce verità per lui molto scomode.Un pilota di aereo riesce a salvare i passeggeri prima che il velivolo precipiti, grazie ad una manovra spericolata; ma l'indagine sull'incidente porterà alla luce verità per lui molto scomode.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 15 vittorie e 45 candidature totali
Adam C. Edwards
- Father on Plane
- (as Adam Ciesielski)
Charlie E. Schmidt
- Tiki Pot
- (as Charlie E. Schmidt Jr.)
Recensioni in evidenza
Denzel Washington is William "Whip" Whitaker, an alcoholic pilot who, after a night of heavy drinking, remains drunk well into the morning he is to fly a plane into Georgia. When his flight goes into a sudden tail- spin, Whip manages to save all but six lives through his crash-landing. Whip is a hero until his toxicology report comes up positive for everything under the sun, leaving the airline, Whip's union, his friends, and Whip in a tailspin of their own.
I have often thought that Denzel Washington is one of the finest actors to ever grace the silver screen, and he proves that assertion with a film that is assured to receive him a sixth Academy Award nomination. Here is a man broken beyond measure, stumbling through his lost life until unprecedented new stress is placed upon him. Not even the intervention of those he holds close can stop his self-destructive nature - or can it?
Robert Zemeckis has been on a sturdy path with animated films recently, so it was with a bit of apprehension that I saw his most recent live- action offering since "Cast Away". But have no fear. The direction here is clean, crisp, and efficient as ever, producing a simple, but powerful script by John Gatins, chock-full of par-none supporting roles by the likes of John Goodman, Don Cheadle, and Bruce Greenwood.
Undoubtedly the best part of the film - besides the wonderful cast - was the soundtrack. Joe Cocker, Bill Withers, and more are used expertly to mold into every emotion, sometimes emotional roller coaster, Whip experiences. Each song (some used more than once) slips seamlessly into the background and keeps the audience following more than the script.
"Flight" is a powerful, dark, character study about a man who has fallen to his darkest depths, and finds out how to fall farther. It sees Denzel Washington in top form and Robert Zemeckis' triumphant return to the live screen.
I have often thought that Denzel Washington is one of the finest actors to ever grace the silver screen, and he proves that assertion with a film that is assured to receive him a sixth Academy Award nomination. Here is a man broken beyond measure, stumbling through his lost life until unprecedented new stress is placed upon him. Not even the intervention of those he holds close can stop his self-destructive nature - or can it?
Robert Zemeckis has been on a sturdy path with animated films recently, so it was with a bit of apprehension that I saw his most recent live- action offering since "Cast Away". But have no fear. The direction here is clean, crisp, and efficient as ever, producing a simple, but powerful script by John Gatins, chock-full of par-none supporting roles by the likes of John Goodman, Don Cheadle, and Bruce Greenwood.
Undoubtedly the best part of the film - besides the wonderful cast - was the soundtrack. Joe Cocker, Bill Withers, and more are used expertly to mold into every emotion, sometimes emotional roller coaster, Whip experiences. Each song (some used more than once) slips seamlessly into the background and keeps the audience following more than the script.
"Flight" is a powerful, dark, character study about a man who has fallen to his darkest depths, and finds out how to fall farther. It sees Denzel Washington in top form and Robert Zemeckis' triumphant return to the live screen.
Robert Zemeckis' latest film Flight starring Academy Award Winner Denzel Washington is not only thoroughly entertaining and terrifically structured, it encompasses a soul that Hollywood hasn't really delivered in quite some time. The film, that closed the New York Film Festival, is simply one of the best films of the year.
Flight tells the story of Whip Whitaker, an airline pilot that saves a plane and nearly all its passengers from a certain death. When an investigation is carried out to look into the details of the crash, Whip's troubling lifestyle begins to surface. Writer John Latins creates a dynamic and an internal narrative confrontation for viewers to become immersed in a story full of mental struggle. It's a unique and very engaging story that stands as one of season's best efforts.
Denzel Washington, and not to be taken lightly, is fully in the zone and portrays one of his finest screen moments in years. I haven't been this impressed with his abilities as an actor since The Hurricane (1999). He lands solidly in Whip, giving us his natural aggression, charisma, and flaws. Allowing us to travel with Whip on this journey, Mr. Washington proves once and for all, he is one of the great treasures of American cinema. Denzel gives an access root into the character for all intended purposes, a clear understanding of the inner resistance that will not only plague Whip, but the movie audience as well.
The story doesn't seem like an obvious choice for Robert Zemeckis, who has excelled in genres that have provided masterpieces like Forrest Gump (1994) and Cast Away (2000). As the film provides a more dark and jagged approach in his directorial style, Zemeckis executes with precision. It's a satisfactory effort from the director who makes his return to live action after a long string of motion-capture efforts. Assisting Washington's bravura performance is Oscar-nominee Don Cheadle, who teamed up with Denzel in the 90's classic film, Devil in a Blue Dress (1995). As the wise-cracking lawyer, whose own moral values may be tested in exchange for corporate and criminal immunity, Cheadle is a relieved presence. In a comedic and near-brilliant performance, John Goodman steals Flight from every actor including Washington in his short, two-scene appearances. Goodman continues to show an effortless range, even in poor film choices, and a confidence that makes him one of the great character actors working today. It's a performance that Oscar should consider on multiple levels. In a heartbreaking turn, Kelly Reilly as the drug-addicted Nicole, provides an emotional epicenter and boundary that stands as one of Latins' great writing achievements. Reilly is simply marvelous.
Continuing to beef up their acting resume, the great Bruce Greenwood shines while Brian Geraghty continues to prove he is one of Hollywood's best kept secrets.
Composer Alan Silvestri orchestrates an outstanding score that is both melodic and soothing. Cinematographer Don Burgess, once-nominated for Forrest Gump, gives clean, fresh camera lenses look into a shockingly dirty and gritty story. Zemeckis' handle of the astounding opening scenes, especially the plane crash, is one of the best visual and nail- biting moments of the year. Its Zemeckis at his best!
Flight is not only one of the best cinematic efforts of the New York Film Festival; it stands as a great surprise and entry into the 2012 Oscar season. Denzel Washington is completely Oscar-bound but the buck shouldn't stop there; a deserved consideration campaign should be given to John Goodman and Kelly Reilly along with screenwriter John Latins. Flight is a home-run!
Read More Reviews at The Awards Circuit (http://www.awardscircuit.com)
Flight tells the story of Whip Whitaker, an airline pilot that saves a plane and nearly all its passengers from a certain death. When an investigation is carried out to look into the details of the crash, Whip's troubling lifestyle begins to surface. Writer John Latins creates a dynamic and an internal narrative confrontation for viewers to become immersed in a story full of mental struggle. It's a unique and very engaging story that stands as one of season's best efforts.
Denzel Washington, and not to be taken lightly, is fully in the zone and portrays one of his finest screen moments in years. I haven't been this impressed with his abilities as an actor since The Hurricane (1999). He lands solidly in Whip, giving us his natural aggression, charisma, and flaws. Allowing us to travel with Whip on this journey, Mr. Washington proves once and for all, he is one of the great treasures of American cinema. Denzel gives an access root into the character for all intended purposes, a clear understanding of the inner resistance that will not only plague Whip, but the movie audience as well.
The story doesn't seem like an obvious choice for Robert Zemeckis, who has excelled in genres that have provided masterpieces like Forrest Gump (1994) and Cast Away (2000). As the film provides a more dark and jagged approach in his directorial style, Zemeckis executes with precision. It's a satisfactory effort from the director who makes his return to live action after a long string of motion-capture efforts. Assisting Washington's bravura performance is Oscar-nominee Don Cheadle, who teamed up with Denzel in the 90's classic film, Devil in a Blue Dress (1995). As the wise-cracking lawyer, whose own moral values may be tested in exchange for corporate and criminal immunity, Cheadle is a relieved presence. In a comedic and near-brilliant performance, John Goodman steals Flight from every actor including Washington in his short, two-scene appearances. Goodman continues to show an effortless range, even in poor film choices, and a confidence that makes him one of the great character actors working today. It's a performance that Oscar should consider on multiple levels. In a heartbreaking turn, Kelly Reilly as the drug-addicted Nicole, provides an emotional epicenter and boundary that stands as one of Latins' great writing achievements. Reilly is simply marvelous.
Continuing to beef up their acting resume, the great Bruce Greenwood shines while Brian Geraghty continues to prove he is one of Hollywood's best kept secrets.
Composer Alan Silvestri orchestrates an outstanding score that is both melodic and soothing. Cinematographer Don Burgess, once-nominated for Forrest Gump, gives clean, fresh camera lenses look into a shockingly dirty and gritty story. Zemeckis' handle of the astounding opening scenes, especially the plane crash, is one of the best visual and nail- biting moments of the year. Its Zemeckis at his best!
Flight is not only one of the best cinematic efforts of the New York Film Festival; it stands as a great surprise and entry into the 2012 Oscar season. Denzel Washington is completely Oscar-bound but the buck shouldn't stop there; a deserved consideration campaign should be given to John Goodman and Kelly Reilly along with screenwriter John Latins. Flight is a home-run!
Read More Reviews at The Awards Circuit (http://www.awardscircuit.com)
Washington gives what is nothing less than a performance of a lifetime in this tension filled film dealing with a pilot wrestling with inner demons. The aviation sequences are stunning and the crash one of the most breathtaking ever filmed. The director is highly gifted and his skill and passion are clearly evident. The script is superb, with intelligent plotting and sharp dialog that captures reality. It is, once again, Washington who shines here above all else. His power as an actor is what truly gives this movies its fire. His portrayal of a substance abusing addict/alcoholic is painful to watch because of the humanity he brings to the part. It is a tremendous accomplishment and one of the finest studies of addiction ever filmed.
"Flight" hinges on one question, but before I get to the question we have to set the stage.
Captain William "Whip" Whitaker (Denzel Washington), a commercial pilot, spent a night of boozing, snorting, and sex with a flight attendant. The next morning he had a flight out of Florida to Atlanta with a manifest of 102 persons. The weather was extremely rough upon take off, but not enough to ground the flight. Whip deftly maneuvered through the storm then the flight was relatively smooth after that, so Whip slept. Somewhere over Georgia the plane experienced mechanical problems and went into a nose dive. With the utmost calmness Whip pulled yet one more set of maneuvers to land the plane with minimal loss of life. Six people did die, but it could've been so much worse.
Whip's lawyer, Hugh Lang (Don Cheadle), did some maneuvering of his own and had Whip's toxicology report suppressed. The NTSB, after an extensive investigation, found that Whip performed outstandingly. They attempted with simulators to have other experienced pilots land Flight 227 and they all failed. Whip was a hero. So then, here's the question:
Was Captain Whitaker's inebriated state a matter of importance with him flying that day?
Whip was an incorrigible drunk, but a functional one after a few lines of cocaine. His problem ruined his marriage, his relationship with his son, and was threatening his freedom. It was an unshakable factor throughout the movie and one that would cause you to shake your head in pity as well as embarrassment for him.
What makes "Flight" a good movie is the question I posed because how many people in society are functioning addicts or alcoholics? I just watched "Puncture" with Chris Evans who played an addict lawyer who was superb at his job as long as he was high. Such people exist.
Flight was a top tier production with awesome performances from the likes of Denzel (naturally), John Goodman, Don Cheadle, and Bruce Greenwood. The production and acting helped make the movie standout, but the plot itself and the central question it poses makes it what it is.
Captain William "Whip" Whitaker (Denzel Washington), a commercial pilot, spent a night of boozing, snorting, and sex with a flight attendant. The next morning he had a flight out of Florida to Atlanta with a manifest of 102 persons. The weather was extremely rough upon take off, but not enough to ground the flight. Whip deftly maneuvered through the storm then the flight was relatively smooth after that, so Whip slept. Somewhere over Georgia the plane experienced mechanical problems and went into a nose dive. With the utmost calmness Whip pulled yet one more set of maneuvers to land the plane with minimal loss of life. Six people did die, but it could've been so much worse.
Whip's lawyer, Hugh Lang (Don Cheadle), did some maneuvering of his own and had Whip's toxicology report suppressed. The NTSB, after an extensive investigation, found that Whip performed outstandingly. They attempted with simulators to have other experienced pilots land Flight 227 and they all failed. Whip was a hero. So then, here's the question:
Was Captain Whitaker's inebriated state a matter of importance with him flying that day?
Whip was an incorrigible drunk, but a functional one after a few lines of cocaine. His problem ruined his marriage, his relationship with his son, and was threatening his freedom. It was an unshakable factor throughout the movie and one that would cause you to shake your head in pity as well as embarrassment for him.
What makes "Flight" a good movie is the question I posed because how many people in society are functioning addicts or alcoholics? I just watched "Puncture" with Chris Evans who played an addict lawyer who was superb at his job as long as he was high. Such people exist.
Flight was a top tier production with awesome performances from the likes of Denzel (naturally), John Goodman, Don Cheadle, and Bruce Greenwood. The production and acting helped make the movie standout, but the plot itself and the central question it poses makes it what it is.
Based on the trailers for "Flight," I was expecting a investigative procedural film. Denzel Washington plays a pilot who manages to crash land a plane with a minimal loss of lives, a feat everyone agrees no other pilot could probably accomplish. But evidence that he was intoxicated while flying the plane emerges and instead of a hero who saved lives, he becomes a possible felon who caused the crash in the first place.
But the film isn't interested in the investigation. Instead, this is a film about an alcoholic and the rock-bottom journey he goes on that leads him to face his addictive demons. I've never been a huge Washington fan, but he does pretty tremendous work here. This also feels like surprisingly grown-up material for director Robert Zemeckis, who's most known for treacly stuff like "Forrest Gump." My major complaint about the film is that it's far too long. An entire subplot that gives Washington a nominal love interest in the form of a fellow addict could have been cut from the film entirely -- and a good half hour with it -- without any significant impact.
I don't know that I would heartily recommend this film for any reason other than the excellent performance of Washington.
Grade: B+
But the film isn't interested in the investigation. Instead, this is a film about an alcoholic and the rock-bottom journey he goes on that leads him to face his addictive demons. I've never been a huge Washington fan, but he does pretty tremendous work here. This also feels like surprisingly grown-up material for director Robert Zemeckis, who's most known for treacly stuff like "Forrest Gump." My major complaint about the film is that it's far too long. An entire subplot that gives Washington a nominal love interest in the form of a fellow addict could have been cut from the film entirely -- and a good half hour with it -- without any significant impact.
I don't know that I would heartily recommend this film for any reason other than the excellent performance of Washington.
Grade: B+
Lo sapevi?
- QuizThe accident in the film was inspired by a real-life disaster, the crash of Alaska Airlines 261 on January 31, 2000. Some dialogue in the film closely resembles the CVR transcript. Like in the film, the pilots of Alaska 261 rolled the airplane to an inverted position to try to stabilize the flight. Unlike the film, however, this did not assist them in recovering the aircraft. The root cause of the crash was found to be inadequate maintenance of the airplane's stabilizer "jackscrew," which caused its threads to wear down excessively and eventually jam the jackscrew. While the pilots were trying to reach Los Angeles for an emergency landing, the threads were ripped out and the stabilizer moved to a position that forced the plane into its fatal dive.
- BlooperThe NTSB investigation portrayed in the movie includes recovered data from the Cockpit Voice Recorder. US law requires Cockpit Voice Recorders to include at least 30 minutes of audio data from both pilots and Air Traffic Control radio transmissions. Since the plane crashed in less than 30 minutes, the audio from the CVR should have included Evans and Margaret's conversation about Whip sleeping on the job. This would have raised serious questions about Whip's behavior aside from his alcohol and drug usage. However, nothing about this is mentioned at any point during the NTSB hearing.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #21.22 (2012)
- Colonne sonoreAlcohol
Written by Stephen Duffy & Steven Page
Performed by Barenaked Ladies
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
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Dettagli
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- Siti ufficiali
- Lingua
- Celebre anche come
- El vuelo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 31.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 93.772.375 USD
- Fine settimana di apertura Stati Uniti e Canada
- 24.900.566 USD
- 4 nov 2012
- Lordo in tutto il mondo
- 161.772.375 USD
- Tempo di esecuzione2 ore 18 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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