Un ladro con un codice etico professionale unico viene ingannato dalla sua squadra e lasciato per morto. Usando un travestimento e stringendo un'alleanza incongrua con una donna, cerca di co... Leggi tuttoUn ladro con un codice etico professionale unico viene ingannato dalla sua squadra e lasciato per morto. Usando un travestimento e stringendo un'alleanza incongrua con una donna, cerca di cogliere l'ultima rapina della sua ex banda.Un ladro con un codice etico professionale unico viene ingannato dalla sua squadra e lasciato per morto. Usando un travestimento e stringendo un'alleanza incongrua con una donna, cerca di cogliere l'ultima rapina della sua ex banda.
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Carl J. Walker
- Ohio State Fair Accounts Manager
- (as Carl Walker)
Recensioni in evidenza
Of course, similar events - revenge after double-crossing - have been depicted several times and will definitely be depicted in the future as well - but it is the direction and choice of actors that counts. As for Parker, everything is at least okay with those: the director Taylor Hackford is an accredited creator and names like Jason Statham, Nick Nolte, Jennifer Lopez are certain signs of quality and non-boredom. They are pleasant to follow even in less interesting and less veracious scenes.
Well, the script is probably the weakest part of the movie: too much predictability, excessive sections (e.g. Parker-Claire, prolonging the duration to almost 2 hour 15 minutes) and trivial ending (unlike in movies by Guy Ritchie, for example).
Nevertheless, Parker is still an above-average A-movie, qualifying well for a sociable entertainment.
Well, the script is probably the weakest part of the movie: too much predictability, excessive sections (e.g. Parker-Claire, prolonging the duration to almost 2 hour 15 minutes) and trivial ending (unlike in movies by Guy Ritchie, for example).
Nevertheless, Parker is still an above-average A-movie, qualifying well for a sociable entertainment.
I wanted to like this movie so much, because I really think Jason Statham has some serious acting skills and he deserves some good scripts. Also the story is based on a book, so it should have been good.
Alas, it was not to be. And it has almost nothing to do with J-Lo being in the movie. The characters are bland, illogical in almost everything they do, even Parker, the Statham's character. Worst than that: they are unsympathetic. You have a lot of greedy people, some of them evil, some of them stupid, and apart from them is Parker, who is not greedy, just stupid. He puts everybody at risk for his own principles, he gets beat up and shot a few times and somehow he still walks. It's like Crank, but without anything fun in it.
I have to say I am a fan of Michael Chiklis, from Vegas, but his role was small and two dimensional. One dimensional, really, but I was going with the cardboard metaphor. You wanna know who was the most clear cut character, the one that did the job and was consistent? Daniel Bernhardt in the role of the Mafia killing machine.
So, bottom line: a waste of time and of good actors.
Alas, it was not to be. And it has almost nothing to do with J-Lo being in the movie. The characters are bland, illogical in almost everything they do, even Parker, the Statham's character. Worst than that: they are unsympathetic. You have a lot of greedy people, some of them evil, some of them stupid, and apart from them is Parker, who is not greedy, just stupid. He puts everybody at risk for his own principles, he gets beat up and shot a few times and somehow he still walks. It's like Crank, but without anything fun in it.
I have to say I am a fan of Michael Chiklis, from Vegas, but his role was small and two dimensional. One dimensional, really, but I was going with the cardboard metaphor. You wanna know who was the most clear cut character, the one that did the job and was consistent? Daniel Bernhardt in the role of the Mafia killing machine.
So, bottom line: a waste of time and of good actors.
Parker (Jason Statham) is a thief with codes to live by. He is left for dead by his cohorts in crime when he refuses to join them for another heist. He vows to go after them and get what is his.
Seems that some big stars want to hitch their wagon to a profitable venture such as any Jason Statham movie. Here we have Jennifer Lopez doing that and when I first saw her name associated with this I knew 2-things: She would get a lot of screen time and many, many lines too. Okay, 3-three things: this won't be as good as other Jason Statham movies. I was in cringeville. And, then I watched the movie and was wrong, wrong, wrong. She did good. Who knew?
However, there was a difference with this movie. Most of the time Mr Statham's character goes about his business cutting down the bad guys without any real complication, but in here he meets his match with some bad guys who kind of beat the hell out of him. He still wins, but it's not easy. Some of the fight scenes were too real for me and I had to check myself into the local ER to make sure all was okay. I am fine. Thanks for asking.
Add to the beatings, we have Leslie (Jennifer Lopez) getting in the way of Parker's plan to take out the bad guys. Okay, we knew something like this would happen and we cringed for a bit, but we were pleasantly surprised that she did good. Who knew?
All in all a good action thriller as we would expect from any Jason Statham movie even with a star who hitched her wagon to a profitable venture ..but did good. Who knew? Nick Nolte and Michael Chiklis also star.
Will we see other big stars hitch their wagon to other successful ventures: Matt Damon, Bruce Willis, Arnold (hey, is he back?), Sylvester? Time will tell. We can only hope the scripts will be as good as this one was. Kudos. (7/10)
Violence: Yes. Sex: No. Nudity: Yes, briefly, 2-times.. Language: Yes, not much.
Seems that some big stars want to hitch their wagon to a profitable venture such as any Jason Statham movie. Here we have Jennifer Lopez doing that and when I first saw her name associated with this I knew 2-things: She would get a lot of screen time and many, many lines too. Okay, 3-three things: this won't be as good as other Jason Statham movies. I was in cringeville. And, then I watched the movie and was wrong, wrong, wrong. She did good. Who knew?
However, there was a difference with this movie. Most of the time Mr Statham's character goes about his business cutting down the bad guys without any real complication, but in here he meets his match with some bad guys who kind of beat the hell out of him. He still wins, but it's not easy. Some of the fight scenes were too real for me and I had to check myself into the local ER to make sure all was okay. I am fine. Thanks for asking.
Add to the beatings, we have Leslie (Jennifer Lopez) getting in the way of Parker's plan to take out the bad guys. Okay, we knew something like this would happen and we cringed for a bit, but we were pleasantly surprised that she did good. Who knew?
All in all a good action thriller as we would expect from any Jason Statham movie even with a star who hitched her wagon to a profitable venture ..but did good. Who knew? Nick Nolte and Michael Chiklis also star.
Will we see other big stars hitch their wagon to other successful ventures: Matt Damon, Bruce Willis, Arnold (hey, is he back?), Sylvester? Time will tell. We can only hope the scripts will be as good as this one was. Kudos. (7/10)
Violence: Yes. Sex: No. Nudity: Yes, briefly, 2-times.. Language: Yes, not much.
While I wasn't aware there was already a "Parker" character (in books that is), I was more drawn to the movie because of the director. Taylor Hackford has done some extraordinary work. Be it "Officer and Gentleman", "Devil's Advocate" or my personal favorite "Blood in Blood out". But you can't compare this to any of those movies of course. I was however surprised seeing him working with Jason Statham. A man more known for his action filled roles.
And while this might not be one of the better works of Hackford, it still is good action cinema. Michael Chiklis has been better though, although he doesn't get much to play with here. Jennifer Lopez gets to play in a good movie too for once (after U-Turn and Out of Sight), but don't expect to see too much of her here. This is the Statham show and that is pretty obvious.
And while this might not be one of the better works of Hackford, it still is good action cinema. Michael Chiklis has been better though, although he doesn't get much to play with here. Jennifer Lopez gets to play in a good movie too for once (after U-Turn and Out of Sight), but don't expect to see too much of her here. This is the Statham show and that is pretty obvious.
Parker has existed as a movie character for quite some time now, just never as his proper name. Donald E. Westlake's famous anti-hero has been in many movies ranging from Point Blank (Walker) to Payback (Porter), with a few others in between. And, honestly, you're better off with any one of those as this is a very lazily-produced potboiler.
Jason Statham is the now English Parker who has been betrayed by his latest criminal cohorts and left for dead, so far so familiar. Quickly regaining his strength he sets about exacting his payback (!) by usurping them on their next jewel heist down in Florida, recruiting desperate real estate agent Leslie (Jennifer Lopez) along the way. The action is exciting and well done, and the movie is fun, but...wow...does it look terrible.
Adapted from Westlake's novel Flashfire and directed by Mr. Helen Mirren (Taylor Hackford, a veteran filmmaker who should know better) you'd be forgiven for refusing to believe that this cost $35,000,000. Where did that money go? It's not up on screen. Shot in 5K resolution but then edited in 2K, thus losing 60% of the detail in the process (why???) this movie is filled with harsh color boosting and hard contrast. The aerial shots of sunny Florida look like they were shot in 144p. It really is the ugliest mainstream movie I have seen in the past decade.
It seems that since the advent of digital cinematography that production standards have suffered. Shooting digitally tightens the schedule as less time is needed between takes. There's no more loading, cutting, and printing, and this removes vital down-time that would otherwise be used to enhance the production value. For example, there is a scene where Jennifer Lopez is checking out Jason Statham's ass and is hungry for him. All I saw was an actor wearing a crushed suit that he appeared to have slept in. They didn't even bother ironing it! Imagine if they got that lazy with James Bond.
Parker looks like they just chucked the camera down, shot the scene with absolutely zero thought given to atmosphere or composition, and then quickly moved on to the next one. Look at Payback from 1998. The original cut of that movie looked very noir, while the 2006 "Straight Up" cut with different filters and lighting looked like a gritty 70s thriller. Any random episode of Neighbours or Home and Away looks better than Parker. An extremely poor effort that spoils the whole movie. It's simply not pleasant to look at.
It's so strange that Jennifer Lopez is the best thing in this, easily outshining the actress/character who is playing Parker's boring, flat wife. Having previously been a drag with no charisma (Money Train, The Cell, Ben Affleck) she's definitely become more entertaining and interesting since becoming a MILF.
You'll never come back to this movie, which is a shame as I often enjoy either cut of Payback and Lee Marvin's Point Blank is a classic of 1960s cinema. This movie will never achieve such status and it's poor production value is to blame.
Jason Statham is the now English Parker who has been betrayed by his latest criminal cohorts and left for dead, so far so familiar. Quickly regaining his strength he sets about exacting his payback (!) by usurping them on their next jewel heist down in Florida, recruiting desperate real estate agent Leslie (Jennifer Lopez) along the way. The action is exciting and well done, and the movie is fun, but...wow...does it look terrible.
Adapted from Westlake's novel Flashfire and directed by Mr. Helen Mirren (Taylor Hackford, a veteran filmmaker who should know better) you'd be forgiven for refusing to believe that this cost $35,000,000. Where did that money go? It's not up on screen. Shot in 5K resolution but then edited in 2K, thus losing 60% of the detail in the process (why???) this movie is filled with harsh color boosting and hard contrast. The aerial shots of sunny Florida look like they were shot in 144p. It really is the ugliest mainstream movie I have seen in the past decade.
It seems that since the advent of digital cinematography that production standards have suffered. Shooting digitally tightens the schedule as less time is needed between takes. There's no more loading, cutting, and printing, and this removes vital down-time that would otherwise be used to enhance the production value. For example, there is a scene where Jennifer Lopez is checking out Jason Statham's ass and is hungry for him. All I saw was an actor wearing a crushed suit that he appeared to have slept in. They didn't even bother ironing it! Imagine if they got that lazy with James Bond.
Parker looks like they just chucked the camera down, shot the scene with absolutely zero thought given to atmosphere or composition, and then quickly moved on to the next one. Look at Payback from 1998. The original cut of that movie looked very noir, while the 2006 "Straight Up" cut with different filters and lighting looked like a gritty 70s thriller. Any random episode of Neighbours or Home and Away looks better than Parker. An extremely poor effort that spoils the whole movie. It's simply not pleasant to look at.
It's so strange that Jennifer Lopez is the best thing in this, easily outshining the actress/character who is playing Parker's boring, flat wife. Having previously been a drag with no charisma (Money Train, The Cell, Ben Affleck) she's definitely become more entertaining and interesting since becoming a MILF.
You'll never come back to this movie, which is a shame as I often enjoy either cut of Payback and Lee Marvin's Point Blank is a classic of 1960s cinema. This movie will never achieve such status and it's poor production value is to blame.
Lo sapevi?
- QuizThis is the first adaptation of a Richard Stark/Parker novel to use the character name Parker, the name from the novels. Although the following movies are based on the "Parker" novels, the name was always changed: Senza un attimo di tregua (1967) (Walker); I 6 della grande rapina (1968) (McClain); Organizzazione crimini (1973) (Macklin); Slayground (1983) (Stone); and Payback - La rivincita di Porter (1999) (Porter).
- BlooperWhen the fireworks at the auction go off, a woman in a black dress runs down the center aisle twice.
- Citazioni
Leslie Rodgers: How do you sleep at night?
Parker: I don't drink coffee after 7.
- ConnessioniFeatured in Bringing the Hunter to Life: The Making of 'Parker' (2013)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Tay Trộm Chuyên Nghiệp
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 17.616.641 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.008.222 USD
- 27 gen 2013
- Lordo in tutto il mondo
- 46.922.566 USD
- Tempo di esecuzione
- 1h 58min(118 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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