VALUTAZIONE IMDb
5,1/10
2968
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaOut to relax and have fun at a farmhouse, a couple experience horror at the hands of an unknown entity.Out to relax and have fun at a farmhouse, a couple experience horror at the hands of an unknown entity.Out to relax and have fun at a farmhouse, a couple experience horror at the hands of an unknown entity.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
Rajkummar Rao
- Uday
- (as Raj Kumar)
Rajat Kaul
- Vishal
- (as Rajat)
Harshraj Shroff
- Friend 1
- (as Harsh)
Christy Philips
- Friend 2
- (as Christy)
M. Ravichandran Thevar
- Friend 3
- (as Ravi)
Avinash Badal
- Traffic police
- (solo nei titoli)
Recensioni in evidenza
Brings back memories of dirty weekends, for sure :-) At least that part of the movie seems authentic enough. The protagonists rock for their natural performances. The connection with MMS scandals (net blogs are full of such scandals), isolated farmhouses, spoilt brats on overdose of hormones and sleazy film-makers are genuine. The MNS chudail (ghoul) becomes repetitive, but is scary at times. In short, not a bad deal.
What jars are some of the horror sequences, the director's sudden realization that horror movies should have horrifying effects - and hence a surfeit of effects (sound and visual) at the end. The jarring music jars, and the movie ends, presumably to be continued in a sequel, which will explain some of the loose ends of the prequel. Good marketing strategy.
The house of Balaji Telefilms is not known for quality productions, whether for TV or for cinema. So it is useless to expect a Spielberg or Stephen King masterpiece here. The heroine is top-heavy and sensuous enough.. the hero is sufficiently rough and rugged. Both play their respective roles with aplomb.
If you take the proceedings with a pinch of salt, the movie is not a bad deal. I voted 6/10.
What jars are some of the horror sequences, the director's sudden realization that horror movies should have horrifying effects - and hence a surfeit of effects (sound and visual) at the end. The jarring music jars, and the movie ends, presumably to be continued in a sequel, which will explain some of the loose ends of the prequel. Good marketing strategy.
The house of Balaji Telefilms is not known for quality productions, whether for TV or for cinema. So it is useless to expect a Spielberg or Stephen King masterpiece here. The heroine is top-heavy and sensuous enough.. the hero is sufficiently rough and rugged. Both play their respective roles with aplomb.
If you take the proceedings with a pinch of salt, the movie is not a bad deal. I voted 6/10.
To begin with, I am a little disappointed with Ragini MMS in terms of originality. The film has a little resemblance with paranormal activity (as it was seen in movie trailer).However makers have added the Desi spices to the movie by some Indianized dialogues (or say abuses) and strong story and sub-plots.
The genre of the movie is a winner itself.The combination of sex and horror (which was used indirectly in Bhatt's movies is the stream line here). Intentions of the film makers are very clear here.Just two elements horror and sex, no melodrama or Bollywood masala.
Rajpal is very influential on screen.His screen presence and comic timing is bang on!Kainaz has improved a lot after her bubbly role in Wake Up Sid.Explicit scenes are done comfortably by the lead and their chemistry is extra ordinary.
Story is straight without any twists and turns.Screenplay is tight and tangling.Dialouges are surprisingly fresh,witty and sultry.The dialogues (and slang) gives a good flavor to the horror movie.
Background score is a mile stone for horror movies considering the fact that high pitched digital sound and scorching guitars are used for score in an Indian horror movie.
Minus some originality and faulty editing, the movie is the scariest date movie of India till date.
The genre of the movie is a winner itself.The combination of sex and horror (which was used indirectly in Bhatt's movies is the stream line here). Intentions of the film makers are very clear here.Just two elements horror and sex, no melodrama or Bollywood masala.
Rajpal is very influential on screen.His screen presence and comic timing is bang on!Kainaz has improved a lot after her bubbly role in Wake Up Sid.Explicit scenes are done comfortably by the lead and their chemistry is extra ordinary.
Story is straight without any twists and turns.Screenplay is tight and tangling.Dialouges are surprisingly fresh,witty and sultry.The dialogues (and slang) gives a good flavor to the horror movie.
Background score is a mile stone for horror movies considering the fact that high pitched digital sound and scorching guitars are used for score in an Indian horror movie.
Minus some originality and faulty editing, the movie is the scariest date movie of India till date.
Ragini MMS came and went away in a jiffy, and unfortunately couldn't make a ground for itself. I don't think it would be remembered in the next decade or might have been forgotten by now itself, who knows? The problem is, most of the Indians don't like when the ghosts show their gizmos in a ghastly style. So what's so special about this movie? The good thing is that it keeps the viewer's eye on the plot and holds his feet tightly to the ground. We must never forget that we are surrounded by these unknown entities, who are often enraged when their territory is intruded by humans. So don't look at the plot, the plot falters big time and what remains is the location, atmosphere and the fear of an unknown entity that may be very near to you, yet difficult to perceive. The plot promises itself to be a true story, where a girl was discovered unconscious after spending several days at a haunted house.
A young man Uday (Rajkumar) brings his girlfriend Ragini (Kainaz) at an abandoned and fairly spooky mansion. He wants to get intimate with her and holds a wicked intention to make an MMS of the moments of intimacy unbeknownst to the girl. For this he has made prior arrangements. He has planted several cameras in the room, which are away from sight but powerful enough to capture the moments of love. Uday is lousy and foul-mouthed, and bickers Ragini with his unholy and offending remarks. At the mansion, he spends time with Ragini, so as to persuade her to make love. However, his advances fail when their friends (another couple) drop in to say 'hi'. Frustrated, Uday insults them on their very face asking them to leave. They leave and Uday continues his advances to Ragini. Ragini finally discovers that she is a bait and reprimands Uday for his wicked motives. However, little do they know that the mansion is also the home to a witch, who was charged with the murders of her own children and died in the mansion itself. The witch doesn't like these trespassers and begins settling the scores by herself. Finally the couple finds that they are left on their own to fend off the enraged witch, who would not stay calm unless her wrath is inflicted upon.
There are some scenes that make you feel that you are on a trip to the country side and are spending a night or so in a haunted mansion. The mansion is a piece of hell, which by all means succeeds to qualify its virtue of being haunted and possessed. The actors are juvenile and have really nothing to do. They are more or less like guinea pigs who are simply the victims of witch. The real-time camera work adds good punch of surrealism and originality. The silhouette of witch in traditional Maharashtrian attire, gleaming in the semi-dark room assures and validates the presence of a fearful entity in the mansion. The turning of food into grubs also adds a distasteful crunch to the synopsis. If you are looking for an action-packed horror film (like most of the Ramsay hits), Ragini MMS isn't for you. However, if you are a fan of dark rooms, spooky atmosphere, state-of-the-art presentation, and bizarre involuntary reflexes, please don't miss this.
A young man Uday (Rajkumar) brings his girlfriend Ragini (Kainaz) at an abandoned and fairly spooky mansion. He wants to get intimate with her and holds a wicked intention to make an MMS of the moments of intimacy unbeknownst to the girl. For this he has made prior arrangements. He has planted several cameras in the room, which are away from sight but powerful enough to capture the moments of love. Uday is lousy and foul-mouthed, and bickers Ragini with his unholy and offending remarks. At the mansion, he spends time with Ragini, so as to persuade her to make love. However, his advances fail when their friends (another couple) drop in to say 'hi'. Frustrated, Uday insults them on their very face asking them to leave. They leave and Uday continues his advances to Ragini. Ragini finally discovers that she is a bait and reprimands Uday for his wicked motives. However, little do they know that the mansion is also the home to a witch, who was charged with the murders of her own children and died in the mansion itself. The witch doesn't like these trespassers and begins settling the scores by herself. Finally the couple finds that they are left on their own to fend off the enraged witch, who would not stay calm unless her wrath is inflicted upon.
There are some scenes that make you feel that you are on a trip to the country side and are spending a night or so in a haunted mansion. The mansion is a piece of hell, which by all means succeeds to qualify its virtue of being haunted and possessed. The actors are juvenile and have really nothing to do. They are more or less like guinea pigs who are simply the victims of witch. The real-time camera work adds good punch of surrealism and originality. The silhouette of witch in traditional Maharashtrian attire, gleaming in the semi-dark room assures and validates the presence of a fearful entity in the mansion. The turning of food into grubs also adds a distasteful crunch to the synopsis. If you are looking for an action-packed horror film (like most of the Ramsay hits), Ragini MMS isn't for you. However, if you are a fan of dark rooms, spooky atmosphere, state-of-the-art presentation, and bizarre involuntary reflexes, please don't miss this.
So, after a loooooooooong time, I came out of the theater impressed, entertained and committed to buy the DVD. Ragini MMS thrilled the hell out of me at every junction of its Paranormal Activity-type film-making.
The lead actors are perfect but I don't think they go parallel to what I hear where the true events. The girl is voluptuous, bigdi-baap-ki- bigdi- beti and gullible whereas the guy is a prick! The story is straight and tells us what it intends.
Music is good, so is the direction and the effects. But, the editing and camera work could've been a little more professional. Cut that out, I totally enjoyed the 90 minute-scare!
This is a must watch and very recommendable. I hear Sunny Leone is the lead in its sequel. Although I don;t know the story, I guess she will be all right as the character Ragini because she's got what Kainaz has. Where is the pre-book counter?
WATCH OUT FOR: the message!
Can be watched with a typical Indian family? NO
Language: Strong | Sex: Mild | Implied Sex: Very Strong | Foreplay: Very Strong | Mouth-Kiss: Very Strong | Alcohol: Strong | Smoking: No | Violence: Strong | Gore: Very Strong | Drugs: No
The lead actors are perfect but I don't think they go parallel to what I hear where the true events. The girl is voluptuous, bigdi-baap-ki- bigdi- beti and gullible whereas the guy is a prick! The story is straight and tells us what it intends.
Music is good, so is the direction and the effects. But, the editing and camera work could've been a little more professional. Cut that out, I totally enjoyed the 90 minute-scare!
This is a must watch and very recommendable. I hear Sunny Leone is the lead in its sequel. Although I don;t know the story, I guess she will be all right as the character Ragini because she's got what Kainaz has. Where is the pre-book counter?
WATCH OUT FOR: the message!
Can be watched with a typical Indian family? NO
Language: Strong | Sex: Mild | Implied Sex: Very Strong | Foreplay: Very Strong | Mouth-Kiss: Very Strong | Alcohol: Strong | Smoking: No | Violence: Strong | Gore: Very Strong | Drugs: No
It was only matter of time,before Bollywood get into the found footage genre.
Ragini MMS (2011) Hindi movie, no need for any subs, as most of the times, they speak in English!
Two couple who go to farmhouse and most of time, all they think of is having Sex.
when get into the mood, there friends come, thing start to get scary.
We see the ghost here and there, it is a shame , cause it take the tension away, however there were some scenes, that were actually surprising good.
Near the end, after some descent scenes, it loses it tension again , which makes go down hill.
This is actually Bollywood version Paranormal Activity
4 out of 10 I think worth watching for least once! (Just for laugh).
Ragini MMS (2011) Hindi movie, no need for any subs, as most of the times, they speak in English!
Two couple who go to farmhouse and most of time, all they think of is having Sex.
when get into the mood, there friends come, thing start to get scary.
We see the ghost here and there, it is a shame , cause it take the tension away, however there were some scenes, that were actually surprising good.
Near the end, after some descent scenes, it loses it tension again , which makes go down hill.
This is actually Bollywood version Paranormal Activity
4 out of 10 I think worth watching for least once! (Just for laugh).
Lo sapevi?
- QuizThe movie faced a lot of criticism initially. However, it went on to become a smashing hit, with its music being a rage as well.
- BlooperDuring the sequence when Ragini and Uday realize that Priya and her boyfriend are at door, a mobile phone is seen on the bed. But when Priya and her boyfriend come to bedroom the phone is no more visible.
- ConnessioniFollowed by Ragini MMS 2 (2014)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Последняя запись
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 33min(93 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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