VALUTAZIONE IMDb
6,7/10
5928
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaMarisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.Marisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.Marisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.
- Regia
- Sceneggiatura
- Star
- Premi
- 20 vittorie e 8 candidature totali
Sayed Ahmad
- Rasul
- (as Sayed Ahmad Wasil Mrowat)
Sven Splettstößer
- Uwe Trinkhaus
- (as Sven Splettstösser)
Najebullah Ahmadi
- Jamil
- (as Najebullah 'Najeb' Ahmadi)
Recensioni in evidenza
Stunning representation of the Neo-Nazi community, and the trauma they impose upon people
I'm certain this is going to be Germany's nominee for the Oscars.
The auteur, David Wnendt, seems to have collected a lot of true stories and pieced them together into a fast-paced, very violent, often harrowing and quite unpredictable plot.
Most of you don't know the East German neo-nazi scene. You'll ask yourself if this is really how these people live and talk. Believe me, it is. This movie is so close to reality it often feels like a documentary. I expected to sit in the cinema nitpicking, counting mistakes. I found just one. (A license plate with an "88" in it. The German license plate office doesn't allow that.) All the actors are unknowns and few of them get to shine. All the adults in this story are wooden and almost all the teenagers are idiots. Their main job is to convey total ignorance about the extent of their ignorance. They do that well. Jella Haase is very good.
But Alina Levshin is the one who's superstar material. This is her movie, and it will be remembered as her breakthrough. Two of the movie's most memorable scenes are long uncut closeups of her face, not speaking, and they're some of the best acting I've seen, ever.
Do see it. Just don't expect to sleep easily the night after.
The auteur, David Wnendt, seems to have collected a lot of true stories and pieced them together into a fast-paced, very violent, often harrowing and quite unpredictable plot.
Most of you don't know the East German neo-nazi scene. You'll ask yourself if this is really how these people live and talk. Believe me, it is. This movie is so close to reality it often feels like a documentary. I expected to sit in the cinema nitpicking, counting mistakes. I found just one. (A license plate with an "88" in it. The German license plate office doesn't allow that.) All the actors are unknowns and few of them get to shine. All the adults in this story are wooden and almost all the teenagers are idiots. Their main job is to convey total ignorance about the extent of their ignorance. They do that well. Jella Haase is very good.
But Alina Levshin is the one who's superstar material. This is her movie, and it will be remembered as her breakthrough. Two of the movie's most memorable scenes are long uncut closeups of her face, not speaking, and they're some of the best acting I've seen, ever.
Do see it. Just don't expect to sleep easily the night after.
The topic of right wing extremists in Germany is a very hot one. The movie tries to stay as real as possible with its depiction of the characters it portrays and the world they are living in. It's not an easy watch and it especially isn't easy to play. Main actress does a fabulous job here.
The morality is clear and that is why the movie does not emphasize on certain things. You'll either like this approach or you'll think it's takes the matter too lightly. Whatever the case don't expect your usual mainstream approach. The movie will not resolve everything or not in a satisfying kind of way. The acting alone is worth watching it of course.
The morality is clear and that is why the movie does not emphasize on certain things. You'll either like this approach or you'll think it's takes the matter too lightly. Whatever the case don't expect your usual mainstream approach. The movie will not resolve everything or not in a satisfying kind of way. The acting alone is worth watching it of course.
Very good by all means. Done marvelously in the technical and artistic way. And did I say very touching? The movie has dark and very heavy structure. It looks so authentic that involves you easily and then make you upset. It gives a smart portrait of the local neo-nazi movement in one German town but also all the social background that causes the phenomena of it. The basis of the whole movement was actually shown through the character of the main character. The ideals of its members are the same but the inner struggles of the individuals are individual. Fight between good and bad, between love and hate depicted beautifully followed by excellent acting. I also found the music very good. Excellent work! Keep on working.
Even though many films have brilliantly shown the topic of neo- Nazism and its rise in contemporary society, Kriegerin ("Combat girls") focuses on the role of women in this environment. In the core of a strongly misogynistic ideology, women have to be twice as violent to impose themselves and find their own place. But it is not this exacerbate violence or hatred (even if it is realistic) that constitutes the strength of the movie, but the slowly change that takes place in Marisa thanks to an Afghan teen who she will help without really knowing why. Located in a cold economically fragile Germany, the boy will turn Marisa's life outside down. The symbolism of "a life lost is a life gained" is strong and the characters are colourful. The coup de grâce of the film comes from its poetry that is well-paced distilled and, between one aggression and another, manage to break through the film's cold colours, making it even more beautiful. Full review on our blog : https://losindiscretos.org/english/combat-girls-2011-david-wnendt
Lo sapevi?
- BlooperThe license plate of Sandro's car reads ABI-AH 88. German authorities would not issue such a plate for obvious reasons.
- ConnessioniFeatures Der ewige Jude (1940)
- Colonne sonoreHate-Core
written & composed by Johannes Repka
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 718.808 USD
- Tempo di esecuzione
- 1h 47min(107 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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