VALUTAZIONE IMDb
6,7/10
5917
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaMarisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.Marisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.Marisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.
- Regia
- Sceneggiatura
- Star
- Premi
- 20 vittorie e 8 candidature totali
Sayed Ahmad
- Rasul
- (as Sayed Ahmad Wasil Mrowat)
Sven Splettstößer
- Uwe Trinkhaus
- (as Sven Splettstösser)
Najebullah Ahmadi
- Jamil
- (as Najebullah 'Najeb' Ahmadi)
Recensioni in evidenza
Stunning representation of the Neo-Nazi community, and the trauma they impose upon people
The topic of right wing extremists in Germany is a very hot one. The movie tries to stay as real as possible with its depiction of the characters it portrays and the world they are living in. It's not an easy watch and it especially isn't easy to play. Main actress does a fabulous job here.
The morality is clear and that is why the movie does not emphasize on certain things. You'll either like this approach or you'll think it's takes the matter too lightly. Whatever the case don't expect your usual mainstream approach. The movie will not resolve everything or not in a satisfying kind of way. The acting alone is worth watching it of course.
The morality is clear and that is why the movie does not emphasize on certain things. You'll either like this approach or you'll think it's takes the matter too lightly. Whatever the case don't expect your usual mainstream approach. The movie will not resolve everything or not in a satisfying kind of way. The acting alone is worth watching it of course.
I heard someone say that the movie can be educational? The truth is that I would not watch this movie for educational purposes and not even with children under 18 years of age.
The morality is clear and that is why the movie does not emphasize on certain things. I didn't like this approach at all!, it is too black and white, and too much violence.
It's not just racism, it's the way of treating it, racism with violence, the worst there is. This is a hateful group of young people lost in life, whose brain has been spinned and they have no way out, the only thing that makes sense to them is violence, and on top of that they look for it, violence, and provoke it, it is the only way to feel power for them. But what do they care? They have weapons and explode at the slightest, everyone fears them, and rightly so. It would scare me too, a lot! Even the parents and grandfather scare me!
What I found even more racist and frustrating is treating a young man from Pakistan like a real idiot, for seeking help from the person who hates him and has tried to kill him.
The acting is good and realistic and this is the most positive thing I can add. Even the music seemed terrible to my taste.
The movie will not resolve everything or not in a satisfying kind of way. At the contrary, it lacks a sense of justice in one way or another, big time!
As I say, I still can't believe I've seen the entire movie. If you can stand it this story has the ability to drag you in by the very rough and emotional violent ride.
During the first few minutes I sat with my heart racing wanting to kill them all! Judge for yourself.
The morality is clear and that is why the movie does not emphasize on certain things. I didn't like this approach at all!, it is too black and white, and too much violence.
It's not just racism, it's the way of treating it, racism with violence, the worst there is. This is a hateful group of young people lost in life, whose brain has been spinned and they have no way out, the only thing that makes sense to them is violence, and on top of that they look for it, violence, and provoke it, it is the only way to feel power for them. But what do they care? They have weapons and explode at the slightest, everyone fears them, and rightly so. It would scare me too, a lot! Even the parents and grandfather scare me!
What I found even more racist and frustrating is treating a young man from Pakistan like a real idiot, for seeking help from the person who hates him and has tried to kill him.
The acting is good and realistic and this is the most positive thing I can add. Even the music seemed terrible to my taste.
The movie will not resolve everything or not in a satisfying kind of way. At the contrary, it lacks a sense of justice in one way or another, big time!
As I say, I still can't believe I've seen the entire movie. If you can stand it this story has the ability to drag you in by the very rough and emotional violent ride.
During the first few minutes I sat with my heart racing wanting to kill them all! Judge for yourself.
Even though many films have brilliantly shown the topic of neo- Nazism and its rise in contemporary society, Kriegerin ("Combat girls") focuses on the role of women in this environment. In the core of a strongly misogynistic ideology, women have to be twice as violent to impose themselves and find their own place. But it is not this exacerbate violence or hatred (even if it is realistic) that constitutes the strength of the movie, but the slowly change that takes place in Marisa thanks to an Afghan teen who she will help without really knowing why. Located in a cold economically fragile Germany, the boy will turn Marisa's life outside down. The symbolism of "a life lost is a life gained" is strong and the characters are colourful. The coup de grâce of the film comes from its poetry that is well-paced distilled and, between one aggression and another, manage to break through the film's cold colours, making it even more beautiful. Full review on our blog : https://losindiscretos.org/english/combat-girls-2011-david-wnendt
I'm certain this is going to be Germany's nominee for the Oscars.
The auteur, David Wnendt, seems to have collected a lot of true stories and pieced them together into a fast-paced, very violent, often harrowing and quite unpredictable plot.
Most of you don't know the East German neo-nazi scene. You'll ask yourself if this is really how these people live and talk. Believe me, it is. This movie is so close to reality it often feels like a documentary. I expected to sit in the cinema nitpicking, counting mistakes. I found just one. (A license plate with an "88" in it. The German license plate office doesn't allow that.) All the actors are unknowns and few of them get to shine. All the adults in this story are wooden and almost all the teenagers are idiots. Their main job is to convey total ignorance about the extent of their ignorance. They do that well. Jella Haase is very good.
But Alina Levshin is the one who's superstar material. This is her movie, and it will be remembered as her breakthrough. Two of the movie's most memorable scenes are long uncut closeups of her face, not speaking, and they're some of the best acting I've seen, ever.
Do see it. Just don't expect to sleep easily the night after.
The auteur, David Wnendt, seems to have collected a lot of true stories and pieced them together into a fast-paced, very violent, often harrowing and quite unpredictable plot.
Most of you don't know the East German neo-nazi scene. You'll ask yourself if this is really how these people live and talk. Believe me, it is. This movie is so close to reality it often feels like a documentary. I expected to sit in the cinema nitpicking, counting mistakes. I found just one. (A license plate with an "88" in it. The German license plate office doesn't allow that.) All the actors are unknowns and few of them get to shine. All the adults in this story are wooden and almost all the teenagers are idiots. Their main job is to convey total ignorance about the extent of their ignorance. They do that well. Jella Haase is very good.
But Alina Levshin is the one who's superstar material. This is her movie, and it will be remembered as her breakthrough. Two of the movie's most memorable scenes are long uncut closeups of her face, not speaking, and they're some of the best acting I've seen, ever.
Do see it. Just don't expect to sleep easily the night after.
Lo sapevi?
- BlooperThe license plate of Sandro's car reads ABI-AH 88. German authorities would not issue such a plate for obvious reasons.
- ConnessioniFeatures Der ewige Jude (1940)
- Colonne sonoreHate-Core
written & composed by Johannes Repka
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 718.808 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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