VALUTAZIONE IMDb
6,7/10
5922
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaMarisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.Marisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.Marisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.
- Regia
- Sceneggiatura
- Star
- Premi
- 20 vittorie e 8 candidature totali
Sayed Ahmad
- Rasul
- (as Sayed Ahmad Wasil Mrowat)
Sven Splettstößer
- Uwe Trinkhaus
- (as Sven Splettstösser)
Najebullah Ahmadi
- Jamil
- (as Najebullah 'Najeb' Ahmadi)
Recensioni in evidenza
10jjr4
There are movies worth seeing and movies which need to be seen. This is both. It's a brilliant piece of acting by the whole cast, with a stellar performance from Alina levshin, and an understated but efficient directing from David Wnendt. But it is also a frighteningly cold and accurate view of neo nazism. The routine violence and hate carried by these young individuals echoes of all the fanaticism that surrounds us today. It is a very disturbing depiction of how society is step by step going to waste, turning back to tribal models.
Despite the fact that the movie gets watched without any slowing down or loss of interest, even if it can make one feel a little voyeuristic at times, this is no easy viewing, don't expect to come out of the theater with anything resembling a smile on your face. But at lest you'll be sure to have food for thought and both a new director/writer and actress whose careers you'll want to keep following.
Despite the fact that the movie gets watched without any slowing down or loss of interest, even if it can make one feel a little voyeuristic at times, this is no easy viewing, don't expect to come out of the theater with anything resembling a smile on your face. But at lest you'll be sure to have food for thought and both a new director/writer and actress whose careers you'll want to keep following.
Even though many films have brilliantly shown the topic of neo- Nazism and its rise in contemporary society, Kriegerin ("Combat girls") focuses on the role of women in this environment. In the core of a strongly misogynistic ideology, women have to be twice as violent to impose themselves and find their own place. But it is not this exacerbate violence or hatred (even if it is realistic) that constitutes the strength of the movie, but the slowly change that takes place in Marisa thanks to an Afghan teen who she will help without really knowing why. Located in a cold economically fragile Germany, the boy will turn Marisa's life outside down. The symbolism of "a life lost is a life gained" is strong and the characters are colourful. The coup de grâce of the film comes from its poetry that is well-paced distilled and, between one aggression and another, manage to break through the film's cold colours, making it even more beautiful. Full review on our blog : https://losindiscretos.org/english/combat-girls-2011-david-wnendt
Very good by all means. Done marvelously in the technical and artistic way. And did I say very touching? The movie has dark and very heavy structure. It looks so authentic that involves you easily and then make you upset. It gives a smart portrait of the local neo-nazi movement in one German town but also all the social background that causes the phenomena of it. The basis of the whole movement was actually shown through the character of the main character. The ideals of its members are the same but the inner struggles of the individuals are individual. Fight between good and bad, between love and hate depicted beautifully followed by excellent acting. I also found the music very good. Excellent work! Keep on working.
A film about right wing racism in Germany and a groan is predictable. While following the narrative of such stories, the cast and the style of the film offer a new perspective.
The film is presented in a semi-documentary style, with scenes and transitions which are more like a documentary. The near realism - or TV like visual style - makes the building of the story interesting and unpredictable.
The present is mixed with the back story of the lead character which allows for insight without her telling us because she can't.
The cast have seemingly inhabited the roles and the script and together with the camera work, which puts the audience in the center of things, adds to the directness of the film.
The story of racist violence is counterpointed with violence at other levels between the German characters and their families. In this grim environment a brief reconciliation emerges but is quickly shattered. The ending is almost poetic in an ugly place.
A very fine achievement.
The film is presented in a semi-documentary style, with scenes and transitions which are more like a documentary. The near realism - or TV like visual style - makes the building of the story interesting and unpredictable.
The present is mixed with the back story of the lead character which allows for insight without her telling us because she can't.
The cast have seemingly inhabited the roles and the script and together with the camera work, which puts the audience in the center of things, adds to the directness of the film.
The story of racist violence is counterpointed with violence at other levels between the German characters and their families. In this grim environment a brief reconciliation emerges but is quickly shattered. The ending is almost poetic in an ugly place.
A very fine achievement.
The topic of right wing extremists in Germany is a very hot one. The movie tries to stay as real as possible with its depiction of the characters it portrays and the world they are living in. It's not an easy watch and it especially isn't easy to play. Main actress does a fabulous job here.
The morality is clear and that is why the movie does not emphasize on certain things. You'll either like this approach or you'll think it's takes the matter too lightly. Whatever the case don't expect your usual mainstream approach. The movie will not resolve everything or not in a satisfying kind of way. The acting alone is worth watching it of course.
The morality is clear and that is why the movie does not emphasize on certain things. You'll either like this approach or you'll think it's takes the matter too lightly. Whatever the case don't expect your usual mainstream approach. The movie will not resolve everything or not in a satisfying kind of way. The acting alone is worth watching it of course.
Lo sapevi?
- BlooperThe license plate of Sandro's car reads ABI-AH 88. German authorities would not issue such a plate for obvious reasons.
- ConnessioniFeatures Der ewige Jude (1940)
- Colonne sonoreHate-Core
written & composed by Johannes Repka
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 718.808 USD
- Tempo di esecuzione
- 1h 47min(107 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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