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Guerra Generazionale

Titolo originale: Unsere Mütter, unsere Väter
  • Mini serie TV
  • 2013
  • TV-MA
  • 1h 30min
VALUTAZIONE IMDb
8,4/10
34.323
LA TUA VALUTAZIONE
POPOLARITÀ
1458
1043
Guerra Generazionale (2013)
Generation War
Riproduci trailer2: 38
5 video
74 foto
AzioneDrammaDrammi storiciGuerraStoriaTragedia

Cinque amici vanno in guerra e si promettono di tornare per Natale.Cinque amici vanno in guerra e si promettono di tornare per Natale.Cinque amici vanno in guerra e si promettono di tornare per Natale.

  • Star
    • Volker Bruch
    • Tom Schilling
    • Katharina Schüttler
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,4/10
    34.323
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1458
    1043
    • Star
      • Volker Bruch
      • Tom Schilling
      • Katharina Schüttler
    • 139Recensioni degli utenti
    • 24Recensioni della critica
    • 57Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 22 vittorie e 8 candidature totali

    Episodi3

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    Video5

    Generation War
    Trailer 2:38
    Generation War
    Generation War (US)
    Trailer 2:21
    Generation War (US)
    Generation War (US)
    Trailer 2:21
    Generation War (US)
    Theatrical Trailer
    Trailer 2:21
    Theatrical Trailer
    U.S. Trailer
    Trailer 2:37
    U.S. Trailer
    The Musical Biopic and Terrifying Remake Richard Madden Can't Wait to See
    Video 1:13
    The Musical Biopic and Terrifying Remake Richard Madden Can't Wait to See

    Foto74

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    Interpreti principali54

    Modifica
    Volker Bruch
    Volker Bruch
    • Wilhelm Winter
    • 2013
    Tom Schilling
    Tom Schilling
    • Friedhelm Winter
    • 2013
    Katharina Schüttler
    Katharina Schüttler
    • Greta
    • 2013
    Miriam Stein
    Miriam Stein
    • Charlotte
    • 2013
    Ludwig Trepte
    Ludwig Trepte
    • Viktor Goldstein
    • 2013
    Mark Waschke
    Mark Waschke
    • Dorn
    • 2013
    Henriette Richter-Röhl
    Henriette Richter-Röhl
    • Hildegard
    • 2013
    Götz Schubert
    Götz Schubert
    • Dr. Jahn
    • 2013
    Hildegard Schroedter
    Hildegard Schroedter
    • Oberschwester
    • 2013
    Christiane Paul
    Christiane Paul
    • Lilja
    • 2013
    Sylvester Groth
    Sylvester Groth
    • Hiemer
    • 2013
    Alina Levshin
    Alina Levshin
    • Alina
    • 2013
    Lucas Gregorowicz
    • Jerzy
    • 2013
    Maxim Mehmet
    Maxim Mehmet
    • Hauptmann Feigl
    • 2013
    Adam Markiewicz
    Adam Markiewicz
    • Stanislawski
    • 2013
    Johanna Gastdorf
    Johanna Gastdorf
    • Friedhelms Mutter
    • 2013
    Peter Kremer
    • Vater Winter
    • 2013
    Trystan Pütter
    Trystan Pütter
    • Bertok
    • 2013
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti139

    8,434.3K
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    Recensioni in evidenza

    9Luigi Di Pilla

    Excellent

    A brilliantly done three part episode from the Second World War and the Nazis. It's the sort of stuff you won't stop to watch. Based on true events. All the actors delivered an incredibly and convincing performance. Be prepared on very dramatic turns mixed with battles, escapes, adventure, Nazi psycho terror scenes. The locations and costumes all were well chosen and executed. I recommend it to anyone who is interested in history. Very solid 9/10.
    8nodialogue

    open to a female audience, entertaining, historically accurate - not representative

    What characterizes the German perspective of this mini-series? The Wehrmacht's invasion into the Soviet Union defines Germany's memory of WW2. This campaign lasted the longest 1941-1945, covered the largest front-line, involved the most soldiers, it is where the Wehrmacht suffered 90% of its 2 million dead, it is where Germany was defeated.

    Realistic or not? As a former German conscript soldier born 1968 I recognize the depiction of military behavior, group dynamics and everyday-life of soldiers in a German context. However, I would expect more vulgar language. Other than that, I lack authority to judge.

    The question whether or not this series is authentic is twofold ? First, is it true to history? The Wehrmacht's invasion into Eastern Europe and Russia accounts for the majority of deaths by war or genocide in the European theater of WW2. Regardless of modern technology, this war was still predominantly fought by the common infantry man and suffered by civilians. The series reflects these facts. But it never establishes the Wehrmacht as the efficient and dangerous fighting force it was, even during defeat.

    Second, is the narrative authentic ? The series illustrates the recollection of my grandfather's generation and their perspective as I heard it from them. In that sense, some undertones are both apologetic and authentic to that generation's testimony. As an ambition, the series aggregates many personal memories into one narrative.

    The visual impact of the combat scenes feels intense. The stain of a period drama, costumes and uniforms, disappears into the spectator's excitement easily after 5 minutes. Cutting into black-and-white newsreel footage feels smooth and provides perspectives a film on a budget small compared against the actual event cannot. The staged shots create an illusion of conquering a large landmass and moving in foreign territory.

    The dramatization follows the generation born in the 1920s: one German Jew, two soldiers and two women. The story reunites the five in fabricated coincidences. Does this overstretch the artistic license? No, for it serves to re-examine the change both of the individual characters and their relations to each other as a result of violent experiences. More frequently observed is the changing relationship of two brothers, different in character, different in response to shared hardship.

    The series explores the nature of what in modern terms would be called war-2.0 . Traditional war was but a means to an end that, at least in principle, could be achieved otherwise. War-2.0 kills for the sake of killing. In this series you'll see the Wehrmacht routinely executing civilians with the SS or alone. War-2.0 applies traditional warfare to the goal of genocide.

    The series remains silent about the motives. It shies away from showing the deep racism, antisemitism, the cool institutionalized execution of genocide. When Friedhelm yells at his brother "there is no purpose, no sense (Es gibt keinen Sinn) " to express his desperation he is obviously blind to the genocidal intent of the campaign. The Nazi criminals appear as people of bad character to which their genocidal beliefs are but an accessory. Nowhere do we see a German as an educated , sympathetic individual, whose only flaw were his racism and antisemitism. The series only presents this type as a Polish partisan.

    Entering the third part, one is sucked into an ever closer marriage of survival and killing but gets trapped by Nazi patterns of thinking. The Nazis created the myth of the German people fighting for survival facing the Eastern peoples in order to legitimate the genocide, preplanned from day one. The film implicitly picks up that image of survival. Initially it were millions of men and women in Eastern Europe, millions of Jews who fought for survival - not the Wehrmacht. While the series appears apologetic on some subjects it completely refrains from accusing the Red Army.

    What about guilt? The soldiers portrayed in their early twenties were not the generation who planned the genocide, nor did they cheer Hitler into office. The swift and easy Wehrmacht victories in Western Europe motivated German soldiers, the series reveals. The story leaves the spectator with the crucial question: what, given the circumstances, could one have done differently at the age of 23 ? The series suggests that the line of guilt separates the generations rather than the good from the bad combat soldiers. It is the older generation who abused the young generation as the instrument of war. The series offers an iconic scene to justify my interpretation. It shows a German soldier in an act of self-sacrifice and redemption (I shall not disclose the details here).

    I cannot grant redemption. The act benefits only German soldiers but none of their victims. De- humanization and cruelty out of racism characterize WW2. Uncompromising loyalty to one's own ethnic group sits at the core of extreme racism. It is this exact loyalty the film upholds in part 3.

    I recommend the series. "Unsere Mütter, unsere Väter / Generation War" entertains. Using 3x1.5hours, the vast scale of WW2, the nature of the violence and the depth of personal experience come alive. It opens the subject of WW2 to a female audience who can identify with the rich female characters. Poles, Ukrainians, Russians will find the German perspective accessible for it correctly places the horror of WW2 in their home-countries. The series provides substance to a serious debate by being historically accurate, though not representative.
    9gorbr791

    excellent TV mini series

    Just watched on SBS TV Australia and a very high quality and entertaining war perspective from Germans of WW2......I see it is on at movies in USA and at 4.5 hours too long for movies...but loved it on TV.....war is a no win for all sides so don't try and analyze the political ,racial or historical accuracy.Its not meant to be a documentary.....but you must feel empathy for all people that went through the horror of WW2...our worlds biggest disgrace with 50 million killed...my father was an Australian soldier for 6 years in WW2..and he was disgusted by the treatment of soldiers on both sides....well done German TV.
    9osceola22

    Outstanding Television

    Being fed the usual US blockbuster TV series makes the viewer numb. Mindless rubbish that is sold to us as a"'Television Event 'is nothing more than marketing hype. But every now and then a quality television film comes along. Generation War is a bright light in an otherwise production line of poor offerings that seem to rate on commercial TV. This film was brilliant in so many ways. From the skillful direction and intriguing storyline to masterful character development, from magnificent set recreations to convincing performances from its actors, this film is a winner.

    Having an interest in WWII history I would agree that some albeit minor inconsistencies in the retelling of history may be identified. But given that it is entertainment mixed with history it does an outstanding job of closely matching the attitudes and people of the time. Its easy for us to sit back in the 21st Century judging the people and attitudes of those living in a deceitful, cruel and secretive fascist state that was Nazi Germany. But times were different and all people that live through any war (whether good or bad) are in some way adversely affected by it. Generation War showed another side to the WWII story which shows no one is a winner. Needless to say I thoroughly enjoyed this offering from German TV.
    9jeff-allen

    Glad to see a German perspective

    I watched this flying to & from LA and had to see it again properly. The series is set very differently than US or British shows and it speaks volumes to the producers & writers even if it offended the Polish (its not a documentary its drama). Many American & British WWII shows are factually incorrect.

    To the show the five characters are well portrayed and acted and I liked the pace of the show and that it didn't duck certain issues like the killing of Jewish women & children by the Nazis or the brutality of the Eastern front. It showed how war changes people into something they were not before and how desperate you can become or fatigued. In the end it shows that regardless of nationality their is good & bad in all societies and the power of politicians and senior armed forces personnel over the rest of us and what they can make any of us do is frightening.

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      The town of Kurchatov is indeed near Kursk but it was founded in 1968 around a nuclear power plant.
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      Featured in The Wright Stuff: Episodio #19.85 (2014)

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    Dettagli

    Modifica
    • Data di uscita
      • 7 febbraio 2014 (Italia)
    • Paese di origine
      • Germania
    • Sito ufficiale
      • UFA (Germany)
    • Lingua
      • Tedesco
    • Celebre anche come
      • Generation War
    • Luoghi delle riprese
      • Paul Wegmann Schule, Zeitz, Saxony-Anhalt, Germania(military hospital)
    • Aziende produttrici
      • Zweites Deutsches Fernsehen (ZDF)
      • teamWorx Television & Film
      • Beta Film
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 30 minuti
    • Colore
      • Color
    • Mix di suoni
      • Stereo
    • Proporzioni
      • 16 : 9

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