Aggiungi una trama nella tua linguaAn examination of the Battle of Gettysberg on both the personal and strategic level.An examination of the Battle of Gettysberg on both the personal and strategic level.An examination of the Battle of Gettysberg on both the personal and strategic level.
- Regia
- Sceneggiatura
- Star
- Vincitore di 4 Primetime Emmy
- 5 vittorie e 5 candidature totali
Foto
Peter S. Carmichael
- Self - Director, Civil War Institute
- (as Dr. Peter Carmichael)
Garry E. Adelman
- Self - Historian, Civil War Trust
- (as Garry Adelman)
Steven Knott
- Self - Instructor, U.S. Army War College
- (as Captain Steven Knott)
Edward L. Ayers
- Self - Author, The Crucible of the Civil War
- (as Dr. Edward Ayers)
James M. McPherson
- Self - Author, Battle Cry of Freedom
- (as James McPherson)
Josh Artis
- Colonel James Wallace
- (non citato nei titoli originali)
Greg Berg
- James Wallace
- (non citato nei titoli originali)
Anton Blake Horowitz
- General Carl Schurz
- (non citato nei titoli originali)
Gary Green
- Union soldier
- (non citato nei titoli originali)
Stephen Jennings
- Maj. Gen. George G Meade
- (non citato nei titoli originali)
Charles Klausmeyer
- Amos Humiston
- (non citato nei titoli originali)
Recensioni in evidenza
10esopus
I've been fascinated by the Civil War for 25 years. I've read just about everything I could get my hands on. Seen all the films, the big studio ones and the ones from smaller outfits.
Well, this one beats 'em all! Fantastic. Makes you feel like you're seeing the real thing. Hey, don't listen to the others on the page who are complaining about details and such. This film is incredibly good.
I've got a cousin from a few generations back that enlisted in 1861, fought in all the big eastern battles including Gettysburg, wounded twice and mustered out in D.C. after the surrender in '65. If he could be here to see this film, I think he would have been as riveted as I was by the realism. Even though I am in Canada now, this reminded how proudly American I am.
Man oh man, great job!
Well, this one beats 'em all! Fantastic. Makes you feel like you're seeing the real thing. Hey, don't listen to the others on the page who are complaining about details and such. This film is incredibly good.
I've got a cousin from a few generations back that enlisted in 1861, fought in all the big eastern battles including Gettysburg, wounded twice and mustered out in D.C. after the surrender in '65. If he could be here to see this film, I think he would have been as riveted as I was by the realism. Even though I am in Canada now, this reminded how proudly American I am.
Man oh man, great job!
This "documentary"'s only positive quality might be as a comedy. But then, it's hard to laugh when you can barely stand the shaky cameras, the overtly jarring editing and supreme close-ups that would make even Stanley Kubrick cry out "enough!"
Bad cinematography aside, there's the acting. Apparently all men from the 1860's were jittery, ugly, and maniacal. Yes, War is Hell, and it makes demons out of normal people, but the people in this program are caricatures. This may have something to do with the fact that they hired a cast of Europeans, who do not speak a lick. They only grunt, yell, carry on, and generally make fools of themselves.
It's puzzling why the producers cast their gaze to Europe for reenactors. Apparently they didn't get the memo that the last Civil War movie was a dud, and that American Civil War reenactors are just dying to help someone get it right. For FREE. Movie producers have a ready-made cast of extras, who only want the privilege of portraying Civil War soldiers ACCURATELY.
And this documentary is horrendously inaccurate, not only in the minutiae of what the soldiers were wearing or what they looked like (Monty Python's rule about high-ranking people not having crap smeared all over them does not seem to apply here), but also in more important ways. Such as how cannons operate, or when the Federals reinforced the Round Tops, or who was making the decisions about the Federal left flank.
There is growing research about "negative knowledge." This is the idea that what some people say can actually DETRACT from the sum of knowledge in the world. This program fits that theory. It can only misinform, and one would do well to ignore this unqualified disaster.
Bad cinematography aside, there's the acting. Apparently all men from the 1860's were jittery, ugly, and maniacal. Yes, War is Hell, and it makes demons out of normal people, but the people in this program are caricatures. This may have something to do with the fact that they hired a cast of Europeans, who do not speak a lick. They only grunt, yell, carry on, and generally make fools of themselves.
It's puzzling why the producers cast their gaze to Europe for reenactors. Apparently they didn't get the memo that the last Civil War movie was a dud, and that American Civil War reenactors are just dying to help someone get it right. For FREE. Movie producers have a ready-made cast of extras, who only want the privilege of portraying Civil War soldiers ACCURATELY.
And this documentary is horrendously inaccurate, not only in the minutiae of what the soldiers were wearing or what they looked like (Monty Python's rule about high-ranking people not having crap smeared all over them does not seem to apply here), but also in more important ways. Such as how cannons operate, or when the Federals reinforced the Round Tops, or who was making the decisions about the Federal left flank.
There is growing research about "negative knowledge." This is the idea that what some people say can actually DETRACT from the sum of knowledge in the world. This program fits that theory. It can only misinform, and one would do well to ignore this unqualified disaster.
It seems very clear that others who have left glowing reviews of this "film" (I have to resist the gag reflex to call this such a thing) Like other reviewers who have stated quite accurately how horrible and inaccurate this presentation is, I add my thumbs down to the growing disdain. As a former re-enactor of the Blue and gray and a proud American, I was incredibly disappointed by this Farb- filled festival of feces. For those who don't know Farb is short for Farby which is a term we re-enactors use to describe inaccuracies in a re-enactors impression of a soldier or collectively in a camp or in a film. The most famous in "Glory"- a film I love when a young actor wears a "Swatch" his wrist as he waves to Morgan Freeman. Another example would be modern glasses or the scarf you can get at 7-11 with a paisley print. "Gettysburg" in this instance is an offense and "much offense too" as Hamlet said. The characters NEVER marched in the correct formation in the battle style of that day. And was all style but no substance. I am not only a former reenactor, but I am also a filmmaker myself and I was disgusted by the total lack of focus, and it was evident that the director and the brothers' Scott had no idea how Civil Wr Soldiers fought or spoke. The late Anthony Minghella , director of Cold Mountain, filmed in Romania and he had advisors like Michael Kraus, Don Toriani and the late Brian Pohanka to ensure historical accuracy. Pohanka and Kraus also worked on Ron Maxwell's Gettysburg and Ed Zwick's Glory. This "film"(again I gag), should be destroyed and forgotten and the same for all the DVD copies. This is not censorship- it is a mercy killing for the sake of honoring the men who gave the last full measure and ought not to be offended in such a way. This director is about to finish work on "Killing Lincoln" A friend of mine is in it, I hope that the director has done his homework.
This is entertaining. I will not deny that. However, the factual errors are outrageous. One of the former reviews accused those who don't like it as armchair historians. I have my Master's in History, and have done my theses on Gettysburg (particularly cavalry actions there). I must say that this is highly inaccurate. Watch it if you want to see blood, gore, and action. It is great at making the story intense. Just do not take it for the gospel.
I'm a cultural historian, and I've don't a good deal of work on representations of history. To expect that a movie will offer a completely accurate representation of events is to ask too much. Still, this one drips with inaccuracies. The devil is truly in the details. For example, maybe some would argue that showing LTG Richard S. Ewell arriving on horseback is forgivable, even though he really arrived in a carriage and his wooden leg was promptly shattered by a Union minie ball. Unfortunately, though, the arrival on horseback supports the idea that Ewell was eager to take vengeance for the leg he had lost. There's nothing to support this. Historians have found plenty of evidence that he was not fighter he had been. MG Isaac Trimble almost begged Ewell to order an attack on Culp's and Cemetery Hills on July 1, before Federal troops had entrenched and solidified a position. Ewell refused. There are similar gaffes throughout. It's not clear what point the producers wanted to make here; if it were, perhaps the reason for the easily avoided errors would be clear.
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- ConnessioniFeatured in 2011 Primetime Creative Arts Emmys (2011)
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