L'assassino di Crescent City

Don't actors read the script before they sign up for a project? I can't believe actual famous people with viable careers volunteered for this and weren't under duress.

The basic plot is like someone was playing police thriller serial killer mad libs. They took pages from The Wire, from Se7en and a dozen other good movies, threw them in a basket and the first hundred pages they grabbed out became the final draft script. I have seen better from Eastern Europe.

If True Detective were a Hyundai Genesis, this is a 1989 Hyundai Excel. Remember those?

There's no logical explanation as to why the people are doing the things they are doing or why they even still have jobs?

But in the end, this hot mess is to absurd that it's actually entertaining. If they hadn't taken themselves seriously, this could have been Scream.

Awful, awful movie. Direction was stiff, scrip was stupid, acting was...awful, except Terrence Howard, he managed to just be semi ok. Alex Baldwin wasn't in it enough to be awful and the other star, who is normally a good actor just chewed up scenery like he was doing impressions George C. Scott. The female lead was adequate and basically just blabbed and showed cleavage. How they got stars of that quality to be in this piece of junk is a question that needs an answer! I loved the end credits there were enough producers and executive producer to do 13 movies much less this sad excuse and waste of human endeavor. Listen to the reviews that give this a 1, they are right. I gave it a 2 only because Terrance Howard is in it and that is worth a 2 even on a bad day.

This is a horribly written film that is not even campy worth watching and wastes a mostly decent cast. The plot, if we can call it that, is better understood as a drunken improve of frat brothers who think they are improving Silence of the Lambs.

Rather than actually develop a story line, the movie meanders from one pathetically obvious misdirection to the next, until the musical chairs of potential suspects haphazardly lands on one character. They film the pathetically tries to backfill the character's story to cobble together an underwhelming explanation of the why the killer would engage in series of crimes.

The best part of the film is that it ended and that I didn't buy it.

Shame on everyone involved.

I expected more and knew in the first few minutes it would be a flop. Bad acting, bad story and direction. Alec's acting was pretty much the same. Terrence Howard and Esai Moralas's acting was not good at all. I paid for this movie and tried my best to give it a chance but felt I wasted money on this flop. I think they should've passed on signing up, I guess once you become older it's hard to get those perfect scripts or phone calls from your top directors and producers. Nicky Whelan's acting was not good as well. I could expect her to be in this type of movie. Wished she didn't do the whole plastic party on her face, it truly shows and the bad acting made it worse.

By the guys that made American Sicario, comes Crescent City, a lackluster mys-tery thriller that I couldn't stand until the end. Maybe the story spins towards something amazing or at least acceptable in the end, but the fact is that the subpar acting and cinema-tography threw me off.

The buddy cops Brian and Luke lacks chemistry, and most of it comes from the plank acting both actors Terrance Howard and Esai Morales portrait. The addition of Jaclyn Waters is a common cliché in cop movies, this time with the unoriginal idea that she will join the buddy cops rather than some old-timer loner. Nicky Whelan's acting is also bellow average - for some reason, everyone except maybe Alec Baldwin was just not feeling it, a potential direction problem.

When Act 2 started and things were still dull, I quit.