Una scuola per Malia

Jamie Fitzpatrick (Maggie Gyllenhaal) is a single mother trying to hold down two jobs, struggling to afford a good education for her daughter. "Won't Back Down" is her fight to change the public school system. Joining her is a strong, tough, independent disenchanted black teacher, Nona Alberts (Viola Davis). It's a drama poorly marketed as anti-union propaganda and was just as poorly received.

The film isn't as bad as the critics' ratings, the dismal box office performance, or the word-of-mouth criticism suggests. It's certainly not great. The predictability, the cloying sentimentality, and desire for perfection make sure it won't reach the great heights that the film seems to have envisioned for itself. But for people who like dramas where a disenfranchised community comes together to fight against a system, the film does hit the right notes.

Overall the acting is great, even though Davis can kiss her award chances goodbye. Gyllenhaal was the only one that attempted to add some comedy to her role. She has always been great at melding together drama and comedy and more comedy always seems to be a good thing. The best role, however, was Oscar Isaac who played both Jamie's love interest and a teacher who was doing his best to not fail the students. He supported the union, respected his fellow teachers, respected his students, fell in love with Jamie and supported her cause even though his multiple stances would frequently be at odds. He also did all of the above with a guitar strapped over his shoulder and made little girls laugh with renditions of Johnny Cash songs. It's too bad he won't be able to garner any Oscar buzz.

I'm assuming one of the major issues with the failing of this film was the timing of the release. Although September marks the beginning of the school year, it is also a time of hope, optimism for the year that could be. Parents and children alike believing that this year they're going to find a teacher that inspires them and see their dreams for the future come true. It's not a time for the reminder that the public school education system sucks. This film would be better left for February, during the ides of winter, when students and parents alike are struggling to learn what they're supposed to know and have lost the optimism they had just six months earlier. At its best, "Won't Back Down" would be able to provide that lost hope; fighting the good fight, as long as that doesn't get too monotonous.

For as long as there have been schools, there have been good teachers and bad teachers, involved parents and uninterested parents, naturally gifted students and those students who struggle. Perhaps there is more good than bad today, then again perhaps not. It can't be ignored, though, that there are schools, and even entire areas, where students are failing at an alarming rate. Teachers alone can't fix this. Parents alone can't fix this. Even most students alone, barring the most motivated and gifted among us, can't fix this. It takes good teachers, involved parents, and students who have made a commitment to excel, to fix this problem. That's what we get in Won't Back Down.

You might hate the supposedly anti-union message, or turn up your nose at the idea that a child is scarred for life by one bad teacher, but neither of these are reasons to disregard this movie. First of all, while the movie does spotlight the downside of teacher's unions, there is plenty of union-love as well. And secondly, one bad teacher certainly can make the difference between a child who loves school and a child who dreads it, even if it's only for one year. And one bad year of school, especially elementary school where every learning experience is a building block for the later years, can be devastating.

I am highly sensitive to movies with a heavy-handed political agenda. I honestly didn't feel that here. I didn't take this movie as a guide to removing unions from schools. What I witnessed was the idea that if parents, teachers and students band together to make their school a better place, they can hope for a brighter future. Student by student, school by school, we can improve education in America. That people want to fight over whether teachers should be protected rather than whether students should be given an opportunity to excel, well that's really the crux of the problem, now, isn't it?

Beyond the controversial topics addressed, I found this film to be very satisfying. The plot was well-developed, Viola Davis and Maggie G played well off of each other, the children were very good in their roles, and the pacing was steady. It's always inspirational to see a group of people with very little in common come together for the greater good, and if nothing else you will definitely get that here. How can we not enjoy watching parents engaged in the school system and rallying to secure the future of their children? Don't watch this to pick apart (or champion) charter schools, watch this to remember just who education is supposed to benefit. Watch this and remember that good teachers could use a little encouragement, bad teachers should be called out, the system needs to be challenged every now and then, and children will respond to their environment, whether it's positive or negative, in ways that will surprise and sometimes amaze you.

Won't Back Down is less a movie about living, breathing characters (with one exception) and more a political polemic about bad schools and bad unions. Viola Davis manages, as usual, to rise above surprisingly simplistic material and give a fine performance. But most of the characters were reduced to giving talking points, and some usually good actors gave surprisingly bad performances as a result. I know people worked very hard on this movie, and I'd like to be able to give it a more positive review...but I just can't.

This movie also made pretty good use of its Pittsburgh location, particularly nice use of the the incline. Points for the many sports-related T-shirts and the Giant Eagle bread.

Reading some of the reviews here and elsewhere I was getting a feeling some people simply saw another film under the same title for I don't have another plausible explanation for the shortsightedness and narrow-mindedness of some.

The film is stunning in its emotional impact, immaculately written and stupendously directed, with incredible one-shots, meticulously motivated hand-helds, color nuances (overlooked by many) and above all breathtakingly thorough and subtle work with the cast. In the world of "block-and-shoots" and gimmicky self-indulgent "me-me-me's" this rare old school picture stands out and certainly makes many uncomfortable for it appeals to something buried under layers of tweets, pretense, status, rat races and such - the human heart. Human connection. This is the most life-affirming American film I have seen in over a decade without it getting too preachy, cheesy or boring. No chemistry between Maggie and Viola? That comment is beyond me. They are so different, they are so raw and painfully believable on their own, that their union gains power via this deliberate diversity of their characters. There is not a single face in a single frame that is not totally "there", the committed "non-background" nature of supporting cast and extras makes an incredibly detailed background, full of nuance, ever breathing and alive. As is every shot of the film.

The last comment I will afford regards the union matter. First if all - if someone really believes this movie is about unions (or against them) - I have nothing to tell them. They will be as deaf to my voice as they are to the writers'/director's which tells a story of mother's love, standing up for your rights, having hope and faith and moving mountains if necessary - if the loved one needs that. The school is just a background for all that to unfold, a setting, a subplot to me. Performances are Oscar-worthy, I could go on for pages and scene by scene describe the beauty and power of them (alas, only 1000 characters here). And one more word on the union issue - what makes this film so impactive and real is how valid both points are and how the film's creators made sure that nothing about that is black and white and took time to support and justify both.

So, if you are not ashamed to cry in a theater, if you are ready to embark on an emotional journey, if you are not afraid to think and doubt - go see this brilliant work of art.

To Wont Back Down Critics: I am an Urban parent, so the question on the table is: "Are parents suppose to sit back and continue to allow education systems to continue to fail to effectively educate and keep safe millions of children because the defenders of "failure as an option" are not ready to embrace change in how we deliver education to children?

The Bottom line: if parents don't protect their children who will?

FYI the fictional parent Maggie was the actual "trigger" not some law! She saw a problem in the school and it "triggered" her into action! Don't be afraid that the modern civil/human rights issue has hit the big screen and the Parent Empowerment Movement has begun!