Una scuola per Malia

If you have a child in school tomorrow, or plan to have a child in school in the next decade, go see "Won't Back Down". Not because the writing is good, or the acting is good, but because the story could be from your own backyard, your own child's school.

This isn't a summer blockbuster like the "Avengers", and audiences loved the "Avengers", but none of us are super-heroes, nor will we ever be. We are all capable of being the type of hero so well portrayed by Maggie Gyllenhall and Viola Davis - Parents. Every adult, that experiences this film will understand that it does not take super-powers and a shiny costume to be a hero to a child, or a community.

So, yes, educating the next generation does matter. Who's going to be your Doctor, your Lawyer, your CEO in 30 years...a child being born today. If that child doesn't get an adequate education...how will they be able to achieve their dreams? How will our country survive through a generation of D and C students?

Go and enjoy "Won't Back Down" for what it is - Sometimes funny, sometimes heartwarming, striving to make us all see that somethings are worth fighting for.

For as long as there have been schools, there have been good teachers and bad teachers, involved parents and uninterested parents, naturally gifted students and those students who struggle. Perhaps there is more good than bad today, then again perhaps not. It can't be ignored, though, that there are schools, and even entire areas, where students are failing at an alarming rate. Teachers alone can't fix this. Parents alone can't fix this. Even most students alone, barring the most motivated and gifted among us, can't fix this. It takes good teachers, involved parents, and students who have made a commitment to excel, to fix this problem. That's what we get in Won't Back Down.

You might hate the supposedly anti-union message, or turn up your nose at the idea that a child is scarred for life by one bad teacher, but neither of these are reasons to disregard this movie. First of all, while the movie does spotlight the downside of teacher's unions, there is plenty of union-love as well. And secondly, one bad teacher certainly can make the difference between a child who loves school and a child who dreads it, even if it's only for one year. And one bad year of school, especially elementary school where every learning experience is a building block for the later years, can be devastating.

I am highly sensitive to movies with a heavy-handed political agenda. I honestly didn't feel that here. I didn't take this movie as a guide to removing unions from schools. What I witnessed was the idea that if parents, teachers and students band together to make their school a better place, they can hope for a brighter future. Student by student, school by school, we can improve education in America. That people want to fight over whether teachers should be protected rather than whether students should be given an opportunity to excel, well that's really the crux of the problem, now, isn't it?

Beyond the controversial topics addressed, I found this film to be very satisfying. The plot was well-developed, Viola Davis and Maggie G played well off of each other, the children were very good in their roles, and the pacing was steady. It's always inspirational to see a group of people with very little in common come together for the greater good, and if nothing else you will definitely get that here. How can we not enjoy watching parents engaged in the school system and rallying to secure the future of their children? Don't watch this to pick apart (or champion) charter schools, watch this to remember just who education is supposed to benefit. Watch this and remember that good teachers could use a little encouragement, bad teachers should be called out, the system needs to be challenged every now and then, and children will respond to their environment, whether it's positive or negative, in ways that will surprise and sometimes amaze you.

To Wont Back Down Critics: I am an Urban parent, so the question on the table is: "Are parents suppose to sit back and continue to allow education systems to continue to fail to effectively educate and keep safe millions of children because the defenders of "failure as an option" are not ready to embrace change in how we deliver education to children?

The Bottom line: if parents don't protect their children who will?

FYI the fictional parent Maggie was the actual "trigger" not some law! She saw a problem in the school and it "triggered" her into action! Don't be afraid that the modern civil/human rights issue has hit the big screen and the Parent Empowerment Movement has begun!

Reading some of the reviews here and elsewhere I was getting a feeling some people simply saw another film under the same title for I don't have another plausible explanation for the shortsightedness and narrow-mindedness of some.

The film is stunning in its emotional impact, immaculately written and stupendously directed, with incredible one-shots, meticulously motivated hand-helds, color nuances (overlooked by many) and above all breathtakingly thorough and subtle work with the cast. In the world of "block-and-shoots" and gimmicky self-indulgent "me-me-me's" this rare old school picture stands out and certainly makes many uncomfortable for it appeals to something buried under layers of tweets, pretense, status, rat races and such - the human heart. Human connection. This is the most life-affirming American film I have seen in over a decade without it getting too preachy, cheesy or boring. No chemistry between Maggie and Viola? That comment is beyond me. They are so different, they are so raw and painfully believable on their own, that their union gains power via this deliberate diversity of their characters. There is not a single face in a single frame that is not totally "there", the committed "non-background" nature of supporting cast and extras makes an incredibly detailed background, full of nuance, ever breathing and alive. As is every shot of the film.

The last comment I will afford regards the union matter. First if all - if someone really believes this movie is about unions (or against them) - I have nothing to tell them. They will be as deaf to my voice as they are to the writers'/director's which tells a story of mother's love, standing up for your rights, having hope and faith and moving mountains if necessary - if the loved one needs that. The school is just a background for all that to unfold, a setting, a subplot to me. Performances are Oscar-worthy, I could go on for pages and scene by scene describe the beauty and power of them (alas, only 1000 characters here). And one more word on the union issue - what makes this film so impactive and real is how valid both points are and how the film's creators made sure that nothing about that is black and white and took time to support and justify both.

So, if you are not ashamed to cry in a theater, if you are ready to embark on an emotional journey, if you are not afraid to think and doubt - go see this brilliant work of art.

Jaime Fitzpatrick (Maggie Gyllenhaal) and teacher Nona Alberts (Viola Davis) are both parents who are tired of their failing inner city school. They battle union boss Evelyn Riske (Holly Hunter) and others to take save the school and their kids.

There's no doubt that there is a pedigree of Christian conservative roots in this movie. The big name in production is Walden Media and they have their roots in Christian conservative ownership. So is it propaganda? Probably, but it's still a good movie.

This is a movie where the labor union is made to be complete villains, and disconnected to the teachers on the ground. They lie and bribe to save their own jobs. The teachers are either good or evil. The one bad teacher can't be just incompetent. She's is literally Evil. Having said that. It is a well made film. There is good. There is evil. There are obstacles to overcome. The acting is good. The story is compelling. Other than a couple of hokey moments and some slow spots, the story flowed well. So on the film itself without taking sides, this is a definite 7. sides, this is a definite 7.