Una scuola per Malia

The opening scene suggests this could be a satisfying movie. Sadly, that is not the case. The problem is, Davis and Gyllenhaal lack chemistry, the characters are shallow, and while the movie isn't unbelievable, it's not believable either. There are some powerful moments, but nowhere near enough for a recommendation. It's also extremely low-key, and most of it feels like a filmed rehearsal. There's no real acting here, because everyone in the movie seems like they're just going through the motions and phoning it in. Because I didn't have high hopes for it, I can't really call it a disappointment. Reversing the two leads' roles, having stronger writing, and a stronger screenplay might have helped.

** out of ****

Reading some of the reviews here and elsewhere I was getting a feeling some people simply saw another film under the same title for I don't have another plausible explanation for the shortsightedness and narrow-mindedness of some.

The film is stunning in its emotional impact, immaculately written and stupendously directed, with incredible one-shots, meticulously motivated hand-helds, color nuances (overlooked by many) and above all breathtakingly thorough and subtle work with the cast. In the world of "block-and-shoots" and gimmicky self-indulgent "me-me-me's" this rare old school picture stands out and certainly makes many uncomfortable for it appeals to something buried under layers of tweets, pretense, status, rat races and such - the human heart. Human connection. This is the most life-affirming American film I have seen in over a decade without it getting too preachy, cheesy or boring. No chemistry between Maggie and Viola? That comment is beyond me. They are so different, they are so raw and painfully believable on their own, that their union gains power via this deliberate diversity of their characters. There is not a single face in a single frame that is not totally "there", the committed "non-background" nature of supporting cast and extras makes an incredibly detailed background, full of nuance, ever breathing and alive. As is every shot of the film.

The last comment I will afford regards the union matter. First if all - if someone really believes this movie is about unions (or against them) - I have nothing to tell them. They will be as deaf to my voice as they are to the writers'/director's which tells a story of mother's love, standing up for your rights, having hope and faith and moving mountains if necessary - if the loved one needs that. The school is just a background for all that to unfold, a setting, a subplot to me. Performances are Oscar-worthy, I could go on for pages and scene by scene describe the beauty and power of them (alas, only 1000 characters here). And one more word on the union issue - what makes this film so impactive and real is how valid both points are and how the film's creators made sure that nothing about that is black and white and took time to support and justify both.

So, if you are not ashamed to cry in a theater, if you are ready to embark on an emotional journey, if you are not afraid to think and doubt - go see this brilliant work of art.

If you have a child in school tomorrow, or plan to have a child in school in the next decade, go see "Won't Back Down". Not because the writing is good, or the acting is good, but because the story could be from your own backyard, your own child's school.

This isn't a summer blockbuster like the "Avengers", and audiences loved the "Avengers", but none of us are super-heroes, nor will we ever be. We are all capable of being the type of hero so well portrayed by Maggie Gyllenhall and Viola Davis - Parents. Every adult, that experiences this film will understand that it does not take super-powers and a shiny costume to be a hero to a child, or a community.

So, yes, educating the next generation does matter. Who's going to be your Doctor, your Lawyer, your CEO in 30 years...a child being born today. If that child doesn't get an adequate education...how will they be able to achieve their dreams? How will our country survive through a generation of D and C students?

Go and enjoy "Won't Back Down" for what it is - Sometimes funny, sometimes heartwarming, striving to make us all see that somethings are worth fighting for.

There are movies that come along based on inspirational stories and usually manage to deliver just on the story itself. When you give them a bit of a budget and some great actors then you have the possibility of creating something special. The latest film takes on the rarely talked about in film issue of education in Won't Back Down. With Maggie Gyllenhaal and Viola Davis leading the way could there be any chance this film doesn't work?

Won't Back Down follows two determined mothers whose children are failing in an inner city school, who team up to take back the school and turn it into a place of learning. Before they are able to change the school, they have to battle the parents, school board, and teachers union. While this isn't an actual true story like a lot of these films, it is based on various incidents of its kind. They don't break any molds or do anything that hasn't been done in some way before, but what is refreshing is who is under fire in this story, the education itself as opposed to those struggling to learn. The performances are all great and the movie works fine, but there is just something missing that most of these films have to really suck you in and that's that moment where those fighting the losing battle deliver a memorable moment that turns things around. Most likely trying to shove that into this story would have felt forced and cliché, it just lacked that needed punch to add the extra passion to make the movie step out of just another in a line of inspirational stories.

Make no mistake, this is a great movie, but isn't breaking any ground. If you enjoy these sorts of stories then you should check it out. Thanks to the two leads it takes a film that could have been pretty generic and turned it into something really good. If these two great actresses aren't enough to suck you in, the film also sports a great supporting cast as well including Ving Rhames, Holly Hunter, Rosie Perez and Bill Nunn so there is bound to be someone in there to peak your interest.

Jaime Fitzpatrick (Maggie Gyllenhaal) and teacher Nona Alberts (Viola Davis) are both parents who are tired of their failing inner city school. They battle union boss Evelyn Riske (Holly Hunter) and others to take save the school and their kids.

There's no doubt that there is a pedigree of Christian conservative roots in this movie. The big name in production is Walden Media and they have their roots in Christian conservative ownership. So is it propaganda? Probably, but it's still a good movie.

This is a movie where the labor union is made to be complete villains, and disconnected to the teachers on the ground. They lie and bribe to save their own jobs. The teachers are either good or evil. The one bad teacher can't be just incompetent. She's is literally Evil. Having said that. It is a well made film. There is good. There is evil. There are obstacles to overcome. The acting is good. The story is compelling. Other than a couple of hokey moments and some slow spots, the story flowed well. So on the film itself without taking sides, this is a definite 7. sides, this is a definite 7.