Sparkle - La luce del successo

Sparkle (2012)

** 1/2 (out of 4)

Remake of the 1976 film about sisters Sparkle (Jordin Sparks), Sister (Carmen Ejogo) and Dolores (Tika Sumpter) who decide to try and make it in the music business even though their mother (Whitney Houston) objects to them doing so after her life was ruined by an attempt. The original movie was quite predictable but it was still very much worth watching because of the performances and the music. I'm really not sure why we needed a remake and especially since this one here takes place in the 1960s just like the previous ones. Either way, for the most part this is a mildly entertaining film but there's still no question that it falls short of the original. There are actually quite a few things that do work here including the performances but especially Ejogo as the troubled sister whose decisions are going to cost her and her sisters. I thought she was incredibly believable throughout the picture no matter what the story was calling for. It could be for sexiness in the music or the downfall of the drug addiction. This here was actually the first time I had seen Sparks in anything and I thought she was fine in the role, although, like the original, her character is pretty much in the background. As for Houston, she's not too bad in the film but I must admit that I think her death somewhat hurt the movie, which is strange to say because I doubt anyone would have gone to this had it not been her final film. Hearing her character talk about drug abuse, bad choices and other things just makes you think of Houston and her death. This really has a negative impact on the film that it might not have had if the actress didn't die during the post-production. Derek Luke, Mike Epps and Curtis Armstrong are all extremely good in their parts. Another negative thing is that the majority of the music is pretty forgettable with none of the songs really jumping out at you. This includes Houston's one number, which is just pretty weak. Still, SPARKLE manages to have enough in it to make it worth sitting through even if the end result isn't nearly as good as most would have hoped for.

I watched this film because my wife put it in the queue. My thought was - oh well - another chick flick - with singing - this is going to hurt. And yes - it was a chick flick with singing - but I enjoyed this one. The stage performances by the character Sister probably helped - but I also thought the film was generally well done. Considering her age and experience - Jordin Sparks did a fantastic job. Her performance at the end was masterful. So I was surprised (again) when I came onto IMDb to see some details and saw that it was rated a lowly 4.9. After reading a few reviews I noticed that many of the people giving lower ratings were comparing this film with an earlier version. That almost always results in a low opinion of the later version. I am an "old white guy" so I did not see the earlier version. I thought this was good. I gave it a 7.

I get skeptic on watching movies that revolve around singing groups in the 50s-80s because I feel like they are all the same. However, I absolutely enjoyed and would love to see this movie again. Let me just say Carmen Ejogo is an absolutely AMAZING actress. She practically had me in tears throughout the whole movie because she betrayed her character so well! Im not familiar with Carmens work but she sold it. Shes stunningly beautiful, and I cant wait to see her in other upcoming films. Jordan Sparks off course is an amazing singer, and for being her first film she did a good job. I think with time shell be better actress. I think this movie was a great last goodbye for Whitney Houston. Im glad I was able to hear her sing one last time. (: This is definitely a must see, and I will for surely be recommending this movie to everyone I see.

There's an indisputable star of this synthetically watchable 2012 melodrama, and it's neither the late Whitney Houston in her last role nor Season 6 "American Idol" winner Jordin Sparks. It's relatively unknown British actress Carmen Ejogo (Maya Rudolph's sister in "Away We Go") who explodes off the screen in the meaty, scene-stealing role of Sister, the hell-raising eldest of a trio of daughters to Emma Anderson, an uptight, church-going woman who raised them on her own. Emma is Houston's supporting role, and while she proves she had the makings of a solid character actress, there is an unfortunate shroud of irony in her presence given her own tragic, tabloid-saturated life was itself a cautionary tale about the lure of drugs in show business. This time in the part Lonette McKee played superbly in the 1976 original, Ejogo inhabits the character living out the nightmare of drug addiction and spousal abuse.

The rest of the movie is mostly by the numbers. It opens in 1968, a decade later than the original movie's story, with Sister and her little sister Sparkle sneaking out to a nightclub headlined by a period- costumed Cee Lo Green in a cameo appearance. Sister vamps her way through an original song by Sparkle, which attracts the attention of an aspiring record producer named Stix. He encourages them to shoot for the big time, so they convince level-headed sister Dee to make it a trio decked out sequins, wigs and false eyelashes in order to become the next Supremes. What struck me is how eerily the three women look like the original Supremes line-up with Sparks resembling Florence Ballard and Ejogo looking like a sultry cross between Diana Ross and Beyoncé. Of course, their newfound success comes with heartache, as Sister takes up with a smooth albeit vicious stand-up comic named Satin, and Sparkle struggles between family devotion and her burgeoning love for Stix.

Naturally Emma is constantly worried that her girls will repeat the same mistakes she made when she tried to make it as a singer only to be spit out by the music industry. That means Houston spends most of her limited screen time either fretting about her family or being self-righteous about her religious convictions. The dinner table scene between her and Ejogo is the movie's best scene laying bare the deep-seeded resentment Sister has for her mother and providing a flash of grief over a line that reminds you how Houston died. The melodrama is laid on pretty thick, especially during Sister's downward spiral, but director Salim Akil ("Jumping the Broom") and his wife, screenwriter Mara Brock Akil, balance it with just enough lighter moments. The songs, of course, are what matters the most, and smartly, Curtis Mayfield's original compositions have been retained with the standouts being "Hooked on Your Love", "Look into Your Heart" and especially "Something He Can Feel" which Ejogo performs with sultry conviction.

The new songs by R. Kelly are not nearly as memorable since they sound too contemporary for the period. Sadly, Houston sings only once in character, the spiritual stand-by, "His Eye Is on the Sparrow", and limited to her lower register, her coarsened voice, while emotionally impactful, is vocally a mere shadow of her once-beautiful pipes. Sparks gets to sing a lot more with a predictably booming voice, and she delivers an unaffected turn in the title role. Mike Epps gives a strong performance as Satin, and his scenes with Ejogo echo similarly volatile scenes in "What's Love Got to Do with It?" As Stix, Derek Luke does much better work than Philip-Michael Thomas in the original. Tika Sumpter provides some memorably defiant moments as Dee, the one sister who could take or leave the music. The movie runs too long at 116 minutes, but between Houston's death and Ejogo's star-making turn, it takes on a greater depth than the musical nostalgic trip it was originally designed to be.

Jordan Sparks had a real shot at stardom. She is tall, beautiful and talented. Unfortunately, instead of following her father's direction, she chose to chase that no talent slob, Jason Derulo. This movie should not have been made. Poor writing. It took a purely sweet coming of age story and made it taudry. Sister was a beautiful young woman who had no idea how she could turn men on their heads. In this remake, she is overtly sexual to sell her singing group! WHY? When the original Sparkle was released, I was a teenager. This movie was so uplifting. It showed the truth about a little fame on the poor. Drug addiction, loan sharks, alcoholism. In the end, Sparkle and Stick make it because they believed in one another. Please stop ruining our past! Trash this version. Just stick to the original Sparkle and you'll be fine.