Mistero a Crooked House

More than 40 years after her death, the almighty Mrs. Agatha Christie is more alive than she ever was! I've been a massive fan of her work since many, many years, so you can imagine how ecstatic I am with this Christie-revival. The BBC still regularly produces fancy mini-series based on her work (recently there was another great version of "And then there were none", starring Sam Neill and Charles Dance) and within one and the same year there were no less than two large-budgeted film productions with impressive cast ensembles. Kenneth Brannagh played it safe, with another umpteenth but nevertheless enjoyable interpretation of "Murder on the Orient Express", but most of all I was looking forward to the very first adaptation of the fantastically bonkers - and Agatha's personal favorite - story "Crooked House".

At first, I was a bit concerned regarding the choice of director. The French born Gilles Paquet-Brenner's first film "Walled In" really sucked, and he didn't do a very impressive job transferring Gillian Flynn's powerful novel "Dark Places" into a compelling thriller, neither. But hey, maybe it's because I'm biased regarding the source material, but "Crooked House" nevertheless became a good old-fashioned and absorbing mystery-whodunit with a stellar cast, lovely decors and a thoroughly ominous atmosphere. But it's the phenomenal story that is domineering here. Like I said, I'm biased, but if the novel is faithfully adapted it's difficult to ruin a good Agatha Christie tale. If you haven't read the novel or read any plot spoilers, I dare you to guess the denouement! The dead of 76-year-old family patriarch and self-made millionaire Aristide Leonidès quickly turns into murder when it's discovered that his insulin got replaced by a lethal poison. Leonidès large and entire family, including a sexy young wife and a sister-in-law from his previous marriage, all live together at the immense family estate and, in familiar Agatha Christie style, each had a motive to murder the overbearing old man. His beloved granddaughter Sophie enlists the help of private detective, with whom she had a brief romantical history in Cairo, but he doesn't make a lot of progress in unmasking the culprit.

For people who aren't as obsessed with Agatha Christie than me, "Crooked House" is perhaps slightly overlong and admittedly it takes too long before the second obligatory incident occurs. Meanwhile, however, there are many great dialogues and a continuously mounting suspense to enjoy. The young cast members (Max Irons, Stefanie Martini, Honor Kneafsey) do a more than adequate job, and it's always a pleasure to see some veterans, like Glenn Close, Terence Stamp and Julian Sands.

As a Christie fan who was not familiar with this particular story, this feels much bleaker than the average novel by Dame Agatha.

It's a competent whodunit, well-cast, well-performed. The second act feels a little slow, all the more because nearly every character is sour, bitter and miserable; they lack a certain variety in tone which could have made the dialogue more lively.

Still, it's a solid effort and I was genuinely surprised by the denouement, which I won't spoil.

6,5/10

Agatha Christie's "Crooked House" is a gripping tale that will keep you at the edge of your seats most of the time. Only most of the time because the film is oddly paced, moving either too fast or too slow. However, this is compensated for by the captivating performances of the talented cast members and the elaborate mystery that Agatha Christie herself considered one of her personal favorites. I was a bit disappointed by the detective Charles Hayward because his character was flat and static although the flashbacks offered potential. He was also nothing more than a device used to let the audience into the dysfunctional family's lives. Unlike Poirot, he was unable to reach conclusions without having them shoved into his face. I still thoroughly enjoyed the film and would recommend it to anyone who has not read the book. Knowing the twist could diminish the charm of the movie.

Great cast, excelllent plot, and an unexpected ending. Add in a very good script and perfect scenery. From my experience it's one of Agatha Christie's best. My only two concerns were that the volume of the sound rose to ear piercing levels when any music came on, and there were so many characters that I sometimes got confused as to who was married to who and the relationships between them.

If you liked: Knives Out Murder on the Orient Express Ten Little Indians

This is a yet another modern film adaptation of Agatha Christie's mystery crime stories. Now, it isn't that I've never heard anything good about this film; I've actually never heard anything at all, which is surprising, considering how much I enjoyed it. A huge family house, a murder, everybody is a suspect - classic, what else do you want? I liked the story, I liked the cinematography and directing, and the acting was also ok; however, this film, like "Murder on the Orient Express"; which is also based on Agatha Christie, got very mediocre reviews; and I think I now understand why.

First reason is that I'm a bit too obsessed with detective stories so I might let everything except for the mystery elements slide because I'm so immersed in trying to guess the outcome myself. So, if the story is good, I don't notice anything else that might be bad, but that's only for detective films. Despite that, I did notice that the film kept tilting dangerously towards a melodrama, which I hate in any kind of movie that isn't a melodrama (my problem with Hitchcock's "Vertigo" as well); but overall it didn't seem too unnecessary and distracting. Another reason could be that most people who gave this film bad reviews, especially the critics, are actually familiar with Christie's work (I'm more of a Conan Doyle guy) and are comparing it to the novel rather than to other detective movies. So, for them, after a while "there is not a great deal happening plot-wise, with the programme not so much gripping us as drifting pleasantly by". Perhaps when you already know the outcome the adaptation itself isn't that great; although on the other hand once you've read the story first it's almost next to impossible to perceive it as a film and compare it to films; rather than to see it as an adaptation and compare it to the book; so I don't blame them.

I enjoyed it a lot more than "Orient Express", and it was the first film that was very similar to "Knives Out" (which I loved), so it is a film I recommend; especially if you know nothing about the story.