Fasle kargadan

While no one doubts the magnificent cinematography, there is much more about this brilliant masterpiece comparable to the works of great masters such as Angelopoulos. Although the movie events happen in Iran, they are all about universal themes such as love, jealousy, destruction and the desperate search to discover the meaning of the Being.

The Iranian revolution and its destructive impact upon the society, the pandemic injustice that the revolution promised to end but did not and yet exacerbated, the hostile environment and its impact upon the afflicted families, are all depicted with rigor and with poetic images, rather than with cliché dialog and rhetoric. The movie manages to keep an appropriate pace letting the scenes find their desired depth and yet avoiding boredom, and the performances are brilliant. What more would you expect from a movie anyway than to show you innovative images and to share a new kind of experience with you, which you would have had to pay a great price to experience it first hand? A master piece 10/10.

Presented by Martin Scorsese, 'Rhino Season' is the 6th full-length film by Bahman Ghobadi. Following his success with 'No One Knows About the Persian Cats' which earned him international recognition, Ghobadi's first non-Iranian production features an international cast. Old-timer Iranian Superstar, Behrouz Vosoughi returns to the screen after more than 20 years off the grid. He is joined by Italian Femme Fetale Monica Belucci, and a number of Prominent Turkish Actors and Actresses, namely Yilmaz Erdogan.

Shot entirely in Turkey, the movie follows the ordeals of Sahel, a Kurdish-Iranian Poet, whose poems were misconstrued by the post-revolution regime of Iran as political, and landed him in Jail for 30 Years. After he is released from Jail, he travels to Turkey in search of his wife (played by Monicca Belucci) who is now remarried.

It's loosely based on a true story, and the movie paints a realistic picture of a post-revolution Iran, in the hands of the vengeful servants of the Shah regime. Even Sahel's jail sentence is revealed to have had little to do with his poetry.

The movie's primary language is Farsi, but there is little dialog going on altogether. Monica Belucci speaks a few lines of Farsi quite decently, but Yilmaz Erdogan doesn't do a great job. Obviously the reason behind his wasn't his Farsi-Speaking skills, but the fact that no Iranian actor hoping to keep his permission to act inside Iran, would ever consider doing a movie that depicts a half-naked Belucci. Behrouz Vosoughi's role has even less dialog, and mostly consists of smoking a cigarette in various gorgeous scenery.

The locations were chosen brilliantly, and the camera work is exceptional. Several scenes in the movie are shot solely for the purpose of accompanying an off-camera poetry recital, and are perhaps of great appeal to poetry lovers.

Other than that, the story unravels with a slow pace, and leaves the ending entirely up to the viewer. The acting is decent minus the Farsi accents, and the Soundtrack, while minimal, creates an appropriate atmosphere. If you enjoyed most of Ghobadi's work, you will enjoy this one too, but most people can agree that it's not his best. Nothing is particularly wrong with this movie, but nothing is particularly right either.

This is a masterpiece, much is written before me by a friend from UK. It now falls in the coveted list that i possess of , ashes and snow, the fountain, book 1, tree of life, outside Satan, and much much much more for that if you have reached till here and found me and are hungry for true art then ping me on abhinavsaxena31@gmail.com . This movie is perfect do you understand cinematography coupled with aesthetics and a gloom of lost love, waiting and patience.This has it all. I am no fan of poetry but this piece it is visual poetry. I am in love with this work unfortunately there is not much cinema from this geography in India and i only get it from net. I want to watch more work like this and i guess even the director will agree what he made is heavenly. Watch it again when you feel like. The poetry is the soul. Its a sublime fabric of mystic understanding of creative life. there is a horse which enters a car window, there are turtles there is some sex which will leave you ever smitten because it is m.b the goddess herself. all in all there is no message of god here but pure art... Cheers to creative flame of life

My country ravaged by a bunch of sadists. Everything that happens to me & millions of others. Have been living in Exile for 35 years. Lives destroyed, a generation displaced & destroyed by mullahs. Too much pain & misery

There are so many fascinating and compelling aspects to this movie which I have now watched twice.

First of all, it has nothing to do with Rhinos or indeed with Martin Scorcese. It says he presents the movie, whatever that means. He is no way involved with the directing of this movie which is directed by a man named Bahman Ghobadi who left his native Iran in 2010 and has never returned.

This is a love-triangle, a husband and wife and a third party (the driver)centred not so much around the poetry of the husband but around the fixations of love of the driver for the wife and its consequences over a 30 year period. Ghobadi has publicly stated that if he were in the shoes of Sahel, he could not tell his wife he was still alive after 30 years if she believed him to be dead.

This is a far more meaningful film than 'Argo' in reference to the 1979 Iranian Revolution and its aftermath but I do not think the film is really about that, it is not a political movie in any way though politics played its part in the storyline.

You will want to watch the film more than once for sure - to ponder who is/was the father of the two young girls, did Sahel really sleep with one of them, how come Sahel could not recognize the man who was Mina's driver, the marvellous short scene when leeches were used to suck blood from Sahel and his associates, the prison sex scenes, the turtles scene, and what pact, if any, was horrifyingly agreed between Sahel and the driver towards the end.

Bear in mind this that whereas 'Argo' was a Hollywood blockbuster produced with a huge budget,'Rhino Season' was not, an independent production on low budget and to such degree that none of the actors involved, including Monica Bellucci, were paid for their work.

The participation in the film of Monica Bellucci and of the man who played Sahel is remarkable in itself. Sahel's Actor, Behrouz Vossoughi, is himself a man in exile for more than 30 years. He barely if ever speaks in this movie but his acting is evocative enough.

I still wonder who Mina was meeting and the boy who rode the motor cycle, the same boy Sahel played a game with in the Cafe.

It is not clear why the film is called 'Rhino Season' but there are clues throughout for the viewer to make up their own mind. Alas, Persian Cats and Turtles in two previous films is indicative of the mindset of a Director who loves animals more than people (so he apparently said anyway.

'Not without my Daughter' was a while back and 'A Separation' was another Iranian movie worthy of praise. This movie is something else. It is no blockbuster but it is beautifully filmed and directed, well acted and produced and in my opinion it is a mastercraft of a movie. It is such a pity that the movie has not been exposed to a wider audience.

I do wonder who the movie is aimed at. Most people outside of Iran have perhaps never heard of the Iranian Poet Sahel Fauzan and know little if anything about the 1979 Iranian Revolution. Even if they have heard of him, they know nothing of his poetry and will not readily relate reference to the title 'Rhino Season'. People in Iran will not be able to watch it inside their own country. Perhaps only Muslims or anyone associated with Islamic culture will truly understand the ultimate message of the film.

Yes, it is a slow, boring movie but that should not belie the fact that everything about this movie is of the highest standard and do not always judge a book by its cover.