End of Watch - Tolleranza zero

This is hands down the best cop movie i have ever seen, nothing depicted here is new, gangs, money, drugs, torture, cops, death, etc...it is the way that its depicted that makes it stand out, the last time that these issues were well shown was in SHIELD. Jake gives his best performance yet, he really does stand out all the way till the end him and his partner play amazing cops. You really feel the intensity and reality of thee life of a cop shown through Jake's recordings, its just amazing how it all feels so real...you will not regret watching this film if you can handle it that is... This movie will keep you glued to the seat till the very end. End of watch was a great watch.

The script is so well written, it almost hurts. Almost because it is really just good! And I loved the fact, that it got recognized in America too (at the Box office, it did open at Number 1). While I won't go into the story, the casting of Jake and his partner couldn't have been better. It feels like the guys know each other their whole life. Their interactions with social media and "real" life feel ... well real. Nothing in this movie feels like it is staged for entertainment purposes nor does the dialogue sound fake.

I did write drama, but there is also quite a bit of action in this one. The hand-held approach to some of the scenes does not take anything away from them, it actually heightens the experience most of the time. Of course as an Anna Kendrick fan, I would've loved to see more of her in the movie, but it does belong to our two "heroes" and what they are going through. It's nice to see a movie that keeps in touch with current events, have the courage and the quality to bring that "cop" experience on screen

Unlike many of the current crop of macho cop dramas, End of Watch plays mainly to the grit of the daily challenges of patrolling the mean streets of South Central LA in the "Shootin' Newton" division. Unlike the stunning LA Confidential, with a historical story line, End of Watch is done in the cinema ver'ite' style - in a realistic real cops on duty in the LA war zone frame. The casting in this movie is picture perfect, with each actor giving in depth performances.The story line brings the Mexican / US drug problem into crystal clarity. Initially, the story fails to coalesce, and the video cam work is a bit disjointed and over done at the outset, but once you settle in to cinematic method, the film gets a hold on you. Definitely a movie for any law enforcement aficionados collection.

Most cop movies live or die by the chemistry between the leads. End of Watch features excellent chemistry between Gyllenhaal and Pena, which elevates the film a notch above the typical cop drama. The found-footage style of filmmaking works pretty well for police movies in that it adds a grittiness necessary to realistically represent the story. There are plenty of tense moments and thrilling sequences to satisfy any action junkie, but the moments focusing on the characters and their lives is where End of Watch shines. The point of this film is to portray a realistic life as a police officer in the LA ghetto and the film definitely succeeds in that regard.

If I were to pitch you a movie about two police officers who are partners on patrol in South Central Los Angeles, one of your first inclinations might be "not another buddy copy comedy." While "End of Watch" is often funny, the newest film from "Training Day" writer David Ayer, is no comedy.

Ayer, who spent a lot of time in South Central, takes the found footage approach to his latest film featuring the LAPD in the spirit of modern trends and perhaps the show "Cops."

It's hard to tell if Ayer's exaggerating, but a lot of dangerous stuff happens to Taylor (Jake Gyllenhaal) and Zavala (Michael Pena) despite being beat cops. So much so that they get involved with the wrong Mexican gang, and their attempts to go above and beyond to protect and serve put them in the line of fire.

Gyllenhaal and Pena have incredible chemistry as two cops who are best friends as well as partners. They epitomize the modern "bromance" in a number of ways, joking around, giving each other a hard time, offering love/dating advice with hyper-masculine sarcasm, etc. Ayer takes time to show these men out of their blues frequently to humanize them in a critical way. On the job, they are often cocky, proud and reckless, pushing the line of appropriate police behavior and protocol. They jump back and forth between making laudable, responsible choices and borderline police brutality.

The portrait that this paints of law enforcement feels so much more authentic than we're normally treated to in cop films and police procedurals on television. They are heroes and good, honorable men, but that doesn't make them beacons of morality. No matter how much you believe in the quickly escalating plot of "End of Watch," there's no disagreement to be had over the authenticity of the characters and the environment they operate in.

Although we do get independent "episodes" in which Taylor and Zavala respond to calls and find more than they bargained for, there's a through-line involving a powerful Mexican drug cartel and the gang that enforces it. Ayer glamorizes these thugs a little bit, but it makes them formidable villains in the story. As things come to a boil, the realism of the film really unravels in favor of a more compelling, heart-pounding finale.

Ayer takes certain liberties with the found footage style as well. The premise involves Taylor filming everything for a school project or something. He has a hand-held camera but also cameras positioned in the squad car, and ones that clip onto their uniforms. The gangs also carry cameras around to film their violent escapades. At times, however, we can't tell who is supposed to be holding the camera — like when Taylor starts making out with his girlfriend, Janet (Anna Kendrick). Neither is holding the camera, so that's a bit strange.

Still, that filmmaking style does more good than harm to the film. Say what you will about the found footage trend, but this is an appropriate example that really works. The extra layer of realism and authenticity that the technique gives to a film really goes miles in favor of "End of Watch."

Humor is an unexpected benefit of this film as well. Michael Pena has failed to be funny in films including "Tower Heist" and "30 Minutes or Less," but he succeeds in territory that blends it with the dramatic in this very organic way. It would be impressive if most of the dialogue in this film, at least between him and Gyllenhaal, weren't improvised given how natural it flows.

It sounds like a stretch to consider this one of the better acted films of the year, but Gyllenhaal and Pena should've been considered for awards contention. The nature of found footage detracts from what we tend to associate with/look for in an Oscar-worthy performance. We expect authenticity from found footage and only comment when it goes poorly, not when it's done exceptionally well. Having seen enough films made in the found footage style, no other two actors have done better in this genre.

"End of Watch" offers an intense look at the life of L.A.'s finest and a harrowing portrait of life in the barrios and gang-ridden parts of L.A. Although exaggerated at crucial points, it shows what can happen when officers try and step out of their clearance level. At the least, it's one of the best films found footage has given us to date.

~Steven C

Thanks for reading! Visit moviemusereviews.com for more