End of Watch - Tolleranza zero

This was a real unique journey in drama. A mix of studio camera and innovative character cameras interwoven with the story. Casting brought two very strong actors together and their chemistry was right on target. The plot was simple but the ingredient that put this film over the top was realism and believability. Yes it is very raw and if I got a dollar for every "F-bomb" I could by a home in Malibu for sure. Realism is the main course and this film would not lose it's true identity. I found what really put this movie in the must see category is that ...One minute your laughing and the next you're crying. There are very few films that can achieve this element with this level of quality. This is, without a doubt, one of the very best films of the year.

Unlike many of the current crop of macho cop dramas, End of Watch plays mainly to the grit of the daily challenges of patrolling the mean streets of South Central LA in the "Shootin' Newton" division. Unlike the stunning LA Confidential, with a historical story line, End of Watch is done in the cinema ver'ite' style - in a realistic real cops on duty in the LA war zone frame. The casting in this movie is picture perfect, with each actor giving in depth performances.The story line brings the Mexican / US drug problem into crystal clarity. Initially, the story fails to coalesce, and the video cam work is a bit disjointed and over done at the outset, but once you settle in to cinematic method, the film gets a hold on you. Definitely a movie for any law enforcement aficionados collection.

If you want to be at the edge of your seat the entire movie you should definitely watch this. I went to a screening a long time ago so the scenes may have changed a bit and maybe made a bit easier on the viewer but the version we saw was absolutely AMAZING movie. The story grips you all along and drags you without giving you a moment to look away from the screen. If you like intense movies like Crash, Stuck or Drive then this is for you.

Everyone applauded after the movie finished at the screening. The story is just so real and so intense that makes your hair stand straight.

The good thing is that from the first second you get into the movie until the very end. Its a story of love and intense action combined that is real not superficial. Its something that could be happening right now in your neighborhood.

The script is so well written, it almost hurts. Almost because it is really just good! And I loved the fact, that it got recognized in America too (at the Box office, it did open at Number 1). While I won't go into the story, the casting of Jake and his partner couldn't have been better. It feels like the guys know each other their whole life. Their interactions with social media and "real" life feel ... well real. Nothing in this movie feels like it is staged for entertainment purposes nor does the dialogue sound fake.

I did write drama, but there is also quite a bit of action in this one. The hand-held approach to some of the scenes does not take anything away from them, it actually heightens the experience most of the time. Of course as an Anna Kendrick fan, I would've loved to see more of her in the movie, but it does belong to our two "heroes" and what they are going through. It's nice to see a movie that keeps in touch with current events, have the courage and the quality to bring that "cop" experience on screen

When I actually sit down and think about it, there aren't many good movies about your average, every day police officer. There are a couple notable television series', like "Hill Street Blues" and the now dated but oddly fascinating reality series "Cops", but on film, these guys don't get a lot of luck. I guess everyone would rather see movies about undercover officers or detectives. Well for anyone like me who's been waiting for it, here it is. End Of Watch, an excellent take on the genre. It may not be perfect, but it's unique and shows the day to day life more effectively than most if any cop movies I've seen, and as such I think it will one day be essential viewing for fans of the genre.

In the film we meet Brian Taylor, an ex-marine working as a police officer while he works his way through law school. He also just so happens to be taking a class in filmmaking and is filming his experiences to make a documentary for said class, and this is where we get much of our view into the film from. Featured frequently in the film is his partner Mike, often called Z. After stumbling upon a drug-lord at a routine traffic stop, they quickly fall into trouble with the cartel and have to fight their way through it while still trying to figure out where it's all coming from.

The great thing about this mockumentary/found footage style isn't so much the way it's able to present the action of being a cop realistically (which it does but so do normally shot movies), but it better gives us an understanding of what happens inbetween the action. Being a fly on the wall in the various dull, inappropriate, and often times hilarious conversations the two have when patrolling brings the film a much needed dose of comic relief, but the kind that never feels forced. It's all set up naturally. This really gives a chance for stars Jake Gyllenhaal and Michael Pena to shine as well as they fit so naturally into these characters, often sounding unscripted whether or not they are. They play them as regular guys instead of complex characters which may make them a little less compelling, but all the more fun to watch.

The film also mixes in a variety of other video sources from the dashboard cams of the police cruisers to security cameras. This really benefits the style as a whole. 99% of the time, using the self-shot, found footage for an entire film can come off as gimmicky and unnecessary, but by using a variety of sources the director is able to keep the realistic tone consistent while downplaying the gimmick idea and instead choosing to use Brian's self shot footage and monologues to the camera only when they prove most effective to the story.

Along the way the film is also interspersed with subplots of Brian meeting his new girl Janet, played by Anna Kendrick who makes a memorable impression despite her little screen time, as well as Z and his wife having a baby. While I find it hard to really complain about Anna Kendrick (she's just so damn cute! And she looked stunning on stage introducing the film), these subplots, while important for character development, are thrown in a little too randomly throughout and mess with the overall flow of the film. It's not a huge complaint as I've seen it done worse in other movies, but it could've been solved with some tighter editing. But who knows, this was the premiere I saw, studios still often tweak movies before wide-release.

Fortunately for writer/director David Ayer, this is really the only complaint I have about the film. The entire movie is fairly well written. I did find the dialogue of a lot of the street thugs to be cliché and racially stereotypical, but the things Brian and Z say are priceless throughout and help you deal with a lot of the more serious scenes, and there are quite a few of them. For as entertaining and light-hearted as it is at times, End Of Watch has many dark, brutally violent, and emotionally impacting scenes that are not for the feint of heart. They do ultimately seem necessary though as the film needs action to keep it going, and to create the realistic document of day to day police life it's trying to create, which does get pretty brutal sometimes despite the mostly mundane times in between. The important thing though is that the film is able to balance all of these moments so well.

David Ayer has dedicated what seems to be his whole career to police movies. Most are mediocre to bad (Street Kings), some are genre classics (Training Day), but I think End Of Watch is by far his finest. It easily has the most likable characters, and as such the most emotional involvement for the audience, which thus creates the most tension in the high risk, action scenes. It has the most believable story of any of his movies, or most cop movies for that matter, and lastly it just told in an interesting way. Neither the cop story, found footage action or fly on the wall comedy genres are anything new, but End of Watch takes old ideas and fits them together to make something interesting.

In conclusion, it's tough to go wrong with End Of Watch if you're a fan of the genre. Even if you're not particularly fond of cop movies, I'd still recommend it. It's a highly entertaining, tension filled ride of a movie. It may not be as deep as some other movies coming out now, but it really brings you into another world well. It's well written, well directed, well acted, and was well enjoyed by the whole crowd. Check it out.