Qodrat

What is happening with asian movies? Nothing original anymore. The plot, the acting, the make up, even the music seemed to be plainly plagiarised from the western horror movies such as 'the nun', 'exorcism of god' and 'the exorcist'. The only difference, it was fitted with things familiar in Islam such as 'syahadah' & of course, verses from Quran to make the movie looks 'asian' or 'islamic'.

I'll watch the movie if it was played free... But don't expect me to go to cinema and spent several bucks on the movie.

Acting was good i guess. But Qodrat appearance as an ustadz was not appealing. Overall i give this movie a score of 5.

Hi. I'm Chris, and I'm an old white dude that likes horror movies.

I caught this on a whim on Amazon and was pleasantly surprised. There's a fair amount going on here. Moral quandary, the clergy and power, all done in a very space yet entertaining. The jump scares are reasonably well done, there's some solid CGI and the addition of martial arts that comes here and there a bit out of nowhere was, to be honest, kinda cool. Not second rate stuff, either.

I've seen some remarks about accuracy to the Islamic faith and - seriously? It's an exorcism movie. As a theologian I'd love to sit down with you and your favourite Christian exorcism movie and I'll have some notes. You will have to wait for me to stop laughing, however.

It gives a stark, grim, taut view of the path of an exorcist and the corruption of faith. If you like horror flicks and possession movies in particular I can safely recommend this really interesting example of Indonesian Horror films.

Qodrat (2022) is an Indonesian horror film that masterfully blends exorcism with strong religious elements. Directed by Charles Gozali, the movie successfully creates a tense atmosphere through dark cinematography and chilling sound effects. Vino G. Bastian delivers an outstanding performance as a cleric who must confront an evil force terrorizing a village.

One of the film's strengths lies in its storytelling, which goes beyond mere horror and incorporates deep emotional layers. The main character is well-developed, allowing the audience to connect with his struggles. The exorcism scenes are executed effectively, building suspense without relying too heavily on jump scares.

The film also excels in visual effects and makeup, making the supernatural elements feel more realistic. The eerie background score enhances the tension throughout the movie.

However, Qodrat has a few weaknesses, such as some predictable horror tropes. Despite this, the film remains engaging, offering a unique experience with its religious undertones.

With strong performances, compelling cinematography, and effective horror elements, Qodrat earns a solid 8/10, cementing its place as a high-quality Indonesian horror film.

First of all, i never saw this much of action scenes in any horror film. The action scenes and the cinematography was great. For some moment i forgot that i was watching a horror film not a martial art film. The horror scenes were scary enough. But the i could not digest the action and horror and religion together. The storytelling was flawed. There were loopholes. But the film promises to have them cleared in the second Quodrat film. I wonder who would wait for that film. I laughted my lungs out after watching the ending. You can watch the film with freinds and cousins. It's a new kind of cinema.

If you're tired of the same old Indonesian horror filled with jump scares and ghost sightings, this film is a breath of fresh air. Those giving it low ratings are probably fans of lighter horror like horror comedies or rely too much on ghost sightings. But horror can come in many forms-including action horror-and this film proves it. Think Constantine, Dracula, or Hollywood-style zombie flicks: full of actions, intense, and entertaining.

The main character's background isn't fully explained, but not every story needs to start from zero and wrap up every detail. In fact, the mystery has potential to make another movie, and it turns out this film already has a sequel-so the unanswered questions can be explained later.

The storyline also feels more logical. For example, when a death occurs, there are legal consequences like imprisonment.

Possession scenes are handled thoughtfully, too. No need for dramatic ghost appearances-just the idea of a jinn (an invisible being) taking over a body is already disturbing. No need ghost visuals that ruin the tension.

In short, if you're looking for a horror film that's not typical, give this one a shot. It may not be perfect, but it's bold enough to break the formula-and that alone is worth watching.