Qualcosa nell'aria

An experimental coming of age drama that has a good story to tell, but lacks a narrative. Director Olivier Assayas undoubtedly has talent (Carlos), but this film is definitely a misstep in his career.

"Apres Mai", french for after may. Set after the May 68 riots and their immediate aftermath. Students keep protesting and then partying, sometimes they're complaining about how unjust everything is for them and other times they're in Italy getting high.

It starts out good with fast paced editing, a moving soundtrack, great cinematography and a couple of rebel students that made me feel like it was going to be something similar to "Carlos". The movie lost its direction after the first 30 minutes or so and wandered onto other less interesting themes like the hippie culture.

I'd recommend it to people who liked movies similar to "Not Fade Away", "The Dreamers", or "Summer Hours".

A miniature portrait of the student movement, that focuses around a group of few passionate youngsters.

They do not just want better rights and more acknowledgment; they are prepared to fight in order to get it. It feels the world is at a turning point and so are their lives. If they do not fight for a better world, then what is it all for?

The struggle begins full of zeal, passion and fervour. The time, being unforgiving to all, changes everything. The views of society change, ideals and lives. Through fighting, facing consequences and experimenting with free love and drugs our heroes find themselves facing new realities and challenges. The goal seem to have been achieved, what now? The existential question in everyone's minds.

Though low key, it has enough youthful energy that exhumes passion, inspiration that can stir the audience's thought process expecting from all of us to not lose sight of our ideals, the very thing that makes us human.

Almost 20 years later, Assays returns to his own adolescence, which he examined expertly in 1994's "Cold Water". As if to make it clear that he is coming full circle the main character (clearly based on Assayas himself), and one of the key supporting characters bear the same screen names as their counterparts in "Cold Water".

This grew on me considerably on 2nd viewing. Because I knew not to expect a straight- forward plot, but something much more episodic and tonal, I stopped focusing on the story, and took in all the details, and the mood. I found the film much funnier the second time, catching Assayas' gentle mocking of the over seriousness of these petite-bourgeois youth, at the same time that he captures the sad beauty in adolescence's naiveté and out sized passions.

"Something in the Air" focuses on politics, art and sex, taking place 3 years after the May 1968 riots, as the high school kids of that moment try to live in the spirit of revolution that was already starting to fade into factionalism (some of the film's best humor documents the absurdly intense rivalries between groups who mostly share common goals, and the insane parsing of every word and idea to examine if it was the 'right' thing to foment revolution).

There are some truly great sequences. An early scene of the kids battling the cops is exciting, raw and immersive. And there's a sequence at a party that's pretty breathtaking. Throughout, Assayas uses perfect music from the period, without using the same 6 songs every film about the late 60s/early 70s seem to fall back on. If the film isn't quite a masterpiece it is touching, funny and worthwhile work from one of the most interesting voices making films right now, one who can go from the near operatic "Carlos" to the quiet and intimate "Summer Hours", bringing each their own unique style. Assays is a true auteur, but he hasn't let that trap him into a single style or tone.

Great movie that does put you in the shoes of those 60 and 70's idealists and lets us contemplate the beauty of their existence, and I mean the kind of movie like Melancholia, which makes you feel things from such a different perspective. The movie does not deal directly with contemporary contradictions of idealism, but it is undeniable that this issue awakens in us when witnessing the characters strife for integrity. It somewhat scented like Spike Lee way of proposing a theme for me. It weaves some plots which are left in low key, just to draw our attention to what really matters for the narrator. We are dealing naive yet sophisticated people - which is the beautiful paradox of their being. I must say that I didn't like a pair of choices like that insertion of Laura when Gille is reading her letter in the subway. For me it breaks the harmony, it is kind of out of the blue solution - though it has its coherence, and, again reminds me of Spike Lee's Jungle Fever.

It's a fascinating period, late 60s France from the perspective of the student movement.

The violence of the police, the underground press, the graffiti, protests, the connection and disagreements with the other socialist groups, the independent cinema collectives.

With the backdrop of the music and art of that era.

What this film is really about though is wanting to support a cause but also trying to decide upon your own future. I think they pull this off well by following the characters individually rather than just when they are a group.

It's beautifully shot and in some very picturesque locations.

I think it is a very good film.