Vampire Family

First of all I must say that it is nice to have a vampire movie that is not tailor-made for a teenage girl audience with sparkly vampires and big hair. However, that being said, then I will flip the sword around and say that this vampire movie is far from being amongst the more interesting or appealing of vampire movies that I have seen.

The story is about a family of vampires who flee from USA after having made it to the news with a video of them killing humans. The vampires find themselves in England where they seek the help of another vampire family, but is blood thicker than water?

Having sat through "The Thompsons" now, I must say that I am filled with an overwhelming sensation of that this storyline was utterly and completely unnecessary. The story left no lasting impression on me, nor did it manage to rise above mediocrity in its concept and execution.

It should be said that the people in the movie were actually doing a great enough job with their given roles, though it is not award-worthy material here, far from it.

For a vampire movie, then there were surprisingly few effects in the movie. One good thing, and an interesting thing, about the movie, was that the vampires here were not immortal nor undead. So that was an interesting approach to the mythical vampire creature.

"The Thompsons" is the type of movie that you watch once, then shrug your shoulders and forget about the movie. It failed to make a lasting mark, despite having enough fangs to bite deeply with.

Forced on the run, a vampire clan arrives in London looking for help and recuperation only to find their hosts have far more diabolical plans in mind when they're captured and forced into a breeding program to ensure survival, putting the two families against each other.

Surprisingly, this turned out to be quite a decent enough vampire effort that does have some pretty enjoyable features about it. One of them is perhaps the most controversial of the film's changes, in how it deals with the vampires in here. Rather than being remorseless nocturnal bloodsuckers unsympathetic with humanity in the slightest, this one portrays two distinct differences that are rather unique: being a condition received at birth and thus being able to walk about in sunlight with no ill effects, and the second issue of having no real interest in humanity other than feeding time and being out and about without getting into the strange, rabid intensity around fresh meat. Here, they're given a little more of an ability to blend in with the rest of humanity and that's quite a fun option here as it goes against so much of what's known and given about the creatures in the folklore. While this change may not be for everyone, the fact that it's no excuse for how slow and uneventful the first half of this is really hard to take into account, which has the ever-familiar stamp of British class and restraint that makes nothing seem important to get worked up over and really drains this of its energy. That said, there's still some good parts here with some fine gore scenes from the multiple kills, a couple of outstanding action scenes coming from a multitude of brawls and gunfights, and a twisting, convoluted storyline that stays on-track throughout these twists and turns that keep this quite enjoyable though not entirely perfect.

Rated R: Graphic Language, Graphic Violence, Full Nudity and several sex scenes.

I quite enjoyed "The Hamiltons" of which "The Thompsons" is a kind of follow up, as they have fled away from th States to Europe, where they're up to no good.

They describe the difficult life of modern day vampires. With nowadays surveillance cameras it's not easy to get a drink of blood. After Running away from the US they go looking for their ancestors in Europe, from where Hamiltons origin, the Mandersons. And you could say that they find them. But the foreign visitors aren't politely received.

If you didn't know; you shouldn't be ashamed of being a vampire. In this film we get to know vampire life as the most common thing there is, being a vampire and a killer. And it's a disgrace to not be a real vampire.

It's a modern vampire story well told. The production values is once again very good. The Butcher Brothers knows how to tell their vampire stories, so that we almost start to believe them. It's gory, funny, disgusting and bloody, as a vampire slasher has too be. When the Butcher Brothers decide to do something really serious, they'll know how to do it.

However this story is told so disjointed and without any car, then it falls short from the original one. Too many stupid coincidences and plot holes makes this far off what it should have been. Sloppy, you could say. And that becomes boring and annoying.

You won't miss out if you stop watching this half ways, as the quality falls from there.

The only thing you miss out, is that they sympathetically drive off in an Audi S-line. A pity it'll have to be blood spattered...

This is not a real review, it should be taken more as a collection of impressions on the film.

Considering first of all that there are enough vampire films now and this is just the umpteenth but at least do it well, the film is very very mediocre and doesn't seem to commit, it seems like they simply wanted to make a vampire film because vampires usually sell but without adding anything else. The plot is very banal even if the plot twist isn't that bad and really surprised me, I dare say that this is the only positive thing about the film. However, we must also talk about the ending which is very far-fetched because it seems they wanted to hurry up and close the film and therefore made an ending that was a little too incongruent with the story just to give a happy ending to the events.

I'm reviewing this strictly as the sequel to The Hamiltons, which I did see first.

Ok, my hopes were dashed pretty quickly after witnessing 8 minutes of digital effects, digital blood, and digital fangs. Then the title card came up.

The story of The Thompsons revolves around the same character as in the first movie, and that would be Francis. Only now, he is this assertive, brooding, badass? Talk about a 180. I was assuming this movie would pick up where the last one left off, as the ending to The Hamiltons screamed "there's more coming!" Nope, this one starts off in England, and primarily takes place there, but the family has splintered (er, just hiding out) to different regions of the world.

What follows is a whole bunch of timeline shifting. 2012. How popular was Quentin Tarantino in 2012? I would say he's the master of interweaving timelines. Here, in The Thompsons, it comes off as really unnecessary.

The crux of this movie is intriguing. Francis is sent to England only with a name and a town, to try and track down an ancient vampire clan, and maybe find some place that they can call home. Oh, they're real hospitable. And this is where it gets predictable. Wait, Francis was in a box... Damn you timeline! What is interesting, is that these particular, more powerful, vampires descended directly from the Thompson/Hamilton bloodline. Now, why it was crucial to breed with the Thompson's (weaker) daughter, did not make any sense to me (well, she is real foxy...). There is a good twist at the end, when David shows up in England with their dying youngest.

Do you need to see The Hamiltons first to enjoy this movie? Besides the fact that The Hamiltons is a superior movie, especially with character depth, the answer is absolutely not. Their entire story is rehashed, through a series of flashbacks and voiceovers in The Thompsons. One thing I really enjoy in sequels, are all the "references" that you can only pick up on only by seeing the original. No such luck here.