VALUTAZIONE IMDb
7,0/10
3590
LA TUA VALUTAZIONE
Un dramma incentrato sulla relazione tra due giovani uomini, mentre uno di loro affronta le difficoltà della vita da uomo transgender.Un dramma incentrato sulla relazione tra due giovani uomini, mentre uno di loro affronta le difficoltà della vita da uomo transgender.Un dramma incentrato sulla relazione tra due giovani uomini, mentre uno di loro affronta le difficoltà della vita da uomo transgender.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 3 candidature totali
Max Befort
- Fabio
- (as Maximilian Befort)
Mira Benser
- Pflegemädchen 1
- (as Mira H. Benser)
Julia E. Lenska
- Blondie
- (as Julia Schäfle)
Michael N. Kuehl
- Typ auf Party
- (as Michael Kühl)
Recensioni in evidenza
10nnenok
I've literally just returned from the screening of this movie and it's in my opinion one of the best titles out there dealing with the topic of transsexuality and even homosexuality.
What is important and what this movie does so well, is dealing with the topic so problematic for any transgendered person that was ever attracted to someone of the same gender; which is, how to explain to others that being attracted to a woman doesn't make you a man - but feeling like a man does. Rick Okon does an amazing job - up to googling him I couldn't find out whether he is male or female in real life (the perfectly done breasts confused me) and I'm ashamed that I was focusing on this so much because it just shows once more how binary-minded we are about sex and gender, even though this topic is personal to me. However - for not being transgendered himself, the actor really gets the pain, the frustration, everything that is behind the feeling of not fitting in such a basic category system.
I was also pleased with the development of other characters. In a love story, a view-point (and actually the whole life) of someone's best friend can get easily overlooked and I like how they dealt with it. The role of Fabio was also great and the scene with the trans-girl singing was just beautiful.
Basically, if this movie would go on for another two hours, I would keep staring.
What is important and what this movie does so well, is dealing with the topic so problematic for any transgendered person that was ever attracted to someone of the same gender; which is, how to explain to others that being attracted to a woman doesn't make you a man - but feeling like a man does. Rick Okon does an amazing job - up to googling him I couldn't find out whether he is male or female in real life (the perfectly done breasts confused me) and I'm ashamed that I was focusing on this so much because it just shows once more how binary-minded we are about sex and gender, even though this topic is personal to me. However - for not being transgendered himself, the actor really gets the pain, the frustration, everything that is behind the feeling of not fitting in such a basic category system.
I was also pleased with the development of other characters. In a love story, a view-point (and actually the whole life) of someone's best friend can get easily overlooked and I like how they dealt with it. The role of Fabio was also great and the scene with the trans-girl singing was just beautiful.
Basically, if this movie would go on for another two hours, I would keep staring.
Pleasantly surprised. Wonderful movie that may help one understand and clarify the concept of gender/sexual identity and sexual attraction/orientation; and how the one is not the same as the other.
Wonderful, sweet and enjoyable movie. Rick Okon is great!
Wonderful, sweet and enjoyable movie. Rick Okon is great!
I liked this movie, but casting Rick Okon as Lukas was a serious problem for me. I never for one second believed he was or had ever been female, so I couldn't help relating to that character as a man and only a man.
It's a sharp contrast to the casting 15 years ago of Steven Mackintosh in the mirror-image role of Kim in Different for Girls. Kim is a transgendered male-to-female, and Mackintosh is SO believable as a woman that I had to do considerable research to ascertain that the actor himself wasn't transgendered. He wasn't, and, in fact, he doesn't look the least bit feminine in real life, which makes his casting as Kim all the more remarkable.
Romeos is a pretty good movie anyway, but it doesn't depict the transgender experiences of the character as successfully as it does his experiences as a man. The movie would have been better with someone else cast as Lukas or if Lukas had just been a gay man, which is how he comes across anyway.
In order to make sense of the character Okon was portraying, I had to ignore all the transgender issues, which simply were absurd for that entirely male character, and I'm sure that's not what the director intended.
It's a sharp contrast to the casting 15 years ago of Steven Mackintosh in the mirror-image role of Kim in Different for Girls. Kim is a transgendered male-to-female, and Mackintosh is SO believable as a woman that I had to do considerable research to ascertain that the actor himself wasn't transgendered. He wasn't, and, in fact, he doesn't look the least bit feminine in real life, which makes his casting as Kim all the more remarkable.
Romeos is a pretty good movie anyway, but it doesn't depict the transgender experiences of the character as successfully as it does his experiences as a man. The movie would have been better with someone else cast as Lukas or if Lukas had just been a gay man, which is how he comes across anyway.
In order to make sense of the character Okon was portraying, I had to ignore all the transgender issues, which simply were absurd for that entirely male character, and I'm sure that's not what the director intended.
It is becoming really scarce that an indie film has this kind of execution. Good actors, good dialogue, a plot that is like nothing else you've seen. The movie focuses on the identity crisis of a trans person, but then it shows you that the identity crisis, often isn't coming from the person themselves (they're actually pretty sure of what gender they belong to) but its the world who has the real crisis, the people around you, friends, family who are supposed to support you. The way the main character keeps fighting to find his place, it was heartbreaking and just really touching. We see the transformation too, and its just brilliant. I was completely amazed.
...not only for delicate subject. But for delicate use of it. Because, scene by scene, it becomes a parable. Or just a poem. A young man. A relation. And a secret. Defining the others more than him. A film about a form of survive. And about the need to be yourself. And, sure, about the courage. It is not easy or fair to write about it. Because it is different and defined more by nuances. And, sure, because to see it is the basic way for discover the profound moving confession about yourself and the others and the borders betweem that. Short, a brave film. In so nuanced way.
Lo sapevi?
- QuizThe film was first rated for ages 16+ in Germany arguing it would cause disorientation in sexual identity. After a public outcry the FSK (German rating system) apologized and the film was rated 12+.
- BlooperBetween 1:12 and 1:13, when Lukas is cleaning his room, you see the red "z" with it's dot above (like an upside-down question mark) on the balcony screen. When Fabio sits down on the window sill, the "z" has disappeared (only the dot stays), and it appears again afterwards.
- Colonne sonoreI Am a Poor Wayfaring Stranger
Performed by Andreas Scholl
Arranged by Craig Leon
(C) Universal Music Publishing
Courtesy of Decca Music Group
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- Romeo a Romeo
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