Rascals

I just cant imagine how anybody can make movie this much bad, No story, Lame jokes, Unreal situations. The humor in Rascals is too loud and often unfunny while Kangna Ranaut is too hysterical and dumb-headed to evoke all the trouble and attention. Okay, so dumbness can be excused in Bollywood comedies which ostensibly revel in low IQ gags. Complete waste of time and money. All Sanjay Dutt and Ajay Devgan do in the movie is just stick to Kangana Ranaut. Movie reminds me of Deewana Mastana (which was much more superior as compared to Rascals) On the flip side, in the second half, there are some unnecessary sequences that only add to the length in this over the top comedy.

A word of advice to Kangna. Stick to serious roles and stay away from comedy.

The story is really bad and nonsense. Yes, I know these kind of movies are supposed to be light-hearted and fun and not make much sense too but come on!

The comedy part is not funny at all (a man pretending to be blind looking at a girl change her clothes = comedy in this movie). Comedy nowadays in Bollywood means vulgarity and cheap jokes. Where are those good old funny movies which actually made you laugh. And pairing Sanjay Dutt with Kangana; seriously? Kangana was trying really hard to be funny but in vain. Ajay is okay.

Only good part (very little though) was Arjun Rampal's guest appearance. That's it. DOn't watch the movie (atleast not in a hall). Awful!!

RascalsMore Pics David Dhawan was the pioneer of the farcical films genre with the kind of comedies he made through the 90s. However mindless his films might have been, it still had an inherent sense of humour and assured a few good laughs. Sadly, in the subsequent decade, all he served in the name of stress-free slapsticks is noise and commotion. While we aren't demanding that the filmmaker upgrade with times, all we expect is that the one-time king of comedy merely maintain his original brand of humour. Is that asking for too much?

Rascals is what one can call a 'vacation' filmmaking stint where everyone works on the film as if they were on a 'holiday' and the audience is expected to 'leave' their senses behind. The actors make least efforts to add conviction to their performances and the patchy writing just allows them to play as they please. Invariably the director tries to camouflage the shallowness in the story by adding depth only in the decibel levels of the dialogue delivery.

So you have conmen Chetan (Sanjay Dutt) and Bhagat (Ajay Devgn) in one- upmanship game to win the girl (Kangana Ranaut) loaded with assets (both financial and physical). It's never clear what they love more - her body or her bank-balance. And their lecherous rivalry only seems to be about who would get to hug the cleavage-popping girl more number of times.

One-upmanship has been a popular plot for several comedies since the times of Amitabh Bachchan - Shashi Kapoor's Do Aur Do Paanch (1980). Even David Dhawan had smartly handled the concept in his earlier comedies like Govinda-Anil Kapoor's Deewana Mastana (1997) and Akshay- Salman's Mujhse Shaadi Karogi (2004). Unfortunately it doesn't quite work this time, primarily because Kangana Ranaut doesn't share any chemistry with either men and so their persistent pursuit to get the girl falls flat.

Also thanks to the dull camaraderie, the viewer never really bothers which hero would actually win the heroine in the end. Thereby the small surprise in the climax (no, there isn't a cameo by a third hero) also doesn't register much. The storytelling in the animated title credits is more appealing than the conventional narrative structure.

While one has already left logic behind, the problem is that Yunus Sejawal's screenplay is inconsistent, convenient and uneventful. It lacks the imagination or wit for some real exciting clash between the male leads. One can easily see through most of the worn-out gags. Sanjay Chhel's synchronized rhyming dialogues are occasionally funny but seem forced otherwise. You laugh more on the corniness of the scenes than the comedy per se.

The tone of humour is consistently loud and commotional. Expectedly Ajay Devgn keeps screaming most of the time and hams outrageously. Sanjay Dutt is better in comparison, which isn't saying much. He gets the funnier lines, gags and scenes. Kangana Ranaut is ill at ease in comedy. She struggles to hold her own and emerges as a bimbo in her act. Lisa Haydon is merely employed to look hot and she does a fair job at it. Hiten Paintel is used as an add-on and his presence in the film is immaterial. Satish Kaushik attempts to induce few laughs with his gibberish brand comedy. Bharti Achrekar gets no scope. Chunky Pandey overacts. Arjun Rampal has pretty much nothing to do.

Rascals ends up being a silly and stupid comedy!

Rascals directed by David Dhawan is just abysmal,boring,cheap,vulgar and offensive.

Talented actors like Ajay Devgn(Singham:2011),Arjun Rampal(Ra.One:2011,Kangana Ranaut(Tanu Weds Manu:2011)and Sanjay Dutt(Munnabhai series) have been wasted in this movie.

There is not even a single joke that will make you laugh.Some jokes in the first and second hour to the extent will make you smile! What makes me give this hopeless movie 2 stars is for Arjun Rampal and Kangana Ranaut.Arjun Rampal shines in the movie as Anthony Gonzalves and Kangana looks fresh! Story:-Chetan Chauhan (Sanjay Dutt) and Bhagat Bhosle (Ajay Devgn) are petty thieves who have run from India to Bangkok.In Bangkok,they plan to loot a rich girl Khushi (Kangana Ranaut).Both try to upstage each other in wooing her.While in India,Anthony Gonzalves (Arjun Rampal),is searching for Chetan and Bhagat since they have looted him of his car and money.

The comedy scenes are offensive and cheap.

David Dhawan known as King of Comedy movies,should now be known King of Cheap Comedies.(earlier being Do Knot Disturb) The dialogs are unfunny.

The music is average.

The story is nothing to talk about.

Sanjay Dutt and Ajay Devgn are disappointing.Kangana Ranaut is cute and fresh-looking.Arjun Rampal is the best of all.Chunky Pandey and Satish Kaushik are saddening.

All in all,Rascals is a disaster!

David Dhawan directing a film called RASCALS with Sanjay Dutt and Ajay Devgan in comic roles was indeed a promising news. The promos looked good and few songs were also being noticed. But this was the scenario only before the release of the film and now after watching it I have a completely different story to tell quite sadly.

In the past, David Dhawan has been accused many times of copying from both the Foreign as well as our own Indian movies. Plus he was also into using the double meaning dialogues and songs to win over his viewers in those successful years of films featuring Govinda and Karishma Kapoor. Unfortunately in his latest venture too, David doesn't move away from his same old overused path and continues to use both these formulas in RASCALS in a rather disappointing way.

Firstly, writing his extremely weak storyline, the director and his writers take all their inspiration from an English Classic "Bedtime Story" (1964) which also revolves around two con-men trying to fool a rich lady and which was again remade as "Dirty Rotten Scoudrels" in 1988. Adding his own contribution in the script, David changes a wheel chair ridden imposter (in the Original films) into a fake blind man (Ajay Devgan) in RASCALS. But then later on strangely returns to the wheel chaired man again in the end as a loyal follower of the original. Interestingly this same plot and many similar sequences were earlier copied by Bollywood in three films namely, "Johar Mehmood in Hongkong" (1971), "Khel" (1992) and then partially in the famous "Andaz Apna Apna" (1994).

Secondly this time, David goes even further in using the double meaning dialogues along with a lot of skin show by both Kangna and Lisa in the film. In fact, the sequences and dialogues used in these particular sequences even surpass all his previous films and can be easily termed as 'Vulgar', which usually work in the smaller centers.

The film starts off well with a better first half but in the later reels it gives you many unwanted boring scenes like the one in the deserted church with Satish Kaushik. So, with very few enjoyable comedy sequences, RASCALS is not able to deliver as per the expectations raised by all the talented names in its team. David stumbles several times in his script and direction. Soundtrack only gives you few catchy double meaning raunchy numbers as usual. The ladies are only there to shed off their clothes just at the word "Go". The supporting cast continuously hams in their badly written roles. And the leading heroes tend to shout more than act in the whole film. Though both Ajay and Sanjay have successfully played many comical characters in their recent films, but the same cannot be said for RASCALS.

In short David Dhawan's new madcap entertainer is surely mad but strictly not entertaining as per its promises made. But if you are really interested in con-men films then do watch both "Bedtime Story" and "Dirty Rotten Scoudrels" to know the difference in treatment given to the plot by their respective directors.