The Field of Blood

This is a good movie, with a well acting female lead as the newspaper copy-girl Patricia who dreams of becoming a reporter and stumbles upon clues on a child murder in the area. However it is not great, and the thick Glasgow accent of all involved makes it even less accessible to non English audiences.

I don't know why they called it a series, either, as it is really a two parter film. Maybe they intended to continue it with the adventures of this tiny girl in this tiny community of uber-Catholic tiny minded people, but what would have been the point?

Bottom line: a nice watch, with convincing acting and script, some thrills and a true glimpse of Glasgow in the 70-80's. Subtitles don't hurt, either. Peter Capaldi plays in this one, as a secondary character.

Why are there these great mini series made years without another season leaving us hanging? Good acting and interesting stories just wasted for some other tripe that's on I don't get it?

This millennium has seen a big blooming of solid (mini-)series, often at the expense of films focusing on topics and audiences not to my taste any more. New angles and approaches have been developed or deepened, and distinct performers employed. Being a vast country with numerous distinct folks and regions, the UK has an endless potential to "fit in" crimes into dozens of places where local and tourists can have their joy of recognition.

The Field of Blooda takes us into the 1980ies Glasgow, when the biggest technical facilitators for both the police and journalism were pagers and then unconnected PCs... On the other hand, you could smoke and drink almost everywhere and a lot :) The crimes were still severe, and journalists have always had to "be creative" for obtaining information, but the world in those days was rather reserved than open.

Apparently the atmosphere is well created and the characters realistic, but the leading performance (Jayd Johnson as Paddy Meehan) fell down on two smaller performances - David Morrissey as Murray Devlin and Peter Capaldi as Dr. Pete Walker, particularly in dialogues. Thus "only" 7 points from me, as I have recently seen UK crime series more versatile and interesting, e.g. Shetland, What Remains, Luther, and others.

Not many problems with Season 1, other than the male co-workers calling an obviously smart, fit and gorgeous young woman fat ugly and stupid. There was no preaching and no unecessary PC additions that always crop up in these dramas. The plot was dark, tragic and horrible. Acting was superb and the story unfolded in a timely and believable manner. 9 for Season 1. Five for Season 2, because sadly Season 2 didn't come close to sustaining this. The writers got in way over their heads with plot, involving government agencies and trade unions. Fell flat and didn't fly at all. Characters doing things so incredible stupid nobody would swallow their actions. Throw in some man bashing/hating and a main character revealing his preference for men and you have a typically cliche European drama. Still a solid offering and extremely watchable.

Lead actress put in a fine effort, despite a crap script.

David Morrissey never could act and Katherine Kelly playing the new editor is a cliche. She should try soap operas.. Her overacting along with the obviously male writing team shocker of a script insults all working women.

Even in the early 80's the blokes weren't all uniformly horny, dimwitted and misogynist & senior women didn't pout and posture trying to look menacing & looking like a parody & young female reporters weren't ready to screw everything walking no matter how ambitious they were.

Shocking use of some great actors, the mother played by expended wonderful Branagh Gallagher a cardboard cutout, the supporting actors had far more gravitas and talent than Morrissey and Kelly.

No wonder Jonas Armstrong got out of it after two episodes.

Hope the lead actress got a better series and script after this mess.