VALUTAZIONE IMDb
7,8/10
53.375
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaJanardhan Jakhar chases his dreams of becoming a big Rock star, during which he falls in love with Heer.Janardhan Jakhar chases his dreams of becoming a big Rock star, during which he falls in love with Heer.Janardhan Jakhar chases his dreams of becoming a big Rock star, during which he falls in love with Heer.
- Premi
- 40 vittorie e 39 candidature totali
Recensioni in evidenza
I have to say that watching this movie ALONE in an empty movie theatre added several dimensions to the whole experience of watching ROCKSTAR.
My first comment is to Imtiaz Ali-- What were you thinking, bro? To actually have the gumption to create a love story around the idea of ethereal and eternal love as envisioned by the great Sufi Master Rumi in the land of DABANGG and BODYGUARD? Did you really think that audiences (read THE COMMON MAN) would throng cinemas and multiplexes to get a taste of sublime love?
For sublime love is the thread that binds this beautiful bitter sweet tale together. It is a love story written in the idiom of NorthIndian/Kashmiri/Sufi culture, of dargahs, of spirituality, of Delhi University Campus insider jokes, of the topography of North India, especially Kashmir and I fear the film could be condemned with the "E" word--elitism.
The starting point of the story is a young ordinary low middle class callow youth who is a wannabe singer, strumming his guitar to ordinary lyrics hoping to make it big. He is accused of being shallow by his mentor and advised to seek out "PAIN" in order to light the creative spark, that divine glow that accompanies great art. Unbeknownst to him, his casual and frivolous flirtation with this search for angst leads him into the deep end where he has to come face to face first with true love and then with the inevitable pain that comes with it.
The dialogues are fabulous. So is the cinematography. The snow clad mountains of Kashmir and the misty mornings of New Delhi, the green fields full of flowers in Prague place the story in the here and now when in truth the story could belong to any era, any century, any epoch. The universality of love, the self realisation that comes with it, the realisation that this life is but a dream is what the movie is really about. The essence of the story is not in the physicality of love but love beyond the here and now, beyond right and wrong and love for the Creator who was there when there was nothing else.
See what I mean when I ask Imtiaz--what were you thinking, bro?
And now for the piece de resistance-the music, the lyrics, the singer.
If there were any doubts being expressed by the hoi polloi about A R Rehman's diminishing creativity well then, here is his rebuttal.
The music is earthy, rooted in our traditions and culture, and designed to rock. It's astonishing how Rehman is able to dive into the musical traditions of the Punjab to create the "Saada Haq" and "Katiyaan Karoon". Irshad Kamil's lyrics, if you take the time to listen to the songs and understand the words, are beyond compare. Mohit Chauhan's voice is eminently suitable for all the songs. My favorite is "Naadaan parinde, ghar aajaa" Listen to the lyrics and cry.
We have been enjoying a lot of junk food lately. Now it's time for some haute cuisine.
My first comment is to Imtiaz Ali-- What were you thinking, bro? To actually have the gumption to create a love story around the idea of ethereal and eternal love as envisioned by the great Sufi Master Rumi in the land of DABANGG and BODYGUARD? Did you really think that audiences (read THE COMMON MAN) would throng cinemas and multiplexes to get a taste of sublime love?
For sublime love is the thread that binds this beautiful bitter sweet tale together. It is a love story written in the idiom of NorthIndian/Kashmiri/Sufi culture, of dargahs, of spirituality, of Delhi University Campus insider jokes, of the topography of North India, especially Kashmir and I fear the film could be condemned with the "E" word--elitism.
The starting point of the story is a young ordinary low middle class callow youth who is a wannabe singer, strumming his guitar to ordinary lyrics hoping to make it big. He is accused of being shallow by his mentor and advised to seek out "PAIN" in order to light the creative spark, that divine glow that accompanies great art. Unbeknownst to him, his casual and frivolous flirtation with this search for angst leads him into the deep end where he has to come face to face first with true love and then with the inevitable pain that comes with it.
The dialogues are fabulous. So is the cinematography. The snow clad mountains of Kashmir and the misty mornings of New Delhi, the green fields full of flowers in Prague place the story in the here and now when in truth the story could belong to any era, any century, any epoch. The universality of love, the self realisation that comes with it, the realisation that this life is but a dream is what the movie is really about. The essence of the story is not in the physicality of love but love beyond the here and now, beyond right and wrong and love for the Creator who was there when there was nothing else.
See what I mean when I ask Imtiaz--what were you thinking, bro?
And now for the piece de resistance-the music, the lyrics, the singer.
If there were any doubts being expressed by the hoi polloi about A R Rehman's diminishing creativity well then, here is his rebuttal.
The music is earthy, rooted in our traditions and culture, and designed to rock. It's astonishing how Rehman is able to dive into the musical traditions of the Punjab to create the "Saada Haq" and "Katiyaan Karoon". Irshad Kamil's lyrics, if you take the time to listen to the songs and understand the words, are beyond compare. Mohit Chauhan's voice is eminently suitable for all the songs. My favorite is "Naadaan parinde, ghar aajaa" Listen to the lyrics and cry.
We have been enjoying a lot of junk food lately. Now it's time for some haute cuisine.
JJ aka JORDAN / Ranbir Kapoor Rocks.....Saddaaaaaaaa Haqqqq......Loved Rockstar movie a lotttttttttt......From Screenplay to story or Direction to Music N above all acting from the all the character is like mind-blowing ...........Will be watching it again tomorrow...This is not a feel good movie and I know a lot of people will not like it but yes it will make you think even after the lights are on.....This movie is the best film of 2011....RK is amazing and ARR score rocks....Deserves all major awards....OVERALL AN OUTSTANDING FILM which is connected to most of us...Rating 9/10....oh ya ya ya y...o yaaaaaaa.....
I believe good directors are great Narrators. That is what enables them to breathe life into a mere series of scenes. And when the story being told is their own or perhaps very close to them, they break the surly bonds of commercial success themes and formulas. Movie then becomes a ruthless pursuit to expose and convey the most naked emotions buried within the story. Many times such an attempt becomes an awkward experience for us as a viewer. Sometimes it turns into a masterpiece. Rockstar is the latter.
This movie, too, is a signature imtiaz Ali movie where he yet again explores the most famous four lettered invention called "Love". However, this time its portrayed as an unverbalized camaraderie between a Jim Morrison idolizing artist, yearning to be a Rockstar, and a College sweetheart soon to be married off into affluence. Janardhan Jhakar (Ranbir K), is searching for a heartbreak to happen as it will fuel his creativity and hence his dream to be a rockstar. He bumps into Heer (Nargis Fakhri), believing getting dumped by her should seal the deal. But mindless fooling around soon blossoms undetected and before they know has grown into a chronic tumor of love.
By the time they realize this its too late. Though it may seem formulaic, Imtiaz's treatment of the subject is very unique. So much that it transcends from a Raw human emotion to borderline supernatural and yet seems very beautifully plausible. People complain about a slow second half have missed the point. I guess they were waiting for something to happen while missing to savor some of the most beautiful unsaid portrayals of love.
Imtiaz experiments with non-linear editing in this one and has done some really cool stuff. Its like a novel which tells you in the first 5 lines that the protagonists dies in the end and grips the reader wondering how did that come to pass. The Cinematography too is brilliant and has produced one of the most memorable scenes of Bollywood cinema. At least for me. To top it all off is a shell of fresh and innocent humor which helps the movie remain easy going and yet not loose its depth.
Ranbir has arguably done a marvelous job, for his role is that of silent anguish, which can easily become one of a chronic constipation in the hands of a clumsy actor. He has also done one of the most close to reality portrayal of a guitarist within Bollywood and should be given credit for that.(looking at Rampal in rock on). Nargis is a Newcomer and is just that, a novice, however she is as beautiful as she is delicate and portrays her character well enough.
Last but not the Least, A R Rehman, trademarks the soundtrack with Kun Faya and cranks up the distortion with Saada Haq. (it has liberal sprinkling of guitar riffs and some good ones at that). Orianthi lends her gifted talent to this song. The Music is a true soul of the movie.
With a climax which can send jitters into many Bollywood directors this movie is definitely a feather in imtiaz Ali's Cap.
A Must watch by me, but then I am a sucker for Imtiaz Ali movies, hence a Pinch of salt is advised.
This movie, too, is a signature imtiaz Ali movie where he yet again explores the most famous four lettered invention called "Love". However, this time its portrayed as an unverbalized camaraderie between a Jim Morrison idolizing artist, yearning to be a Rockstar, and a College sweetheart soon to be married off into affluence. Janardhan Jhakar (Ranbir K), is searching for a heartbreak to happen as it will fuel his creativity and hence his dream to be a rockstar. He bumps into Heer (Nargis Fakhri), believing getting dumped by her should seal the deal. But mindless fooling around soon blossoms undetected and before they know has grown into a chronic tumor of love.
By the time they realize this its too late. Though it may seem formulaic, Imtiaz's treatment of the subject is very unique. So much that it transcends from a Raw human emotion to borderline supernatural and yet seems very beautifully plausible. People complain about a slow second half have missed the point. I guess they were waiting for something to happen while missing to savor some of the most beautiful unsaid portrayals of love.
Imtiaz experiments with non-linear editing in this one and has done some really cool stuff. Its like a novel which tells you in the first 5 lines that the protagonists dies in the end and grips the reader wondering how did that come to pass. The Cinematography too is brilliant and has produced one of the most memorable scenes of Bollywood cinema. At least for me. To top it all off is a shell of fresh and innocent humor which helps the movie remain easy going and yet not loose its depth.
Ranbir has arguably done a marvelous job, for his role is that of silent anguish, which can easily become one of a chronic constipation in the hands of a clumsy actor. He has also done one of the most close to reality portrayal of a guitarist within Bollywood and should be given credit for that.(looking at Rampal in rock on). Nargis is a Newcomer and is just that, a novice, however she is as beautiful as she is delicate and portrays her character well enough.
Last but not the Least, A R Rehman, trademarks the soundtrack with Kun Faya and cranks up the distortion with Saada Haq. (it has liberal sprinkling of guitar riffs and some good ones at that). Orianthi lends her gifted talent to this song. The Music is a true soul of the movie.
With a climax which can send jitters into many Bollywood directors this movie is definitely a feather in imtiaz Ali's Cap.
A Must watch by me, but then I am a sucker for Imtiaz Ali movies, hence a Pinch of salt is advised.
This is seriously Imtiaz's Best film yet!!!! When the movie end, i kept asking myself how is it possible to narrate a story like this... Story wise, absolutely amazing!!! What you guys will see in the trailer is just 1% of the movie!!!! Ranbir Kapoor was amazing too, balancing the right emotions at the right time. Some Amards should be waiting for him now... definitely AR Rahman stole the whole movie with 14 Top charting music!!!! Every Music suits the story every single time. Well he isn't called genius without a reason.
For me, its the Best Album of the year and potentially the best movie if the year!!!! All Credits goes to Imtiaz Ali for such great story/content.
For me, its the Best Album of the year and potentially the best movie if the year!!!! All Credits goes to Imtiaz Ali for such great story/content.
Pros:
Abrupt start and unfinished end,always catchy!
Love,attraction,passion,pain,loss,destruction-everything in a pack.
Movie includes flashbacks and frames so nicely arranged,that story always remains on track and with ease.
Supporting casts are so in script,no any distraction or out of track leads.
Raw footage beautifies the movie,editing is nicely done and skipped.
Ranbir-Nargis chemistry is uncommonly beautiful.
Songs are sung outstandingly by Mohit Chauhan and performed equally well by Ranbir.Made for each other duo.
Lyrics are inseparable from situation,really well written.
Cons:
Nargis is overwhelmingly beautiful but utterly noob while acting.
---------
Not many directors could have justified the script like Imtiaz Ali.
Music couldn't have been better than by the Academy award winner A.R.Rehman,it takes you to out of world.
and Ranbir Kapoor,real rockstar from the movie has shown that,he is ready to make the bollywood biggies insecure.
Outstanding movie!!!above the average of bollywood.
Abrupt start and unfinished end,always catchy!
Love,attraction,passion,pain,loss,destruction-everything in a pack.
Movie includes flashbacks and frames so nicely arranged,that story always remains on track and with ease.
Supporting casts are so in script,no any distraction or out of track leads.
Raw footage beautifies the movie,editing is nicely done and skipped.
Ranbir-Nargis chemistry is uncommonly beautiful.
Songs are sung outstandingly by Mohit Chauhan and performed equally well by Ranbir.Made for each other duo.
Lyrics are inseparable from situation,really well written.
Cons:
Nargis is overwhelmingly beautiful but utterly noob while acting.
---------
Not many directors could have justified the script like Imtiaz Ali.
Music couldn't have been better than by the Academy award winner A.R.Rehman,it takes you to out of world.
and Ranbir Kapoor,real rockstar from the movie has shown that,he is ready to make the bollywood biggies insecure.
Outstanding movie!!!above the average of bollywood.
Lo sapevi?
- QuizThe film was shot in reverse as the crew didn't want to break the continuity of Ranbir Kapoor's hairstyle. So the climax with long hair was shot first.
- BlooperAt around 35 minutes mark when Jordan and mandy are playing a game together at heer's house, the monitor shows a single player version of a racing game whereas it should've been multiplayer game.
- Citazioni
Janardan Jakhar: Out beyond ideas of wrongdoing and rightdoing, there is a field. I'll meet you there.
- Curiosità sui creditiA picture of Shammi Kapoor is shown with "Yahoo!" written around it in the start as a tribute.
- Versioni alternativeThe CBFC (Indian Censor Board) required the filmmakers to mute several English and Hindi expletives-specifically words like "sex," "bastard," and a Hindi profanity-throughout the film's audio if they wanted the U/A (PG-12) certificate. Otherwise, it would have received an "A" (adults only) rating. In one of the film's key songs, "Sadda Haq," a crowd scene shot at Dharamsala included people holding "Free Tibet" banners and Tibetan flags. The CBFC demanded these visuals be either deleted or blurred to avoid political controversy with China. The filmmakers ultimately chose to blur the banner to obtain U/A certification. This decision led to protests by Tibetan supporters and activists, calling it a suppression of free speech .
- ConnessioniFeatured in 57th Idea Filmfare Awards (2012)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Ngôi Sao Nhạc Rock
- Luoghi delle riprese
- Praga, Repubblica Ceca(Czech Republic)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.920.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 986.697 USD
- Fine settimana di apertura Stati Uniti e Canada
- 612.235 USD
- 13 nov 2011
- Lordo in tutto il mondo
- 11.227.859 USD
- Tempo di esecuzione
- 2h 39min(159 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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